Faces of Emmanuelle

Nov 27, 2014

0h 28m

★ 4.0

Overview

An exploration of the VHS medium and the subterranean trash which thrived in it. Using source material from Emmanuelle 6, this DVD-R/VHS further blurs the line between low and high art. Beautiful cinematography coupled with smut. Strategic pauses and tracking errors guides the viewer to discover the true depth and sadness of the seemingly one-dimensional Emmanuelle. Soaring arpeggio synths and pulsating rhythms by Rob Feulner. The utter destruction of arguably the most beautiful film never seen, lost and forgotten on the shelf of your local video store, behind the cowboy doors or dangling beads. Written off as pornography by most, written off as too soft by creeps. This is the plight of Emmanuelle.

Genres

Production Companies

Bleu Nuit Video

Faces of Emmanuelle Trailers

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Cast

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A feminine machine, stuffed with modern nano-technology and useless operations is depicted in this mixed-media 2D animation short, highlighting the consequences of consumerism and the downfall of civilized society. The machine reminiscent of a two-dimensional video game, leads to a destructive chain reaction after a strange malfunction, with people turning into clones and robots.

0.0

Hideo, It's Me, Mama

May 2, 1986

HIDEO, It's Me, Mama is a psychological melodrama that introduces narrative and structural devices that are integral to Idemitsu's work. Exploring the flawed universe of the contemporary Japanese family, she focuses on a woman's identity as mother through mother-child and husband-wife relationships. Hideo, a young man living away from his parents, is kept under constant surveillance by his doting mother via an omnipresent television monitor. In a cogent metaphor for familial relations in the media-saturated culture of contemporary Japan, Mama can only communicate with her beloved, absent son through the video screen. Idemitsu's poignant irony is embodied in the scene in which Mama, blind to her husband's needs, caresses Hideo's video image. (Electronic Arts Intermix)

10.0

Every Ambulation a Betrayal

May 23, 2017

Return to 'burn' only to find out you're already in that urn.

10.0

We Could All Do With a Little Back & Forth As Far As It Concerns the To & Fro of Everywhere Each of Us Go

May 23, 2017

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

No Image Available

0.0

Eva Maria

Nov 26, 2013

At the beaches of Aracaju(Brazil), popsicle sellers believe in the myth of a girl dressed in white called Eva Maria.

7.5

The Mind and the Crime

Jan 1, 1961

The discovery of a human torso thrown into a waterway, leads the viewer to observe the work of modern criminology and the task of special agents to track and record the psychopath's mentality through the elucidation of techniques present in the reality of the police investigation.

1.0

Playtime

Nov 7, 2013

Playtime’s cosmopolitan spectacle, presented in a kaleidoscopic montage across seven large screens, interconnects the lives of its archetypical characters—hedge fund managers and art world players in London; a photographer in Reykjavik; and a Filipina houseworker in Dubai—each of whom is based on a real-life individual directly affected by the market collapse.

No Image Available

0.0

Enough Cuts for a Murder

Jan 1, 1978

“…a series of ellipses linked by a restless camera in search of diverse characters who appear not only as outsiders but as refugees from other films, from other constructs! An experimental musical/thriller. The body of the film is set in “Europe” and consists of a number of isolated passages using a variety of cast, locations and languages.” (from: http://explore.bfi.org.uk/4ce2b6d993b6a)

5.2

Trash Humpers

May 7, 2010

Follow a small group of elderly “Peeping Toms” through the shadows and margins of an unfamiliar world. Crudely documented by the participants themselves, we follow the debased and shocking actions of a group of true sociopaths the likes of which have never been seen before. Inhabiting a world of broken dreams and beyond the limits of morality, they crash against a torn and frayed America.

0.0

Four Poems

Apr 4, 2025

Four Poems is a series of video poems in which the horizontal lines of a poem, usually composed of text, have been substituted for horizontal lines of moving image. The piece explores what remains of a poem when its language is removed, and how images might interact with each other in similar or different ways to words. It asks whether rhyme, rhythm, sibilance, or dissonance, might be effectively created by juxtaposing images. It also asks whether arranging images might create a sense of authorship, intentionality, or a tone of voice, in the way that arranging words might. Finally, Four Poems invites the viewer to consider how they might ‘read’ a poem – does a reading have to occur from top-to-bottom, or might new interpretations be possible when the moving parts of the poem can all be seen at once?

0.0

The Last Birthday

Nov 24, 2017

An experimental re-telling of the last days of the Romanov sisters.

0.0

Toxic City Music - Evan Caminiti & Paul Clipson at ISSUE Project Room

Oct 20, 2017

Inspired by the “psychic and physical toxicity of life in late capitalism,” Evan Caminiti’s Toxic City Music utilizes sounds sourced from daily life in NYC. These found sounds are heavily processed and woven into instrumentation ranging from electronically treated guitar to modular synthesizers. Toxic City Music evolved over the course of several years, resulting in a wealth of material which will be re-processed and uniquely presented in an improvisatory manner in live performance. The Wire describes the new work as "The sound of things falling apart with unbearable slowness…[with Caminiti] reporting his observations with acuity, integrity, and artfulness."

7.0

The Devonsville Train: Establishing Shots 1

Nov 23, 2021

A series of shots from six 1970s and 1980s horror films are slowed down to near-still moving images. First feature-length piece in the video art series "The Devonsville Train."

4.2

Blow Job

Jul 16, 1964

Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.

0.0

Your Ecstatic Self

Feb 17, 2020

Your Ecstatic Self is a conversation unfolding in a car with Sajid, the artist’s brother. As the journey progresses Sajid discusses his engagement with the philosophy and practice of Tantra, having spent the majority of his 44 years as a strict Sunni Pakistani Muslim. Placing the idiosyncrasies of western fetishism towards eastern philosophical traditions alongside cultural orthodoxies and ancestral knowledge, Your Ecstatic Self takes up multifaceted expressions of desire, intimacy and sexual agency.

4.3

Claudette's Star

Dec 5, 2019

Acting as part ode and through a series of interpretations, Claudette’s Star depicts young artists considering with sheer wonder who is given a voice.

7.0

Straits of Magellan: "Drafts and Fragments"

Feb 13, 1974

A sampling of forty-nine fragments from Frampton's catalogue of 'actualities', the films from STRAITS OF MAGELLAN: "DRAFTS AND FRAGMENTS" are all silent and unedited. Several invoke, directly, the work of the Lumieres, as in Frampton's reworking of DEMOLITION D'UN MUR (1895) in which a dilapidated farm silo is demolished in place of the Lumieres' wall. He makes reference to his own work and plays homage to the work of contemporaries. A complex range of formal issues are raised in other fragments. Finally, Frampton offers a number of analogues for the act of filming and cinematic seeing that includes a series of appropriated 'lenses' ( a stone portal, a wooden silo) and a set of 'screens' a pool of water, curtains, a dusty window).

0.0

Living in the World

Jan 1, 1985

An auto-documentary about a disenfranchised Everyman and his struggle to re-integrate himself into society. He fails and turns to crime.

0.0

Suena la trompeta, ahora veo otra cara

Jan 1, 2007

A homage to Andrei Tarkovski made for the Spanish edition of the Chris Marker movie 'Une journée dans la vie d’Andrei Arsenevich'.

4.0

París #1

Jan 1, 2008

A group of friends share a cinematographical experience in a particular region of Spain, Galicia. The goal is simple: to film what they like, without preconceived ideas about what should be filmed. They want their images to reflect the feelings that unite them with the people they find along the way.