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An inside look into the effort to preserve Philadelphia's ballroom scene, a black LGBTQ safe-space that has endured for 30 years.
Ballroom voguing has fiercely swept across the world becoming a global phenomenon. Against the backdrop of Spain's contemporary ballroom scene, Jayce and a growing group of Black trans folks have emerged to reclaim the space.
The MDNA Tour was the ninth concert tour by Madonna. Madonna had embarked on The MDNA Tour for promotion of her twelfth studio album MDNA. The performances at the American Airlines Arena in Miami, Florida during the North American leg of The MDNA Tour were documented for video release. Madonna described the tour as "the journey of a soul from darkness to light". The tour was a commercial success although it courted a number of controversies. It was dubbed as the highest-grossing tour of 2012 by Billboard. Become the tenth highest-grossing tour of all time and overcome Celine Dion's Taking Chances Tour as the second highest-grossing tour among female artists, behind Madonna's own Sticky & Sweet Tour.
The Alexander Ball is an observational documentary extravaganza celebrating Samoan-Māori-Australian trans woman of colour, Ella Ganza, and the Meanjin (Brisbane) ballroom scene, as she and her ballroom family prepare for one of the biggest pride events of the year: The Alexander Ball.
Originating in Curitiba in 2013 and spreading to Portugal, Spain, Mexico and Brazil, “Basket das Excluídas” consists of an LGBTQIA+ group gathering to play basketball on a public court in the city. They vogue and resist with their bodies around the city, challenging norms and celebrating diversity while engaging in a game that expresses identity and a form of resistance.
A documentary exploring the vibrant ballroom scene in Viçosa, Minas Gerais. Through the lives of local performers, it highlights how queer, trans, and non-binary communities create spaces of self-expression, creativity, and resilience. The film captures the energy of balls, the art of voguing, and the deep sense of community, while also examining the challenges participants face in a society that often marginalizes them. By documenting this unique subculture, the film celebrates LGBTQ+ identity, pride, and the transformative power of performance in shaping belonging and visibility.
A look into the rising underground vogue scene of Brasília
A bored estate lawyer spots a beautiful woman in the window of a ballroom dance studio. He secretly starts taking dancing lessons to be near her, and then over time discovers how much he loves dancing. His wife, meanwhile, has hired a private detective to find out why he has started coming home late smelling of perfume.
A celebration of the west coast Ballroom Scene.
"Roseland" is made up of three stories, sometimes connecting, all set in the famed New York City dance palace, and all having the same theme: finding the right dance partner.
Life after Paris Is Burning is a story of immense cultural impact, introducing ballroom culture to the mainstream, yet marked by tragedy for many subjects, with most passing from AIDS, poverty, and violence, while a few survivors continue sharing their stories, honoring the legacy of a scene that shaped modern drag and LGBTQ+ culture but also highlighted systemic struggles. The documentary's legacy includes inspiring shows like RuPaul's Drag Race, but also raising questions about exploitation, with many participants facing hardships despite their scene's growing visibility.
"Aurore, my friend, Aurore, the main actress of Rendez-vous d'Anna and other films of mine, our meeting, the why and how of our joint work". – Chantal Akerman
The rise and fall of the biggest star of travesty show in Prague in the nineties. The film tells the story of a man with shocking sincerity and openness in confession of two different personalities, woman and man living in one body.
This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.
