Interviews with Palestinians living in Lebanese refugee camps, some of it shot in Sabra and Shatila before the massacre.
No overview available.
Tawfiq’s Reef chronicles the plight of Palestinian fishermen in Gaza, heavily restricted in the area in which they can fish, often indebted, shot at, harassed or imprisoned by the Israeli Navy on the narrow sliver of fishing waters available to them off the Gaza coastline, making this one of the most dangerous professions in the world.
Set in the al-Mishal Cultural Center in Gaza before it was destroyed by an Israeli air strike on August 9, 2018, A Play Before The Bombs is a story that unfolds over a 4 year period. The film follows Abeer Ahmed, a young woman growing up in the Jabaliya Refugee Camp, the largest refugee camp in Gaza, as she and the other members of her cast and crew prepare to put on a play that focuses on a Palestinian woman’s right to receive inheritance. While the content of the play is tailored towards fostering a cultural discussion among Palestinians, neither the play nor the playhouse can escape the omnipresence of the Israeli siege on Gaza. A siege that shatters literal buildings as well as the hopes and dreams of the performers and community members who take refuge within the walls of al-Mishal in search of artistic fulfillment.
In July 1988, Mizue Furui was in the Gaza Strip and West Bank with her camera as a rookie freelance journalist. Covering the Palestinian condition, she became acquainted with Ghada Ageel, a 23-year-old teacher at an elementary school, in November 1993 and started shooting her life up to when she turned 35. The 12 years Furui spent shooting still and video images has borne fruit in a documentary titled "Ghada -- Songs of Palestine," which will be released in Uplink Theater in Shibuya Ward, Tokyo, in May as a rare report on women in the traditionally male-oriented Palestinian society.
A portrait of two Palestinian women whose individual struggles both define and transcend the politics that have torn apart their homes and their lives. Farah Hatoum, a widow living with her children and grandchildren, and Sahar Khalifeh, a novelist from the West Bank.
"Gaza Is Our Home" is a profoundly personal documentary that peels back the layers of devastation within the Gaza Strip, as witnessed through the lens of filmmaker Monear Shaer. His debut documentary was created out of agony as a timely, impactful, and tragic response to the collective anguish of all who call Gaza home... What began as an auto-generated slideshow on Monear’s iPhone of his own trip to see his family in 2021, has since transformed into a feature-length documentary. Through a tapestry of intimate interviews, unfiltered personal footage, and raw storytelling, "Gaza Is Our Home" transcends the political rhetoric and confronts audiences with the agonizing reality and ongoing cruelty thrust upon the film-makers own family. It is more than just a documentary... Rather, "Gaza Is Our Home" stands as a testament to the humanity behind the over 33,362 innocent lives massacred since Oct 2023...
A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.
In May 1974, the Israeli Air Force carried out an extermination operation against the Palestinian refugee camp Nabatiyeh. With this as a starting point, it is reviewed how the last 50 years of Zionist colonization of Palestine have partly led to the establishment of the state of Israel, partly to the expulsion of a people, the Palestinians, from their land. The film shows scenes of daily life in Palestinian refugee camps. We hear various of the inhabitants talk about their desire to return to their country, and we follow how the resistance movement works to free women from their traditional backward role. At the same time, the emergence of the armed resistance struggle is analysed, and the significance of the latest military technological developments for guerilla wars in the 3rd world is explained.
Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
An estimated 12 million people live in refugee camps worldwide and only 0.1% are resettled, repatriated, or integrated into normal society each year. The feature-length documentary.
With the most tech startups and venture capital per capita in the world, Israel has long been hailed as The Startup Nation. WIRED’s feature-length documentary looks beyond Tel Aviv’s vibrant, liberal tech epicenter to the wider Holy Land region – the Palestinian territories, where a parallel Startup Nation story is emerging in East Jerusalem, Nazareth, Ramallah and other parts of the West Bank, as well as in the Israeli cybersecurity hub of Be’er Sheva. And we will learn how the fertile innovation ecosystem of Silicon Wadi has evolved as a result of its unique political, geographical and cultural situation and explore the future challenges – and solutions – these nations are facing.
A road trip through the hills, valleys and villages of Palestine, following Murad, the cinema-lover who has made it his mission to bring Palestinian cinema to Palestinians in forgotten and marginal communities in the West Bank.
As the Syrian war continues to leave entire generations without education, health care, or a state, Lost in Lebanon closely follows four Syrians during their relocation process. The resilience of this Syrian community, which currently makes up one fifth of the population in Lebanon, is astoundingly clear as its members work hard to collaborate, share resources, and advocate for themselves in a new land. With the Syrian conflict continuing to push across borders, lives are becoming increasingly desperate due to the devastating consequences of new visa laws that the Lebanese government has implemented, leaving families at risk of arrest, detention, and deportation. Despite these obstacles, the film encourages us to look beyond the staggering statistics of displaced refugees and focus on the individuals themselves.
The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.
The film returns to the origins of the creation of the State of Israel (from 1896 to 1948) and highlights the responsibility of the Western World.
Guy Hircefeld, a veteran who served in the Israeli military at the start of its occupation of Palestine in the 1980s, now fights against the Israeli occupation. His only weapon is a camera.
A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.
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