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Roberto Bolaño
Lola Paniagua
Adrià Ibáñez
His teachers, coaches, childhood friends and Barça teammates, together with journalists, writers and prominent figures from the history of football, come together in a restaurant to analyze and pick apart Messi's personality both on and off the field, and to look back at some of the most significant moments in his life. Viewed from Álex de la Iglesia's unique perspective, Messi recreates the player's childhood and teenage years, from his very first steps, with a football always at his feet, through to the decision to leave Rosario for Barcelona, the separation from his family, and the role played in his career by individuals such as Ronaldinho, Rijkaard, Rexach and Guardiola.
Bruno Muel's documentary on the coup in Chile in 1973. Muel, who was part of the famed Medvedkine group, along with Chris Marker and Jean-Luc Godard, among others, captured one of the most powerful portraits of the early days of Dictatorship. Profound solidarity with the socialist cause, Muel and his team showed great courage to mix the official registration of images with those triumphant, clandestine, of the nascent opposition.
It follows Chilean writer Antonio Skármeta as he celebrates the end of the autocrats. Cheerful farewell rituals accompany others facing political persecution on their way to fly home.
Sonar Rock City: Seattle is a journey through the city that caught our attention back in 1992 thanks to the grunge movement which today no longer exists. Still today the creative spirit runs through its veins with a new music scene that captures what Seattle is in its core.
The story of the Yugoslavian football team who became youth world champions in Chile, 1987.
Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.
Maria, the last member of a good provincial family of long tradition, wants to live the atmosphere of these musical groups that proliferate all over the world. He meets Ricardo, a former partner in the advertising world, who has self-marginalized because he got to the point where he felt disgusted by this false world. Maria tries to leave him, but has just integrated into this chaotic environment.
Joan Ximénez el Petitet is a Catalan gypsy who pursues a dream. A former musician now —a percussionist, son of Ramón el Huesos who worked with the mythical singer Peret—, and affected by a rare chronic disease, he wants to accomplish the promise he made to his mother before she died: to celebrate a rumba concert on the stage of the Liceu, a great theater in Barcelona, along with a big symphony orchestra.
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The real estate industry has destabilized the natural surroundings of the city of Concón, on the Chilean coast, forcing the inhabitants and landscapes of the region to find new ways to adapt and survive. “Nidal” depicts the cohabitating of species and the accelerated transformation of the landscapes due to human occupation.
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.
The film narrates the process in which two female forensic doctors, responsible for the Office of Identification of Legal Medical Institute of Santiago, fail to determine the identity of bodies that presumed are prisoners, detained and disappeared during the military dictatorship of Augusto Pinochet (1973- 1990).
What threads of history bind Manhattan's Ground Zero to those of Nagasaki and Hiroshima? Or connect sight to truth, games to war, or the silkworm to the drone? What does the United States hold to be the role of science in warfare? How has war historically been waged in Buddhist traditions? These are some of the topics addressed in Eyewar: 80 minutes of found footage which traces the development of the digital image from the maps of the second century to the screens of the twenty-first, and the uses of the field of cybernetics from Japan in the 1940s to Chile in the 1970s and Iraq in the 1990s.
In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body parts of loved ones, dumped unceremoniously by Pinochet's regime.
A punk documentary which is, at the same time, a history of Catalonia, an analysis of its political situation in 2017, a comic lamentation on the milestones of the Procés —the broken, unsuccessful path started October 1st which eventually should've ended with a true declaration of independence from Spain—, and a chaotic festival of references to pop culture, from Dumbo to Salvador Dalí.
An interview with the president of Chile conducted by Roberto Rossellini in 1971, but broadcast only after his death.
The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of two mysterious buttons which were found on its ocean floor. Chile, with its 2,670 miles of coastline and the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people, the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.
Combining real footage, archival footage, fiction and 3D modeling, this unseen documentary traces the history of this spectacular and unfinished work.
