An interview with Italian actress Silvia Collatina about her role in Lucio Fulci's "Murderock".
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An analysis of the critical themes in Dario Argento's 70s Giallo "Deep Red".
An interview with Nicoletta Elmi about her days as a child actress.
Author Stephen Thrower analyzing the themes and characters of Mario Bava's proto-slasher "A Bay of Blood".
Italian director Enzo Milioni reminisces about his career and his 1978 giallo "The Sister of Ursula".
Documentary about Mario Bava's film "The Girl Who Knew Too Much" and its impact on the Giallo genre.
An interview portrait of the three Italian actresses Stefania Casini, Silvia Collatina & Barbara Magnolfi.
An interview with actress Florinda Bolkan about her performances in the films "Don't Torture a Duckling" and "Lizard in a Woman's Skin".
A featurette on the career of Italian director Armando Crispino.
An interview with film critic Kat Ellinger who discusses the themes of Dario Argento's giallo "The Bird with the Crystal Plumage" and its relations to Fredric Brown's novel "The Screaming Mimi."
A feature about philosophy, perception and imprisonment in Aldo Lado's Giallo "Short Night of Glass Dolls".
A video discussion about Lucio Fulci's classic Giallo "Don't Torture a Duckling".
A video essay about 1972 Giallo "Don't Torture a Duckling", focusing on accusations of misogyny against director Lucio Fulci.
In this visual essay, author Alexandra Heller-Nicholas reflects on the recurring theme or perception in Dario Argento's filmography.
A look at the career of Italian writer/director Maurizio Pradeaux.
A visual essay about the 5 classic Giallo films by Italian director Sergio Martino.
An American newcomer to a prestigious German ballet academy comes to realize that the school is a front for something sinister amid a series of grisly murders.
After the death of their grandfather, two sisters inherit their family castle, which is said to be haunted by the Red Queen, whom legend says claims seven lives every hundred years. When a mysterious woman in a red cloak starts targeting their circle of friends, the sisters begin to suspect there might be some truth to the legend.
The world of dance can be brutal. The rehearsals are grueling. The competition is fierce. At the Arts for Living Centre in New York City, the best of the best are dying for a part in a major production. But only a select few will be chosen. The selection process seems to be at the hands of mysterious killer who pierces women's bare breasts with a hatpin, puncturing their hearts. Ambition and jealousy appear to be the motive, which makes everybody a suspect!
A group of American tourists is traveling through Spain when two of them are murdered by a mysterious serial killer who removes an eyeball from every one of its victims. The tour presses on as the murders continue, with the travelers and the police trying to deduce which one of them is the killer.
While recording sound effects for a slasher flick, Jack Terry stumbles upon a real-life horror: a car careening off a bridge and into a river. Jack jumps into the water and fishes out Sally from the car, but the other passenger is already dead — a governor intending to run for president. As Jack does some investigating of his tapes, and starts a perilous romance with Sally, he enters a tangled web of conspiracy that might leave him dead.
