The traditional healers in the Swiss and French mountains.
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During World War I, a novelist declared dead is recruited by British intelligence and sent to Switzerland under a new identity to assassinate a German spy. Teamed with a fellow agent posing as his wife and an eccentric assassin known as “the General,” the trio close in on their target — until two of them grow ambivalent when their duty to the mission clashes with their consciences.
In the Bernese Alps, the Agassizhorn peak memorialises Louis Agassiz – a controversial 19th-century scientist, who not only named the mountain after himself, but who claimed he had discovered the Ice Age and went on to become one of the century's most virulent, most influential racists.
Documentary about the helpers on the world's highest mountain.
A science fiction fantasy on skis with spectacular glacier skiing, extraordinary acrobatics, unique optical effects, and an original score. The world's polarity is mysteriously reversed, requiring the skiers to regain the realm of normal perception by performing maneuvers inspired by the ambiguous nature of the "Moebius Strip."
Switzerland has long been a special partner for Russia: A non-member of the EU and NATO, a welcome investor in Russia and the world’s most important trading centre for Russian raw materials. Now things are different in both countries.
The Baselstrasse is a street in Lucerne. People call it "Rue de Blamage" – it's a noisy street tucked into a narrow space between a hill and a train track. The people who live here don't usually mingle with the rich and famous, but even the roughest haunt can be a home to those who live and work there – and Baselstrasse's two kilometers of asphalt are no different.
The first filmed winter ascent of the north face of the Matterhorn. To set the scene, the tragic story of Edward Whymper's first ascent is skillfully pieced together. The modern expedition, a team of three British climbers, is also plagued with epics: Eric Jones is hit by an avalanche and can only come to a dangerous stop at the edge of a 1000 foot drop. Then the worst storm ever recorded in Zermatt hits the Matterhorn. With time and weather against them, the team is forced to climb in the dark as thunderstorms rumble around them. This adventure captures the skill and courage of the climbers, their agony and tension, and the beauty of the assault on this spectacular mountain. Grand Prize at the Les Diablerets festival (Switzerland) in 1976.
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At once a high-level musician, member of the October Group, entertainer, theater artist, film actor, mountaineer, and skier, Maurice Baquet, always on the move, structured his life around two common threads: the cello and the mountains. He once defined himself as a "cellist-skier," "all alone" in this category, which prompted James Couttet, world ski champion, to say: "Of all the skiers I know, he's the best cellist." Echoing this, Professor at the Conservatoire National Supérieur, André Navarra, added: "Of all the cellists I know, he's the best skier." Throughout his varied yet coherent career, Baquet helped to project a joyful and artistic image of the mountains. Who better to talk about Maurice and all his adventures than his alter-ego: Cérébos, the faithful cello that never left his side? From Paris to Chamonix, from the stage to the granite slabs and snowy slopes, this film follows Cérébos, crossing the century and above all... smiling!
Switzerland still carries out special flights, where passengers, dressed in diapers and helmets, are chained to their seats for 40 hours at worst. They are accompanied by police officers and immigration officials. The passengers are flown to their native countries, where they haven't set foot in in up to twenty years, and where their lives might be in danger. Children, wives and work are left behind in Switzerland. Near Geneva, in Frambois prison, live 25 illegal immigrants waiting for deportation. They are offered an opportunity to say goodbye to their families and return to their native countries on a regular flight, escorted by plain-clothes police officers. If they refuse this offer, the special flight is arranged fast and unexpectedly. The stories behind the locked cells are truly heartbreaking.
It is late 2004, and 34-year-old Englishman Alistair Appleton is about to fly from London to the Brazilian coast, where he will drink ayahuasca for the first time. With wit, insight, and sensitivity, Alistair shares this experience with us, and chats with some fellow participants before and after the ayahuasca ceremonies. For the past few years, Alistair had been working as a television presenter. In 2000, he started making trips to the Centre for World Peace and Health in Scotland to learn how to meditate. When clinical psychologist Silvia Polivoy opened an ayahuasca healing center in Bahia in 2004, Alistair faced his fears and seized the opportunity to attend.
By letting go of the urge to control and embracing the unexpected, the creative process finds a new pulse. Thus, Gut Knows What Mind Does Not Understand aims to celebrate what emerges when we trust our intuition and the experiences the world offers us.
A multi-billion-dollar mining project is launched by the American Newmont Mining Corporation and lays claim to the land belonging to Preuvian highlander Máxima Acuña.
Set against the vibrant spectacle of the jaripeo, a symbol of Mexican cowboy tradition and machismo, this story unveils a hidden world of queer desire and quiet rebellion. As glances and gestures disrupt the rigid norms of masculinity, the rodeo becomes a stage for our protagonists to navigate identity, community, and the search for belonging in an oppressively traditional space.
Benito Arévalo is an onaya: a traditional healer in a Shipibo-Konibo community in Peruvian Amazonia. He explains something of the onaya tradition, and how he came to drink the plant medicine ayahuasca under his father's tutelage. Arévalo leads an ayahuasca ceremony for Westerners, and shares with us something of his understanding of the plants and the onaya tradition.
A film about the Swiss Italian poet Fabio Pusterla and his creative poetic process, his struggle to find an honest language, one which adheres to the personal experience and is able to unfold a hidden truth that creates a strong and profound bond with the other, with his public.
Still Alive - The Drama on Mount Kenya is a gripping docudrama that recounts a legendary rescue operation on Mount Kenya in Africa in 1970.
