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Marquise is a drama about the rise and fall of a beauteous actress. As cheerfully portrayed by Sophie Marceau, the eponymous heroine is an engagingly ribald, but perhaps rather too modern, character. She rises from an impoverished background to become a favourite of the Sun King, Louis XIV, and the mistress of the celebrated Racine, who wrote roles especially for her; but her fate, in the end, is a tragic one.
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Sherlock and Doctor Watson are back and investigate the curious disappearance of an exceptional diamond in a hotel room. A theater adaptation of one of the 56 short stories featuring the detective Sherlock Holmes.
Praised at the Théâtre du Rond-Point, dedicated to Molières 2019 by Molière for directing for Mathilda May, and for female revelation with Ariane Mourier, Le Banquet is a singular, strong, surprising and universal show. A wedding where everything goes wrong, a banquet where everything suddenly shatters. Without words but in a universal language, the characters love each other, confront each other, meet again, and get lost in a funny and hectic whirlwind. After the immense success of Open Space and when Mr. X was created with Pierre Richard, Mathilda May continues to make us dream and presents us here with a unique fresco. An exceptional spectacle.
In this adaptation of the play by Molière, Monsieur Jourdain, social climber, nouveau rich but naive, dreams of being recognized in high society. He hires masters of music, dance, philosophy. He has gone mad with thoughts of honors, decorations, and power.
Serge Tanneur is at the pinnacle of his acting career when he decides to turn his back on show business and become a hermit living off of France’s Atlantic coast. Three years later, Gauthier Valence, a beloved TV actor, shows up on the island to offer Serge a role in his directorial debut – a rendition of Molière’s classic play, “The Misanthrope”. Serge refuses at first, but then suggests that they rehearse the first scene and after five days he’ll decide if he wants to dothe play or not. What ensues is a battle of brawn and wits and peculiar encounters with a hotel maid who longs to be a pornstar and an Italian divorcée.
Liz and Hugh Preston have been living a life of perfect harmony for fifteen years — what one commonly calls “happiness.” But this peaceful bliss has gradually led to a certain boredom, prompting one of the spouses to cheat on the other — what one frankly calls “adultery.” But who, in fact, is responsible for this minor disaster? Hugh claims it’s Liz. His wife, on the other hand, has good reason to believe it’s her husband who strayed. Fortunately, Hugh will find a way to defend his love and save their marriage. He’ll use a tactic that seems absurd at first, but ultimately proves effective…
Tartuffe is a hypocritical impostor who manages to manipulate Orgon, a wealthy widowed bourgeois, by feigning devotion. Orgon ends up offering his daughter Mariane in marriage to Tartuffe, while he disowns his son Damis and intends to donate all his possessions to Tartuffe. Elmire, Orgon's young wife, whom Tartuffe is courting, will attempt to expose him, while the royal family intervenes to prevent the ruin of Orgon's family.
Subversive hero or vile predator? Don Juan has appeared throughout history in many guises. Macha Makeïeff highlights the psychological and societal aspects of the character: desire, domination, and human darkness, which she contrasts with liberating and destructive laughter.
Why do we often go to dinners we don't want to attend, to see friends who aren't really friends anymore? Out of habit? Out of kindness? Out of cowardice? Intoxicated by the idea of tidying up their schedules by sorting through their old friends, Pierre and Clotilde Lecoeur (played by ERIC ELMOSNINO and LYSIANE MEIS) decide to organize farewell dinners, the ultimate form of friendly divorce. However, by choosing - as their first victim - Antoine Royer (played by GUILLAUME DE TONQUÉDEC), their oldest friend, Pierre and Clotilde are unaware that they are getting caught up in a downward spiral.
On the occasion of the fiftieth edition of the French Theater Festival in Israel, Francis Huster takes to the stage in Tel Aviv to perform the play "Molière, le magnifique." This is an opportunity for him to introduce Molière's language to novices and to showcase his work, which still touches and speaks to us today. Recorded for Olympia TV (Canal+ Group) during the 5th edition of the Horizons Festival at the Beit Lessin Theater in Tel Aviv on October 26, 2022, in Israel.
Gorgibus
La Grange
Du Croisy
Cathos
Magdelon
Mascarille
Jodelet
