Maria
Cecília (Psicologa)
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Sylvain, an Afghan veteran living off of petty crime, crosses paths with Nathalie, an upper-class CEO struggling to keep her lawnmower company afloat.
Nina is an elderly woman who lives alone and feels distressed by the increasing violence in her neighborhood. Amidst conflicts with her neighbors, she decides to film the movement of drug traffickers from her window, hoping to assist the police. After months of recording suspicious activities, her initiative attracts the attention of a journalist, who approaches Nina and offers to support her in her mission.
Rio de Janeiro. Confronted with the violence that exists in the favela where he lives, Tiago sees the only way out to become a soccer player and, in this way, help his family to have a better life. Although he is the best player in his neighborhood and the chances of being discovered by a scout are good, he faces a number of problems. One of them is Tubarão, the leader of the most powerful gang in the favela, who wants Tiago to work for him as a drug dealer. To complicate matters even more, Tiago falls in love with Juliana, Tubarão's sister.
Dé, Adrianim and Martins are three black teenagers from Chatuba, Rio de Janeiro. When Dé receives the news that Almerinda, his grandmother, is in the terminal phase of Alzheimer's disease, he decides to enjoy the last days of her life together with his two best friends.
The story of a photograph: A single mother, an absent father and a child.
In the year 2159, two classes of people exist: the very wealthy who live on a pristine man-made space station called Elysium, and the rest, who live on an overpopulated, ruined Earth. Secretary Rhodes, a hard line government official, will stop at nothing to enforce anti-immigration laws and preserve the luxurious lifestyle of the citizens of Elysium. That doesn’t stop the people of Earth from trying to get in, by any means they can. When unlucky Max is backed into a corner, he agrees to take on a daunting mission that, if successful, will not only save his life, but could bring equality to these polarized worlds.
After failing to be admitted into the OSESP Orchestra, a talented violinist is forced to give music classes to teenagers in a public school. He soon finds his world transformed by the power of music and friendships formed with his pupils.
Anderson (Andrey Lopes) is a high-class youth living in Copacabana, and Eliza (Maiara Queiroz), a resident of Rocinha,the largest favela in Brazil. The two start a romance, but the first time Anderson meets the community in which she lives, he witnesses a murder.
Two children flee together with a grown up from a slum in Rio because this man had problems with the local drug lord. They end up in the house where a rich American citizen lives with his daughter.
The country is occupied by the Japanese imperialists. Koppun is selling flowers at the market to get some money to buy medicine for her sick mother. Her brother is imprisoned, her father dead and her sister blind.
After a series of personal and professional setbacks, a white advertising executive signs up to participate in a trial for an experimental drug designed to make your skin appear tanned.
Garm Roti, Thandi Soch follows a single day in the life of Bashir, a tired, working-class man in Karachi navigating a world shaped by corruption, class divides, and quiet domestic expectations. What begins as a simple request from his wife—to bring home warm roti—turns into a symbol of everything denied to him. Throughout the day, Bashir endures the suffocating monotony of his government job, the intrusion of a performative NGO crew, and the daily humiliations of a city where the powerful move freely and the powerless wait in silence. His offhand remark, “Mulk ke halat garam hain, par roti thandi hai,” becomes an accidental viral soundbite. By nightfall, he returns home emptied, carrying only cold roti and the weight of unseen struggles. His silence at the end captures a life swallowed by a society that overlooks him, offering no transformation—only the stillness of enduring what cannot be changed.
The drama recounts the need for dialogue and attention on raising children through their characters: three mothers and their children. Marcia (Dani Tavares) A high-class mother and married, who always had everything and provides the same for your child, Angela (Ruth Cherem) a single mother of middle class, which makes everything so that your daughter does not her make the same mistakes of the past and Deborah (Val Ribeiro Valquiria Ribeiro) a low-class mother abandoned by her husband, who struggles to raise your child the best possible way. What do these women have in common is the love for their children that make it able to do everything for them, but sometimes it takes more to save the family loose links. It takes great faith.
A boxer in Rio's favelas opens a club to help keep kids out of the burgeoning drug trade.
For a long time, in France, comedy was the preserve of men. Female roles were mostly secondary and corresponded to stereotypes such as the pretty doll, the funny but unattractive woman, or the troublesome, even cantankerous wife
