A visual essay about the 5 classic Giallo films by Italian director Sergio Martino.
London 1976: Between economic crises and the Silver Jubilee, something is brewing in the squats and basement clubs of West London: Punk. A promise, a new beginning. Punk meant self-empowerment, especially for the women in the scene. For the first time, women picked up guitar, bass and drums, formed bands and wrote their own songs.
A fascinating hybrid of performance and video verité, The Continuing Story of Carel and Ferd introduces Carel and Ferd, a couple who allowed Ginsberg to produce an ongoing documentary record of the intimate moments of their relationship. Carel, a porn actress, and Ferd, a drug addict, invite the camera to participate in their wedding, their sex life, and their break-up. Produced before the landmark PBS documentary An American Family introduced television audiences to the live-in camera — and many decades before the ubiquity of reality television — this document raises questions about the relationship between subject and camera, privacy and manipulation. Originally presented as an installation, this one-hour version, which includes interviews with Carel, Ferd and Ginsberg, was distilled from thirty hours of footage recorded from 1970 to 1975. - Electronic Arts Intermix
An interview with actress Florinda Bolkan about her performances in the films "Don't Torture a Duckling" and "Lizard in a Woman's Skin".
Documentary about Mario Bava's film "The Girl Who Knew Too Much" and its impact on the Giallo genre.
An interview with Italian actress Silvia Collatina about her role in Lucio Fulci's "Murderock".
An interview with film critic Kat Ellinger who discusses the themes of Dario Argento's giallo "The Bird with the Crystal Plumage" and its relations to Fredric Brown's novel "The Screaming Mimi."
In this visual essay, author Alexandra Heller-Nicholas reflects on the recurring theme or perception in Dario Argento's filmography.
A feature about philosophy, perception and imprisonment in Aldo Lado's Giallo "Short Night of Glass Dolls".
An analysis of the critical themes in Dario Argento's 70s Giallo "Deep Red".
Italian director Enzo Milioni reminisces about his career and his 1978 giallo "The Sister of Ursula".
Author Stephen Thrower analyzing the themes and characters of Mario Bava's proto-slasher "A Bay of Blood".
An interview with Nicoletta Elmi about her days as a child actress.
A video discussion about Lucio Fulci's classic Giallo "Don't Torture a Duckling".
A video essay about 1972 Giallo "Don't Torture a Duckling", focusing on accusations of misogyny against director Lucio Fulci.
An interview portrait of the three Italian actresses Stefania Casini, Silvia Collatina & Barbara Magnolfi.
An American newcomer to a prestigious German ballet academy comes to realize that the school is a front for something sinister amid a series of grisly murders.
A razor-wielding serial killer is on the loose, murdering those around Peter Neal, an American mystery author in Italy to promote his newest novel.
After the death of their grandfather, two sisters inherit their family castle, which is said to be haunted by the Red Queen, whom legend says claims seven lives every hundred years. When a mysterious woman in a red cloak starts targeting their circle of friends, the sisters begin to suspect there might be some truth to the legend.
The world of dance can be brutal. The rehearsals are grueling. The competition is fierce. At the Arts for Living Centre in New York City, the best of the best are dying for a part in a major production. But only a select few will be chosen. The selection process seems to be at the hands of mysterious killer who pierces women's bare breasts with a hatpin, puncturing their hearts. Ambition and jealousy appear to be the motive, which makes everybody a suspect!
A young opera singer is stalked by a deranged fan bent on killing the people associated with her to claim her for himself.
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