Time-travel to a 1940s classroom with this exemplary educational film.
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Through exploring the body as a landscape, 'The Copper Kings' plays with visual metaphors that connect the patriarchal philosophy and process of extraction to the dissection of our own bodies.
Heavily dependent on imports, Europe is seeking to develop its production of lithium, an element that is essential to the energy transition. Focus on the environmental challenges that accompany this quest for independence.
Portrait of a community in the heart of South Wales almost one year into the miners' strike of the 1980s.
The catastrophic and avoidable coal mining disaster at the Knox Mine is recounted by the people who lived through the tragedy.
CHARBON depicts how Europe was built on fossil fuels over the past 100 years. And how it was torn apart by wars that were the result of these same fossil fuels. During 3 trips to Ukraine, Italy and Iraq, filmmaker Manu Riche explains how he and his French-German family are inseparably connected to the fate of the Iraqi filmmaker and refugee Hayder Helo.
Teaming up with director Karl Francis, Dafydd Hywel speaks to some of the coal miners and their wives who played a huge part in the Miners' Strike of 1984-5, and their descendants, who have inherited a Wales without coal mines.
One of the most important Kentuckians of the 20th century, Harry Caudill brought the story of Appalachia to national attention when his book “Night Comes to the Cumberlands” was released in 1963. The nonfiction account of Eastern Kentucky’s coal region, part history and part polemic, eloquently recounted the exploitation of Appalachia’s land and its people by business and government interests, and made Caudill a national spokesperson for his homeland. Harry Caudill spent his life advocating for Eastern Kentucky, with the aim of helping the powerless as well as securing the region’s unmatched natural resources for future generations. His work led to lasting government reforms for Appalachia, and his legacy remains a touchstone for activists today.
Capturing Americans in communities across the country as they wrestle with the legacy of the coal industry and what its future should be under the Trump Administration. From Appalachia to the West’s Powder River Basin, the film goes beyond the rhetoric of the “war on coal” to present compelling and often heartbreaking stories about what’s at stake for our economy, health, and climate.
Lee Anne Schmitt explores California's landscape and past to document the history of one-time boom towns built and abandoned by the industries that necessitated their creation. Sold as a limitless land expansive with free opportunity, California was actually, from its onset, fissured by the interwoven needs of private and public interests. Schmitt's film covers various locations through time, as the major industries of the early 20th century (mining, lumber, oil) give way to the military, eventually leading to multinational corporations, and the use of small towns as satellites for growing urban metropolises.
“…It is a film that tells in hurried film sequences and a resonant musical score juxtaposing the sublime, funereal despair of Bartok agains tthe gut-bare tones of folk music. Gates has through his filming technique and meticulously selected mining sites, captured all the outrage and sorrow and indignity to the land and its people that strip mining represents. The film is one that all Americans should see, for it shows extremely well the price we have to pay for strip mined coal.” - Dale A. Burk, The Montana “Missoulian”
Thirteen static shots of coal-fired power stations across the United States, seen in rural landscapes, urban settings, sun or cloud and at all times of year. Whatever the location or season, there’s always at least one chimney belching out fumes.
Documentary chronicling the government relocation of 10,000 Navajo Indians in Arizona.
This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastover's refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.
Documentary about the work of members of the mining rescue station in Handlová, Slovakia.
This short documentary film is a fascinating portrait of urban and rural Quebec in the late 1960s, as the province entered modernity. The collective work produced for the Quebec Ministry of Industry and Commerce calls on several major Quebec figures.
The mining industry, which always had been “sponsor” and “financier” of the soccer clubs in the Ruhr valley during the post-war period, doesn’t exist anymore nowadays in that form. Many of the once glorious clubs which dominated German soccer until the 1970s faded into obscurity without financial backers. The documentary “Im Westen ging die Sonne auf" ("The sun had risen in the west“) shows the history of the “Revierfußball” from after the second World War until the decline of the mining industry and recalls legendary players and forgotten clubs. The film shows especially how deeply rooted the sport was back then in the entire lifestyle of the Ruhr area - in private life as well as in society - and how structural change also left clearly visible marks in sports. With pictures from back then, interviews with contemporary witnesses, and footage of original locations nowadays, a contemporary document of German post-war history, by taking the example of soccer, has been created.
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