An experimental tribute to Jean-Luc Godard, his documentary works and his insights in our modern world.
The marks of the violence of the Chilean state, against its own compatriots. Flicker Film. 35mm B & W Still Photography. Silent.
Thirty-three shots based on the landscapes of the Isère region near Vienne. A work of observation on light, the dilation of Time, wind, calm and storm.
A young adult's first-hand account of "accidentally becoming human again" after, and with, trauma induced depression. Lo-fi, vulnerable, and uniquely youthful, "The Afterlife" is a melancholic affirmation of life after death.
The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boys' 1989 tour. This film is a series of iconoclastic images he created for the background projections. Stunning, specially shot sequences (featuring actors, the Pet Shop Boys, and friends of Jarman) contrast with documentary montages of nature, all skillfully edited to music tracks.
During the COVID-19 pandemic, a trans body dreams of the birth of night.
Nevermore Eleanor (2024) | 2160p
yaya/ayat explores identities, being lost in translation and distance. But at its core it's about the filmmaker longing for a relationship with her geographically distant grandma and her journey to Greece to find her. This is an experimental documentary about how being a part of any diaspora shapes a person's identity.
Some spaces draw attention, as if they evoke something that’s about to happen. These are the places where we escape when we dream or die. The only thing that exists is time; we wait for the moment to arrive.
Three images of a person running in the void through the movement of speed and abstract images
Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.
A train moves through winter as a superimposed image of the same route in spring gradually emerges. Both moments coexist within a single frame, revealing two seasons happening at once.
The day with the sky neither too blue nor too grey. With a hint of red. The train crowded and the backpacks between the feet. The loves on every corner, the ones we pretend not to see.
Pictures taken between France and Mexico running at 8 frames per second.
In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.
Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion
No overview available.
A small exploration in the cemetery from the township of Sainte-Colombe throught a focus into the light, graveyards, flaggings and funerary plaques.
From a high school art class to a local radio station, the day-to-day lives of several women coalesce into a poetic documentation of women’s presence and physicality across everyday spaces.
In early 2020, MUTA - International Festival of Audiovisual Appropriation and Cine Íntimo rescued and digitised a Peruvian archive of orphaned 8mm and Super 8 home movies. With the aim of restoring these lost memories, we sent the images around the world. This omnibus film is the result of the intervention of this material, by 14 experimental filmmakers. Fourteen perspectives and ways of experiencing appropriation. Fourteen variations on the intimate.
A condensation of a handful of sunsets with various visual moods. Red and blue as opposites that still find a way to cohere. Concrete silhouettes over an ever-changing, expanding canvas. Every movement is collective, molecular. Over an invisible horizon, a chance presents itself to meditate on the “speed” of water (and the sea) and also for a more fluid kind of editing.
JLG
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