Mad, bad' poet Lord Byron and a lobster thermidor feature in a melancholy tour of Seaham with Johnny Morris.
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Documentary chronicling the government relocation of 10,000 Navajo Indians in Arizona.
An aerial journey through California's coastline.
Not unlike the travel blogs so in vogue today, this film takes us from Ereaga beach to Cape Matxitxako, treating us to an incomparable look at the beaches and towns on the way.
Under the sun, the heavenly beauty of grasslands will soon be covered by the raging dust of mines. Facing the ashes and noises caused by heavy mining , the herdsmen have no choice but to leave as the meadow areas dwindle. In the moonlight, iron mines are brightly lit throughout the night. Workers who operate the drilling machines must stay awake. The fight is tortuous, against the machine and against themselves. Meanwhile, coal miners are busy filling trucks with coals. Wearing a coal-dust mask, they become ghostlike creatures. An endless line of trucks will transport all the coals and iron ores to the iron works. There traps another crowd of souls, being baked in hell. In the hospital, time hangs heavy on miners' hands. After decades of breathing coal dust, death is just around the corner. They are living the reality of purgatory, but there will be no paradise.
Take a revealing tour along a coast of contrasts, from the folksy freshness of Whitby to the coaly Tyne, queen of all rivers.
A timeless landscape steeped in history that is little changed today, but was surely made to be filmed!
A detailed look at the gradual decline of Shenyang’s industrial Tiexi district, an area that was once a vibrant example of China’s socialist economy. But industry is changing, and the factories of Tiexi are closing. Director Wang Bing introduces us to some of the workers affected by the closures, and to their families.
A group of miners (including a sole black worker) exits the colliery gates.
The film starts in Bermeo and ends in Gernika. A magical trip taking us from the scent of salt air and the fishing atmosphere of Bermeo port to the roots of the Tree of Gernika.
Thirteen static shots of coal-fired power stations across the United States, seen in rural landscapes, urban settings, sun or cloud and at all times of year. Whatever the location or season, there’s always at least one chimney belching out fumes.
For many years, the Swiss photographer Jean-Claude Wicky captured the world of Bolivian miners in photographs. When he discovered how strongly they reacted to his pictures, he decided to make a film. Black-and-white photographs alternate with film sequences, in which the miners talk about the harsh conditions of their everyday lives, while also rendering visible their pride, dignity, culture and dynamic traditions. Every day is night is first and foremost a testimonial of profoundly sincere human encounters based on respect, generosity and gratitude.
Join the working men of a northern powerhouse: on the job in Gateshead workshops and at the long wall of a Northumberland pit.
CHARBON depicts how Europe was built on fossil fuels over the past 100 years. And how it was torn apart by wars that were the result of these same fossil fuels. During 3 trips to Ukraine, Italy and Iraq, filmmaker Manu Riche explains how he and his French-German family are inseparably connected to the fate of the Iraqi filmmaker and refugee Hayder Helo.
Capturing Americans in communities across the country as they wrestle with the legacy of the coal industry and what its future should be under the Trump Administration. From Appalachia to the West’s Powder River Basin, the film goes beyond the rhetoric of the “war on coal” to present compelling and often heartbreaking stories about what’s at stake for our economy, health, and climate.
1935 documentary about the hard working life of Welsh coal miners.
What will it really take, to transition from oil and coal, to the energies of tomorrow? SWITCH goes where no film has gone before, deep into the world's most restricted energy sites, to depoliticize competing power sources, make the technical accessible, and discover the truth of our energy future. Test audiences have raved, calling it, 'The most important energy film since An Inconvenient Truth.'
Dancing in Dulias was made by members of Lesbians and Gays Support the Miners (LGSM) and Lesbians Against Pit Closures during and immediate after the 1984/85 minders strike. Like the forthcoming movie, Pride, it documents the interactions between lesbians and gay men and the miners and their families in Dulais in South Wales - only this time it's the real thing. As well as some memorable footage that includes the Blaenant Lodge banner leading the 1985 Lesbian and Gay Pride march and LGSM members struggling with bingo at the local community hall, the film documents the wider political impact of this seemingly unlikely alliance. (cont. http://www.cambridgefilmfestival.org.uk/films/2014/dancing-in-dulais#sthash.HScQCj7E.dpuf)
Since the days of Apartheid, Main Reef Road has linked Johannesburg, its suburbs, and the outlying villages and gold mines of the region. Now the people of means flee the more remote reaches of the Road for the suburbs. Who remains along this once heavily travelled highway? Who slaves for the mining companies today? Filmmaker Nic Hofmeyr takes to the road to meet them. South Africa's history echoes in their stories, and in the very landscape.
Time-travel to a 1940s classroom with this exemplary educational film.
The 23rd issue of the long running industry cinemagazine. Features the articles: 'Safety First', 'Paying For It' and ' A Star Drops In'.
