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Lidia
Ricardo
Tatita
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A warlock whose lover has been turned to stone by a yogi tries to restore her back to life using the blood of one of her descendants.
Ludivine, 15, is facing the juvenile court system. Her judge offers an alternative to being placed in foster care: embark on a three-month walk across Spain. To reflect. To distance herself from her turbulent past. Ludivine accepts. It's the beginning of a 1700-kilometer journey on foot.
What could Willow do with an entire forest? That's exactly what she asks herself when she inherits this forest from her aunt Alwina. That's not all, though - Alwina has also left her a small, crooked cabin and, most importantly, her witchcraft. But the question remains: Will Willow even accept this unexpected inheritance, with all the consequences it entails?
When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.
In October of 1994 three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary. A year later their footage was found.
This is the story of an ordinary man transformed by history. A simple baker from Besançon who became a political symbol of resistance. That of a France that knows how much it needs others to grow. Of working classes rejecting the siren calls of populism. He says: "I was nothing and I became a monster" to express the vertigo of his transformation. And so the baker entered politics, visited the United States in the footsteps of Martin Luther King, brought aid to the Ukrainians, and ran for legislative elections. Fearless. Fighting with all his heart. It is this inspiring, touching, and funny human epic that Pedro da Fonseca's camera followed closely, capturing his doubts, his hesitations, and his emotions.
Gillian Holroyd, a modern-day witch, becomes smitten with her handsome upstairs neighbor, Shep Henderson. Using her magical powers, she casts a love spell on him, only to face unexpected complications when genuine feelings emerge, threatening her supernatural abilities.
Documentary on the French graphic and visual artist and designer, editor, artistic director, and teacher who is known for his widely-used fonts.
A police detective falls in love with the woman whose murder he's investigating.
The traditional healers in the Swiss and French mountains.
Portrait of Augustinas Baltrušaitis, film and theatre director, as well as actor, who fell into obscurity and has now been relegated to the margins of society, as a result of specific political circumstances. Countdown is a film about the limits of memory, the effects of the implacable passage of time, and a hope that surpasses time.
For the first time in six years, Barbara Morgenstern, pioneer of German-style electronic intimate pop, works on a new album. Her laptop sits on a shoebox, in the privacy of her home she finds first lines and harmonies: “I like to be alone,” one song begins. One by one, musicians join her. Intuitive ideas take shape. A window has opened. Arrangements, rehearsals, recordings follow. Step by step, the music enters public space, images are produced, videos, narratives. Questions arise: New beginning or back to the roots? New Biedermeier or tough political comment? The bigger the band, the riskier the booking. The more crisis-ridden the environment, the more comforting the music-making.
