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Alessandro Duarte (voz)
MC battles are the basis of Rap and in São Luís, this type of manifestation has been growing organically in different peripheral communities organized by residents and local artists. Even without great incentives, the battles have spread throughout the city and created a network of creative ideas that oxygenate the outskirts.
Far beyond Marvel and DC, comics are also made by Brazilians for Brazilians. Follow the journey and struggles of those who are from the outskirts of the city and try to make a living from this art.
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A man breaks into people's houses at night and observes them, without stealing or violating anything. He simply looks, putting himself in their positions and searching for something he has lost within him, but not thinking that he could be being watched too.
“A Noiva Natal” is a photo film narrated by the city of Natal itself, the capital of Rio Grande do Norte, in the first person. The short film, divided into three parts alluding to mourning, records a vision of the capital after being neglected and forgotten by the Public Authorities and its inhabitants.
In a family marked by grief, Clarice is the "Third Clef": the granddaughter trying to follow in the musical footsteps of her late grandmother, Lola. But her dream collides with the resistance of her mother, Verônica, who, consumed by deep depression, sees music as the root of the family's ruin. On the eve of a decisive contest, the tension between the daughter's desire for a future and the mother's pain from the past reaches a breaking point, forcing them to decide whether to live in silence or find a new harmony.
In the early 90s, a company of young artists discovered the possibilities of video. Unlike film, which was expensive and required complex development, the video could be viewed immediately. Before that, in the history of mankind, it was impossible to get your copy (media copy) so quickly. They filmed everything in a row: their art events, parties, just life. Sometimes they became the heroes of TV reports, so that their lives and destinies are intertwined in the media space with what is happening in the country and the world, creating an endless meta film. This is the story of the Great Digital Revolution of the 90s, which forever changed our heroes and the whole world.
In France, Germany, England and the United States, scientists and whistleblowers have embarked on a vertiginous hunt to find the oil and gas wells abandoned by the oil industry. What they reveal is staggering: between 20 and 30 million wells are left behind on all continents. An infinity of leaks that constitute the ghostly legacy of the global oil exploitation history. For most of them, these old drillings have not been plugged and are leaking into the seabed, underground or into the atmosphere – dangerous materials for the environment and for our health: oil, but also methane gas with a very strong greenhouse effect or underground substances loaded with toxic substances.
A found-footage tribute to Movie Madness, Portland's iconic video store. Movie Madness: 30 Years of Movies to Die For is a found-footage compilation of vintage commercials, old news footage, interviews with store founder Mike Clark, and more, celebrating 30 years of Portland's only remaining video store.
Cristo is the first feature film directed and produced by Margarita Alexandre and Rafael Torrecilla. Evoking the work of Luciano Emmer, this art documentary tells the story of the life of Jesus using only Spanish paintings. In close harmony with the montage, the photographic technique used by Juan Mariné for the filming gives movement to the paintings by Titian, El Greco and Rubens, while the presence of the voices of Fernando Rey, José María Seoane, María Jesús Valdés and other actors of the period give the characters a sense of entity. The film received the category of National Interest from the Censorship Board, undoubtedly more inspired by the film’s exaltation of the national artistic heritage and its religious subject matter than by its artistic aspirations.
A promotional short for The Cincinnati Kid (1965) showcasing the card handling skills of magician and one-time gambler Jay Ose who was hired as technical adviser to instruct the actors on the techniques used by professional poker players.