Mad, bad' poet Lord Byron and a lobster thermidor feature in a melancholy tour of Seaham with Johnny Morris.
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The darkness of the mine, invaded by the miners' light, by the noisy machines and the permanent and intense smell of ore in the air, leads us to an environment in which time and space become confused. A documentary film at Panasqueiras' Mine, between 2008/09. A reality captured by an eye-observer which does not interfere, but follows the compost that grows from the earth and is decomposed by man-machine.
An overview of the lobster fishing industry in Nova Scotia.
CHARBON depicts how Europe was built on fossil fuels over the past 100 years. And how it was torn apart by wars that were the result of these same fossil fuels. During 3 trips to Ukraine, Italy and Iraq, filmmaker Manu Riche explains how he and his French-German family are inseparably connected to the fate of the Iraqi filmmaker and refugee Hayder Helo.
Capturing Americans in communities across the country as they wrestle with the legacy of the coal industry and what its future should be under the Trump Administration. From Appalachia to the West’s Powder River Basin, the film goes beyond the rhetoric of the “war on coal” to present compelling and often heartbreaking stories about what’s at stake for our economy, health, and climate.
“…It is a film that tells in hurried film sequences and a resonant musical score juxtaposing the sublime, funereal despair of Bartok agains tthe gut-bare tones of folk music. Gates has through his filming technique and meticulously selected mining sites, captured all the outrage and sorrow and indignity to the land and its people that strip mining represents. The film is one that all Americans should see, for it shows extremely well the price we have to pay for strip mined coal.” - Dale A. Burk, The Montana “Missoulian”
Thirteen static shots of coal-fired power stations across the United States, seen in rural landscapes, urban settings, sun or cloud and at all times of year. Whatever the location or season, there’s always at least one chimney belching out fumes.
Documentary chronicling the government relocation of 10,000 Navajo Indians in Arizona.
Singapore’s coastlines are always in flux - a delicate dance between the receding tides and the rising earthmovers. 'seaward' drifts through the peripheries of this very landscape, offering a quiet meditation on the life that endures at the edges of a changing island.
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Time-travel to a 1940s classroom with this exemplary educational film.
Did Cartier dream of making a country from this land of a million birds? In his records of his exploration he certainly marvelled at seeing the great auks that have since disappeared from Isle aux Ouaiseaulx, the razor-bills and gannets that are gone from Blanc-Sablon, and the kittiwakes from Anticosti, all the winged creatures of all the islands which he described as being "as full of birds as a meadow is of grass". And that's not even counting the countless snow geese.
Dancing in Dulias was made by members of Lesbians and Gays Support the Miners (LGSM) and Lesbians Against Pit Closures during and immediate after the 1984/85 minders strike. Like the forthcoming movie, Pride, it documents the interactions between lesbians and gay men and the miners and their families in Dulais in South Wales - only this time it's the real thing. As well as some memorable footage that includes the Blaenant Lodge banner leading the 1985 Lesbian and Gay Pride march and LGSM members struggling with bingo at the local community hall, the film documents the wider political impact of this seemingly unlikely alliance. (cont. http://www.cambridgefilmfestival.org.uk/films/2014/dancing-in-dulais#sthash.HScQCj7E.dpuf)
There are landscapes that hardly anyone has entered or seen: this film takes the viewer through New Zealand from the southern edge to the northernmost tip. High-quality images from the air, on land and in the water bring paradise to the other end of the world.
Not unlike the travel blogs so in vogue today, this film takes us from Ereaga beach to Cape Matxitxako, treating us to an incomparable look at the beaches and towns on the way.
Take a revealing tour along a coast of contrasts, from the folksy freshness of Whitby to the coaly Tyne, queen of all rivers.
An aerial journey through California's coastline.
Under the sun, the heavenly beauty of grasslands will soon be covered by the raging dust of mines. Facing the ashes and noises caused by heavy mining , the herdsmen have no choice but to leave as the meadow areas dwindle. In the moonlight, iron mines are brightly lit throughout the night. Workers who operate the drilling machines must stay awake. The fight is tortuous, against the machine and against themselves. Meanwhile, coal miners are busy filling trucks with coals. Wearing a coal-dust mask, they become ghostlike creatures. An endless line of trucks will transport all the coals and iron ores to the iron works. There traps another crowd of souls, being baked in hell. In the hospital, time hangs heavy on miners' hands. After decades of breathing coal dust, death is just around the corner. They are living the reality of purgatory, but there will be no paradise.
What will it really take, to transition from oil and coal, to the energies of tomorrow? SWITCH goes where no film has gone before, deep into the world's most restricted energy sites, to depoliticize competing power sources, make the technical accessible, and discover the truth of our energy future. Test audiences have raved, calling it, 'The most important energy film since An Inconvenient Truth.'
A timeless landscape steeped in history that is little changed today, but was surely made to be filmed!
For many years, the Swiss photographer Jean-Claude Wicky captured the world of Bolivian miners in photographs. When he discovered how strongly they reacted to his pictures, he decided to make a film. Black-and-white photographs alternate with film sequences, in which the miners talk about the harsh conditions of their everyday lives, while also rendering visible their pride, dignity, culture and dynamic traditions. Every day is night is first and foremost a testimonial of profoundly sincere human encounters based on respect, generosity and gratitude.
