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Marquise is a drama about the rise and fall of a beauteous actress. As cheerfully portrayed by Sophie Marceau, the eponymous heroine is an engagingly ribald, but perhaps rather too modern, character. She rises from an impoverished background to become a favourite of the Sun King, Louis XIV, and the mistress of the celebrated Racine, who wrote roles especially for her; but her fate, in the end, is a tragic one.
In this adaptation of the play by Molière, Monsieur Jourdain, social climber, nouveau rich but naive, dreams of being recognized in high society. He hires masters of music, dance, philosophy. He has gone mad with thoughts of honors, decorations, and power.
Praised at the Théâtre du Rond-Point, dedicated to Molières 2019 by Molière for directing for Mathilda May, and for female revelation with Ariane Mourier, Le Banquet is a singular, strong, surprising and universal show. A wedding where everything goes wrong, a banquet where everything suddenly shatters. Without words but in a universal language, the characters love each other, confront each other, meet again, and get lost in a funny and hectic whirlwind. After the immense success of Open Space and when Mr. X was created with Pierre Richard, Mathilda May continues to make us dream and presents us here with a unique fresco. An exceptional spectacle.
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Serge Tanneur is at the pinnacle of his acting career when he decides to turn his back on show business and become a hermit living off of France’s Atlantic coast. Three years later, Gauthier Valence, a beloved TV actor, shows up on the island to offer Serge a role in his directorial debut – a rendition of Molière’s classic play, “The Misanthrope”. Serge refuses at first, but then suggests that they rehearse the first scene and after five days he’ll decide if he wants to dothe play or not. What ensues is a battle of brawn and wits and peculiar encounters with a hotel maid who longs to be a pornstar and an Italian divorcée.
An avarage man dreams of becoming a famous entertainer and thus fulfilling the wishes of his late father.
Cinema is like poetry. It can grow out of fantasy that became reality, or it can grow out of reality that turned into a dream. Who knows where on the screen lies end and truth begin? In the pavilion of Lenfilm, after shouting "motor" everyone can become a poet, a dream of something more. A glued-on nose can turn you into Joseph Brodsky, and artificial snow will burn you with cold.
A small town girl, who's an aspiring singer, tries to make a living out of music in the big city of Rio de Janeiro.
Chun, 28, Taiwanese, goes on a conflict-packed search journey with her Chinese guide, Ming, to find her father's long-lost first love, XiuQian, in China. Chun's father had promised XiuQian 60 years ago that he'd definitely come back to marry her. But not until recently, Taiwan and China were hostile to each other, he was never able to fulfill his promise. Chun and Ming grew up on two sides of the Taiwan Strait and were brought up with different values. They don't hesitate to cut each other down to size. Their turbulent romance unfolds in tears, laughter and a clash of values. The love story of two generations, across the Taiwan Strait, told with touching drama and biting comedy, is a poignant and entertaining road movie.
Víctor Tellez is an intellectual, world-weary film critic who prefers to think in French and eschew the clichés of romantic movies...until he finds himself living a sappy, feel-good love story of his own.
Cheyenne Harry, owner of the biggest cattle ranch in his corner of the west, is having trouble with John Merritt, a land-grabbing Chicago meat-packer. By some artifice of shrewd legal aid, Merritt manages to seize Harry's ranch under a bogus writ of foreclosure. Failing to get justice by his many letters to Merritt, Cheyenne Harry goes east and calls at the millionaire's mansion. At first, Merritt refuses to see him. Then, to cause amusement for his daughter, Helen, and her guests, he invites the "uncouth" westerner into his dining hall. He is sure that he will make some grave error in table deportment and afford them all a laugh. To the amazement of Merrit and the guests Harry's table manners are faultless. Then, to trick him into an embarrassing position, Merritt eats with his knife. Harry, realizing that it is proper for the guest to follow the example of the host, does likewise. He leaves the house chagrined but more determined than ever to get justice from Merritt.
Despite disowning his Italian past, Marcelo surprisingly inherits all the debts of his late mafioso “nonno”. Now he must learn from the family business to pay all the money he owes to the Korean and Turkish mafia.
Daniel Francis O'Toole, singing maestro in a New York restaurant, finds himself the unexpected heir to an estate in Ireland. He doesn't have money enough for the passage to Ireland, but the band members decide to incorporate him, advancing him the fare for equal shares in the estate. In Ireland, Danny finds that his is only a half-share, and the other half belongs to Mavourneen Kerrigan and she has the exclusive right to sell or keep the property...which, despite his pleas, she refuses to do. She also declares him an undesired guest, objects to his presence and insists that he prepare his own meals. He does so in a large main hall, but can only make hamburgers.
Orgon
Tartuffe
Dorine
Elmire
Cléante
Madame Pernelle
Laurent
