14 years after his first visit, Louis Theroux meets some of the growing community of religious-nationalist Israelis who have settled in the occupied West Bank.
In May 1974, the Israeli Air Force carried out an extermination operation against the Palestinian refugee camp Nabatiyeh. With this as a starting point, it is reviewed how the last 50 years of Zionist colonization of Palestine have partly led to the establishment of the state of Israel, partly to the expulsion of a people, the Palestinians, from their land. The film shows scenes of daily life in Palestinian refugee camps. We hear various of the inhabitants talk about their desire to return to their country, and we follow how the resistance movement works to free women from their traditional backward role. At the same time, the emergence of the armed resistance struggle is analysed, and the significance of the latest military technological developments for guerilla wars in the 3rd world is explained.
Many prophets who authored the Tanakh of the Jews prophesied about the fate of the Jewish people and the State of Israel.
Arrels Fundació's experience with housing first in the city of Barcelona, a policy that offers permanent housing to homeless people. The documentary features both professionals and volunteers from Arrels, as well as people like Lluís, Pedro, or Manuel, who already have their own homes.
Amos Gitai returns to the occupied territories for the first time since his 1982 documentary FIELD DIARY. WEST OF THE JORDAN RIVER describes the efforts of citizens, Israelis and Palestinians, who are trying to overcome the consequences of occupation. Gitai's film shows the human ties woven by the military, human rights activists, journalists, mourning mothers and even Jewish settlers. Faced with the failure of politics to solve the occupation issue, these men and women rise and act in the name of their civic consciousness. This human energy is a proposal for long overdue change.
The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.
Sima Shimony, age 69, embarks on a mission to find her friends and staff from the "ALYN" Institute for Children with Disabilities, which was situated in the secluded San-Simon monastery in Jerusalem, during the 1960s. Armed with a small camera attached to her wheelchair, she sets off on a journey across the country together with her friend Pini Newirth, also a polio child, to unfold and reclaim the story of the children affected by the Polio epidemic. In a futile attempt to rebuild their bodies so they could walk, the children were subjected to excruciating medical procedures with no parents or family at their side. But growing up together forged a group of remarkable, self-driven women and men with disabilities who eventually launched the Disability Rights movement in Israel.
Like all Israeli youth, Atalya is obligated to become a soldier. Unlike most, she questions the practices of her country's military, and becomes determined to challenge this rite of passage. Despite her family's political disagreements and personal concerns, she refuses military duty and is imprisoned for her dissent. Her courage moves those around her to reconsider their own moral positions and personal power. OBJECTOR follows Atalya to prison and beyond, offering a unique window into the Israeli-Palestinian conflict from the perspective of a young woman who seeks truth and takes a stand for justice.
Samer lives in Ramallah in the West Bank. His family lives in Gaza, one hour away. They have not seen each other for six years. When Mustafa went for a visit to Gaza in 2006, he was 18 years old. He was never allowed to return – his mother Hekmat has been fighting to see him again for seven years now. Two families torn apart. They share the same “crime”: being registered with a Gaza address in their Identity Cards. Under Israeli rule, they are considered “infiltrators” in their own country. Their lives have turned into a permanent struggle. Parents can only talk to their sons on the phone; sisters can only see their brothers on the internet – mothers and their children fighting to be together at last…
Danish documentary from 2025.
Follow the lives of four young people trying to survive the Israel-Hamas war as they hope for a ceasefire - a vivid and unflinching view of life in a warzone.
Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.
While serving with the African Union, former Marine Capt. Brian Steidle documents the brutal ethnic cleansing occuring in Darfur. Determined that the Western public should know about the atrocities he is witnessing, Steidle contacts New York Times reporter Nicholas Kristof, who publishes some of Steidle's photographic evidence.
Documentary film about ethnic cleansing in the Prigorodny district in October-November 1992.
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.
Relentless: The Struggle for Peace in the Middle East was produced by the pro-Israel media watchdog group HonestReporting [sic]. The concentrates on the causes of the Second Intifada through an examination of compliance the Oslo Accords, by Israel and the Palestinian Authority. It pays particular attention to the failure of the Palestinian Authority to "educate for peace". The documentary shows interviews with Itamar Marcus, director of Palestinian Media Watch, S. El-Herfi, Raanan Gissin, Caroline Glick, John Loftus, Sherri Mandel, Yariv Oppenheim, Daniel Pipes, Tashbih Sayyed and Natan Sharansky.
A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.
The film follows journeys of observational tours solicited by the Palestinian Museum and conducted by two professors from Birzeit University to collect photos of and information on the Palestinian Flora. The title is adapted from a collection of 123 images (circa 1900 to 1920) of wild flowers in Palestine found in the Matson Collection in the Library of Congress. Despite the tendency to trace the wild plants, the text in general aims at questioning the territorial extension of what is meant by the term “Palestinian”, while standing on insignificant topographical features of the (postcolonial) landscape in West Bank. Furthermore, it addresses photography as a practice and a tool of distributing and restricting information at once.
In 2020, just as the pandemic was beginning, Gazala purchased land in western Ohio, on which sits a disused school building. This site allowed her to explore her complex relationship with “the land.” As the daughter of displaced indigenous Palestinians, she attempts to form a proxy bond with the earth, on ground that was stolen from the displaced indigenous Shawnee people. Closeness to the Land is video footage of hand-painted text signs that translate the word الأرض (ard) into six English words, displayed performatively in multiple locations to capture the now-invisible nature of indigenous culture in Ohio. These signs were installed on the old schoolhouse in early 2021.
EXODUS is an intimate, lyrical portrait of Trinity Copeland and Assia Serrano as they struggle to make sense of their lives post-release, exploring the overarching question of: What does life after prison look like? Grappling with the weight of what they’ve done—and what society has done to them—the film explores the burden of absence, the toll of separation, and what it takes to rebuild fractured bonds.
Self
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