A presentation of the historical process of rape, followed by a more recent approach of current studies that reinforce ÒRape Reliefs own statistics.
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A documentary film about three cases of rape, that includes the stories of two American high school students, Audrie Pott and Daisy Coleman. At the time of the sexual assaults, Pott was 15 and Coleman was 14 years old. After the assaults, the victims and their families were subjected to abuse and cyberbullying.
In celebration of International Women's Day, the House reveals "Her Dior", a documentary by Loïc Prigent chronicling Maria Grazia Chiuri's radical collaborations with renowned female figures since becoming Dior's Creative Director for womenswear in 2016. The film charts her journey from Rome to the global stage, distilling the essence of these poignant artistic exchanges in a single word: sisterhood.
Marina and Perla join thousands of women on an annual Catholic pilgrimage. Perla's coming of age accentuates a generational divide as she struggles to assert her independence as a woman.
As the U.S. planned to withdraw troops from Afghanistan in September 2021, Canadian-Afghan filmmaker and journalist Brishkay Ahmed was filming IN THE RUMBLING BELLY OF MOTHERLAND. Revealing the ongoing dangers for women reporters, and the extraordinary risks they take, this brave film provides an in-depth look into Zan TV, Kabul’s female-led news agency. A professional journalist herself, Ahmed documents both the harrowing and inspiring work of young, female journalists over the course of the two-year lead up to the Taliban takeover of Afghanistan. Following parallel news stories as they unfold – two sets of national elections as well as ongoing U.S.-Taliban peace talks – the film reveals the daily hurdles Afghan female reporters and media staff face, underscoring the existential current events that threaten both Zan TV as a media outlet and the livelihoods of the women at its heart.
A documentary chronicling the shared experiences of prominent former child stars and the personal and professional price of fame and failure on a child.
A chronicle of Cyndi Lauper's meteoric ascent to stardom and her profound impact on generations through her music, ever-evolving punk style, unwavering feminism and tireless advocacy. This documentary takes the audience on an engaging exploration of a renowned and pioneering artist who has left a remarkable legacy with her art.
A ten part documentary on the female condition in Italy and in Europe in the 70s.
A film about Karla Ojeda and Maira Ramírez, two transvestites going through adoption, and Gabriela Mansilla, mother of a trans girl. Their stories are intertwined with songs and poems by Susy Shock, a trans artist, poet and writer.
A group of prostitutes in Rio de Janeiro who fight to obtain rights and reduce stigma, create a clothing label that quickly invades Brazilian fashion shows. Poster photo by Daniela Pinheiro.
In the 70s, actress Delphine Seyrig and director Carole Roussopoulos, both militant feminists, were the pioneers of video activism in France. They documented the demonstrations of French feminists and used the new technologies to counter the poor representation of women in the public media.
A meditation on the misappropriation of Dancehall music while using Black Feminist Citational praxis.
DIYSEX is a film that reflects on the use of the image and the language of mainstream pornography, and wonders how far this use can transcend when making your porn film.
Documentary about feminist porn director Ovidie.
In the 1970s, Françoise d'Eaubonne stood out in the French intellectual landscape. At 50, she has already won several literary prizes and published around forty novels and essays, but is resuming her militant fight with renewed vigor. She is the first to define ecofeminism, denouncing the common oppression of women and the planet as a consequence of patriarchy. She participated in the actions of the MLF (Women's Liberation Movement), in the creation of the FHAR (Homosexual Revolutionary Action Front) and theorized counter-violence, going so far as to sabotage the construction site of the Fessenheim nuclear power plant. This film presents unpublished documents for the first time. Drawing freely from the manuscripts and photographic archives that she bequeathed to the Memory Institute for Contemporary Publishing, her relatives and researchers, historians and publishers comment on the resonance of her feminist and ecological heritage.
How do feminist and queer identities operate in contemporary Belfast? Let Us Be Seen is a documentary film that presents the work and ideas of individuals on the ground in Belfast, who have campaigned tirelessly for change and continue to do so. On 21st October 2019, abortion was decriminalised and same-sex marriage legalised in Northern Ireland. This important law change however has shed light on more nuanced barriers facing people locally.
An up-close look at the true nature of the sex trade. The film unveils a growing problem in major U.S. cities where girls as young as 12 years old are bought and sold as many as 15 times a night to service the desires of men. Experience the shocking truth and follow several heroes as they fight to end this modern-day slavery and stop the next generation of buyers.
While touring to promote her second studio album "Sucker", Charli XCX tackles what feminism ('the f-word') really means to women in the music industry in a series of interviews with other pop artists.
In the winter of 2011, after a controversial election, Vladimir Putin was reinstalled as president of Russia. In response, hundreds of thousands of citizens rose up all over the country to challenge the legitimacy of Putin’s rule. Among them were a group of young, radical-feminist punk rockers, better known as Pussy Riot. Wearing colored balaclavas, tights, and summer dresses, they entered Moscow’s most venerated cathedral and dared to sing “Mother Mary, Banish Putin!” Now they have become victims of a “show” trial.
The funeral procession of suffragette Emily Davison - fatally injured at the Epsom Derby - passes through London to her final resting place in Morpeth.
Interspersed with documentation of dancer Juliana Carneiro da Cunha’s "Possession" performance, which draws from Christian mysticism, in the filmmaker’s words this experimental short is about “the psychic suffering of women in a patriarchal society”. It takes the viewer on a disorienting journey—with abrupt cuts in sound and image—through the Catholic Church, repressed sexuality, racial violence perpetrated by white women, maternal fatigue, male chauvinism and drug addiction…
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