Nicolás Álvarez
Francisco Carrasco
Fabián Machuca
Nelson Bórquez
German Mena
Choche Gaete Loch
Marcos Villablanca
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The world seen through the eyes of children. The action takes place in Karosta, the former military port of Liepaja city – however, it is not that important, as the film could take place anywhere. We observe children playing on the beach, revealing the core of Pakalnina’s work: perceiving and transmitting emotions.
Sonar Rock City: Seattle is a journey through the city that caught our attention back in 1992 thanks to the grunge movement which today no longer exists. Still today the creative spirit runs through its veins with a new music scene that captures what Seattle is in its core.
Riding Giants is story about big wave surfers who have become heroes and legends in their sport. Directed by the skateboard guru Stacy Peralta.
It follows Chilean writer Antonio Skármeta as he celebrates the end of the autocrats. Cheerful farewell rituals accompany others facing political persecution on their way to fly home.
Bruno Muel's documentary on the coup in Chile in 1973. Muel, who was part of the famed Medvedkine group, along with Chris Marker and Jean-Luc Godard, among others, captured one of the most powerful portraits of the early days of Dictatorship. Profound solidarity with the socialist cause, Muel and his team showed great courage to mix the official registration of images with those triumphant, clandestine, of the nascent opposition.
Private Diary documents photographer Pedro Usabiaga working with a variety of amateur models. The audience sees how the relationships between the photographer and the subjects changes during their time together, as well as how the individual photographs begin to take shape. Pedro Usabiaga is a well-established Basque photographer whose chief concerns are figurative photography and whose passion in photographing the Spanish male. In this hour long conversation with the artist we are given entry into that process of selecting models (none of the models he uses for this book to be titled 'Private Diary' are professional, but instead are randomly chosen as Usabiaga observes athletes in action) and then allowed to follow Usabiaga and his crew as they photograph these men in natural settings and natural light.
Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.
Every summer on Palermo's Mondello beach, over 1,000 cabins are built in preparation of the Ferragosto holiday. Centered around a family who goes into debt, three women holding onto the feeling of youth, and a politician seeking votes -- a vanity fair of beachgoers hiding behind the memory of a social status that the economic crisis of recent years has compromised.
Bournemouth offers a variety of sports, pastimes, steamer trips, and fine dining for holidaymakers, competing with cheaper foreign holidays and offering a variety of transportation options.
The story of the Yugoslavian football team who became youth world champions in Chile, 1987.
The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of two mysterious buttons which were found on its ocean floor. Chile, with its 2,670 miles of coastline and the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people, the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.
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Francesco Garripoli and Daisy Lee-Garripoli guide viewers through a moving meditation of gentle, flowing qigong poses; deep breathing; and visualization techniques to enhance the flow of qi. The style of qigong is called wuji qigong or primordial qigong.
In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body parts of loved ones, dumped unceremoniously by Pinochet's regime.
In Las Grutas, on the shores of the sea and the cliffs, between stones and sandbanks, thousands of people vacation, come and go like the tide and the clouds. Bodies in the sun, fleeting anecdotes, distant glances, everyone is seen but no one is, each one enjoys their visible privacy.
People love going to the beach for lots of different reasons. The sun. The sand. The salt-water taffy. In this slightly wacky documentary, we consider all kinds of things that draw people to the coast: board walks, seafood, lifeguards, even metal-detectors and roller skates. From Nantucket to Venice Beach, people relax and bounce in the waves. From the Outer Banks to Oahu, beachgoers bring along their fishing gear and hope to catch some dinner.
What threads of history bind Manhattan's Ground Zero to those of Nagasaki and Hiroshima? Or connect sight to truth, games to war, or the silkworm to the drone? What does the United States hold to be the role of science in warfare? How has war historically been waged in Buddhist traditions? These are some of the topics addressed in Eyewar: 80 minutes of found footage which traces the development of the digital image from the maps of the second century to the screens of the twenty-first, and the uses of the field of cybernetics from Japan in the 1940s to Chile in the 1970s and Iraq in the 1990s.
The real estate industry has destabilized the natural surroundings of the city of Concón, on the Chilean coast, forcing the inhabitants and landscapes of the region to find new ways to adapt and survive. “Nidal” depicts the cohabitating of species and the accelerated transformation of the landscapes due to human occupation.
In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.
The chronicle of the political tension in Chile in 1973 and of the violent counter revolution against the democratically elected government of Salvador Allende.