Insistence on women’s presence.
From a high school art class to a local radio station, the day-to-day lives of several women coalesce into a poetic documentation of women’s presence and physicality across everyday spaces.
Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late '60s British society. Constructed as a montage of various disconnected political acts (in line with Godard's then appropriation of Soviet director Dziga Vertov's agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.
Short documentary about Twin Peaks: The Return.
This short documentary film captures the natural movement of the moon mixed with an experimental musical track that accompanies the rhythm of the "walk" on the stage that the protagonist occupies, the sky.
The lives and careers of iconic fashion designers Jenny Kee and Linda Jackson, who created a bold Australian identity through their clothes
The Nishiyuu walkers made the trek from Whapmagoostui in Quebec to Ottawa, a 1,600-kilometre journey whose roots date back millennia. At the heart of legendary director Alanis Obomsawin’s latest short documentary, her 51st film in 50 years of filmmaking, is the idea of walking as activism, as well as a symbol of decolonization and an embrace of the traditional.
A documentary about the Friends of the Western Buddhist Order in London.
The film depicts young people at various socioeconomic levels presenting their views on the use of marijuana.
Using his failed attempts at creating profitable stock footage, a filmmaker reflects on the absurd, mundane and funny side of being trapped inside your own head as an out of work, self-employed freelancer.
Here we see short scenes from a random day at the airport. We have flying planes, landings, passport checking scenes, passengers waiting for their relatives. This documentary shows the ordinary but unique behaviors and reactions of the passengers and the airport maintenance staff.
Sr. Raposo is a staged documentary about the daily life of Acácio, who found out he was HIV+ in 1995.
The cast and crew reflect back on the making of the film Léon - The Professional (1994). A series of interviews with people in different places, all of them involved in the film.
This short documentary looks at Azzel, one of the Niger Department of National Education’s first schools for nomads. The film describes the traditional nomadic lifestyle of the Tuareg and the changes brought about by these government-run boarding schools.
Images, voices, and interrupted silences that evoke the intangible losses caused by COVID-19.
In the early ‘70s, founding member of Australian surf magazine Tracks, Albert Falzon, began filming off the North Coast of New South Wales, Hawaii, and Indonesia. He set out to make a film “that was a reflection of the spirit of surfing at the time” and the end result, Morning of the Earth, proved its worth as a vital document of surf culture and a powerful nature film.
Dogs walking on the breakdown lane, bachelorettes partying in the car and a bored child looking for something to do. Thousands of impatient travellers are trapped in the traffic jam of the century. Ahead lies the Gotthard Mountain, one of the longest tunnels in the world, the gateway to the sunny South. Glued to the asphalt, climate activists are heating up the mood even more. Who will snap first?
A hotel in the centre of town is a war-time home and refuge for many of Sarajevo's homeless people. Every morning they leave the hotel and wander around the destroyed city gathering again at the defunct hotel in the afternoon. This film follows their separate fates through the bitter comparing of images of the bums with those of dogs abandoned by their owners and now left et the mercy of the war ravaged streets of Sarajevo.
Whatever became of the actor director Luchino Visconti famously cast as young Tadzio in "Death in Venice"? Documentary filmmaker Etienne Faure goes looking in this short film first presented at Cannes.
A journey into the mind of French actor and director Jean-Pierre Mocky (1929-2019), author of films both playful and profound, of an impressive richness.
Les Indes Galantes (The amorous indies), is an opera-ballet created by Jean Philippe Rameau in 1735. He was inspired for one of the dance by tribal Indian dances of Louisiana performed by Metchigaema chiefs, in Paris in 1723. Clément Cogitore adapts a short part of the ballet by mobilizing a group of Krump dancers, an art form born in Los Angeles black ghetto in the 1990s. Its birth occurred in the aftermath of the beating up of Rodney King and the riots, as well as police repression it triggered. Amidst this coercive atmosphere, young dancers started to embody the violent tensions of the physical, social and political body. Both the tribal dance performed in Paris in 1723, and the rebelious Krump dancers of the 1990s shape a reenactment of Rameau’s original libretto, staging young people dancing on the verge of a volcano.
Through a powerful visual metaphor, Camille Vigny gives a first-person account of the domestic violence she suffered. The images and text interact with remarkable precision to convey the devastating impact of the cataclysm. It's a political gesture, brimming with courage, an icy cry that takes your breath away.
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