A feature about philosophy, perception and imprisonment in Aldo Lado's Giallo "Short Night of Glass Dolls".
Showing his own original footage of Prague Spring, director Evald Schorm describes the atmosphere these days in 1968.
This documentary study of the mechanisms that turn the gears of the tabloids is conducted by the unique figure Pavel Novotný. This editor-in-chief of one of the most widely read Czech media outlets of the time, providing news from the world of show business and human misfortune, gets straight to the point. Readership is a fetish, an absolute alibi for all invasions of privacy and every transgression of good ethics. Seen up close, the whole cluster of disreputable reports looks like a staged tableau. Before the eager eyes of an anxious public, celebrities willingly or unwillingly perform acts that the scrutiny of the all-powerful tabloid workers attributes racy significance to.
Buď laska means please in Ukrainian and Ukraine is asking us for help. Over a thousand kilometers and 4 armored ambulances that the Czechs relied on during the first months of the war. What is it like to be in a country where war is the order of the day? What personal stories are hidden under the "anonymous mass of green uniform" of the army? And why does it make sense to help?
How incomprehensible would a higher intelligence find the plodding human species and the way it treats the Earth? And do Czechs differ in the way they care for nature?
An analysis of the critical themes in Dario Argento's 70s Giallo "Deep Red".
A stark documentary about young male prostitutes in Prague, aged 15 to 18, who work the streets, train stations, and clubs. Through candid interviews and behind-the-scenes footage of gay porn shoots, the film explores their lives, struggles, and dreams, touching on themes of exploitation, identity, AIDS, and survival.
This episode from the Czech Journal series examines how a military spirit is slowly returning to our society. Attempts to renew military training or compulsory military service and in general to prepare the nation for the next big war go hand in hand with society’s fear of the Russians, the Muslims, or whatever other “enemies”. This observational flight over the machine gun nest of Czech militarism becomes a grotesque, unsettling military parade. It can be considered not only to be a message about how easily people allow themselves to be manipulated into a state of paranoia by the media, but also a warning against the possibility that extremism will become a part of the regular school curriculum.
A personal and political biography of the Octopus, or the Prague National Library project, but also a biography of the last years of the life of the author of this design, Jan Kaplický, who wrote in his diary in 1998: to win the competition and have one love. With this entry, read by Eliška Kaplicky at the beginning of the film, it is as if the world-class Czech architect wrote not only the "script" for the final decade of his life, but also for a film that follows the dramatic social story of creative imagination and the intimate relationship between a man and a woman.
A video discussion about Lucio Fulci's classic Giallo "Don't Torture a Duckling".
A video essay about 1972 Giallo "Don't Torture a Duckling", focusing on accusations of misogyny against director Lucio Fulci.
How does it feel like to become an occupier without your own intentions? With known but also never published archival materials from the whole Europe and Russia we tell a family story of the director Anna Kryvenko about how the big politics is destroying the lives of ordinary people. Just couple of years ago the director found a family secret of her grand-uncle who came to occupy Czechoslovakia in 1968 as a Soviet soldier. When searching for grand-uncle's story the author touches themes like fragmentation of personal and national memory, inherited guilt, interpretation of history, media manipulation, relationship towards nowadays Russia, but also relationship of Czechs and Slovaks towards foreigners - themes very actual in our times.
Author Stephen Thrower analyzing the themes and characters of Mario Bava's proto-slasher "A Bay of Blood".
An interview portrait of the three Italian actresses Stefania Casini, Silvia Collatina & Barbara Magnolfi.
From Washington to Saigon, Rome to Mexico, Paris to Prague, a wave of protests shook the world. 68 looks back at the looks back at the Vietnam War, the Prague Spring and the Soviet Invasion, the Paris riots, Dubcek, Che Guevara, De Gaulle, Cohn-Bendrik and more. A dive into the chaos of a turbulent year, featuring fantastic colour footage and the music of Jimi Hendrix, Janis Joplin, Jim Morrisson and Bob Dylan.
Italian director Enzo Milioni reminisces about his career and his 1978 giallo "The Sister of Ursula".
Czech hockey is back on top! The national team won the World Championship in a way that's never been seen before. Six key players and head coach Vladimír Růžička look back on the decisive moments and behind-the-scenes events of the tournament, the 2005 Ice Hockey World Championship in Vienna and Innsbruck.
In its "velvet revolution" of 1989, the people of Czechoslovakia toppled its communist dictatorship and embraced democracy and capitalism. By January 1993, the country had peacefully split in two. In the early 1990s, thousands of American college graduates began flocking to Prague, where they could postpone entering the "real world," and live cheaply in a beautiful undiscovered European city. Throughout that decade more and more tourists crossed the statue-lined Charles Bridge in search of old world beauty previously hidden by communist isolation. But what of the people who cross the Charles Bridge on their way to work every morning? Who are the Czechs? What is their history? What is their future? My Prague Spring is an award-winning film that vividly humanizes a resilient people who have survived a tumultuous history. In the spring of 1990, a Czech-American filmmaker spent four months living with his Czech relatives, and opened an intimate window into an uncertain world.
The Sykora family are only four people out of millions of Venezuelans that have recently escaped their collapsing country. They land in the Czech Republic, the country where Grandpa Jan was born, but also a place utterly strange to them. In a matter of months their savings have almost gone and job seeking becomes a nightmare. Again, the dream of just having a normal life starts to vanish. Will the family manage not to crumble along the way?
In this visual essay, author Alexandra Heller-Nicholas reflects on the recurring theme or perception in Dario Argento's filmography.
An interview with film critic Kat Ellinger who discusses the themes of Dario Argento's giallo "The Bird with the Crystal Plumage" and its relations to Fredric Brown's novel "The Screaming Mimi."
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