An interview with a WWII Red Cross official who wrote a glowing report on a Jewish ghetto-cum-death camp.
Self - Interviewer
Self
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As the campaign to force Jews out of Germany ramps up, the American government blocks efforts to help rescue many of these displaced persons, and Americans' antisemitism only seems to get worse.
This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect Peter Eisenman. Reaction of the German public to the completed memorial is also shown.
Let's keep it is a cinema documentary (99') about the still problematic attitude of the Republic of Austria towards the restitution of "aryanized" real estate which - for whatever reason - became the property of Austria after 1945. The film is also the director's bow to the victims of the darkest chapter of Austria's recent history. A chapter that seems to have been extended to a certain extent when it comes to restitution of looted property to the descendants of Holocaust victims.
Shortly before Christmas 1744, Vienna, the center of power in the Habsburg Empire, is the scene of a disastrous drama with repercussions for the whole of Europe. Against the spirit of enlightenment and tolerance, the very young Maria Theresa orders the expulsion of the allegedly disloyal Jews from Prague.
About the nurses who used their professional skills to murder the handicapped, mentally ill and infirm at the behest of the Third Reich and directly participated in genocide.
The animate body as a medium for the celebration of life is on display as a young Jane Korman dances with her parents and their friends, all of whom are Holocaust survivors, in an Australian forest.
Filmed in 1983, during the presentation of Peter Weiss' play at the Fred Barry theater at UQAM. This document exposes us to a play dealing with the Shoah, and its intention to present the medium of video as a specific language.
By tracking scientists and Holocaust survivors in Lithuania, The Good Nazi tells the story of a Schindler-type Nazi officer who turned his back on his dark ideology and risked his life to save hundreds of Jews.
The Holocaust is one of the most documented, witnessed and written about events in history, so why is Holocaust denial back on the political agenda? What has happened in the 75 years since the liberation of the camps to have so skewed the picture? And, if it matters, why does it matter?
A double portrait of two dictators who were thousands of miles apart but were constantly fixated on each other.
In an article on the Vatican and the holocaust at Jewish Virtual Library it says: “Pope Pius XII’s (1876-1958) actions during the Holocaust remain controversial. For much of the war, he maintained a public front of indifference and remained silent while German atrocities were committed. He refused pleas for help on the grounds of neutrality while making statements condemning injustices in general. Privately, he sheltered a small number of Jews and spoke to a few select officials, encouraging them to help the Jews.” This is a highly interesting documentary on this controversy.
Lithuania, 1941, during World War II. Hundreds of thousands of texts on Jewish culture, stolen by the Germans, are gathered in Vilnius to be classified, either to be stored or to be destroyed. A group of Jewish scholars and writers, commissioned by the invaders to carry out the sorting operations, but reluctant to collaborate and determined to save their legacy, hide many books in the ghetto where they are confined. This is the epic story of the Paper Brigade.
This Emmy Award-winning documentary traces the rise of Nazism in general and the career of Adolf Eichmann in particular by documenting the small incremental steps the Nazis took to introduce their ideology of anti-semitism in Germany and Nazi-occupied Europe during World War II.
This story follows one man's quest to uncover the origins and reveal the mysteries of a possible Holocaust artifact some historians now say never existed: lampshades made of human skin. When the flood waters of Hurricane Katrina receded, they left behind a wrecked New Orleans and a strange looking lamp that an illicit dealer claimed was 'made from the skin of Jews.'
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
The Polish city of Łódź was under Nazi occupation for nearly the entirety of WWII. The segregation of the Jewish population into the ghetto, and the subsequent horrors are vividly chronicled via newsreels and photographs. The narration is taken almost entirely from journals and diaries of those who lived–and died–through the course of the occupation, with the number of different narrators diminishing as the film progresses, symbolic of the death of each narrator.
Hamburg, Germany, 1939. Getting a passage aboard the passenger liner St. Louis seems to be the last hope of salvation for more than nine hundred German Jews who, desperate to escape the atrocious persecution to which they are subjected by the Nazi regime, intend to emigrate to Cuba.
A pig farm in Lety, South Bohemia would make an ideal monument to collaboration and indifference, says writer and journalist Markus Pape. Most of those appearing in this documentary filmed in Slovakia, the Czech Republic, Poland, France, Germany and Croatia have personal experience of the indifference to the genocide of the Roma. Many of them experienced the Holocaust as children, and their distorted memories have earned them distrust and ridicule. Continuing racism and anti-Roma sentiment is illustrated among other matters by how contemporary society looks after the locations where the murders occurred. However, this documentary film essay focuses mainly on the survivors, who share with viewers their indelible traumas, their "hole in the head".
The story of the only three minutes of footage —a home movie shot by David Kurtz in 1938— showing images of the Jewish inhabitants of Nasielsk (Poland) before the beginning of the Shoah.
A documentary chronicling the adolescent years of Elie Wiesel and the history of his sufferings. Eliezer was fifteen when Fascism brutally altered his life forever. Fifty years later, he returns to Sighetu Marmatiei, the town where he was born, to walk the painful road of remembrance - but is it possible to speak of the unspeakable? Or does Auschwitz lie beyond the capacity of any human language - the place where words and stories run out?
