A boy raps about wanting a puppy for Hanukkah.
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A history of rock music during the 1960s, covering everything from the British Invasion that began with the Beatles to the psychedelic sound from San Francisco.
Centers on a boy named Osamu who receives an umbrella as a gift from Sayu, but it goes missing. That umbrella transforms into a girl who goes gallivanting around town on a rainy day.
In late 18th century Scotland, Annie Laurie and William Douglas love each other, but their clans are on opposite sides of the country's civil war. Their love is made immortal through the title song of this film.
In this Broadway Brevity short, a soda jerk/songwriter dreams (literally) of performing his songs on Broadway.
Santa's workers demand to be entertained and thus put on a musical show for themselves.
A Salesman tries to locate a notorious Mexican bandit.
Harry Fox performs his vaudeville act.
Mourning the death of his partner and collaborator Danièle Huillet, Straub finds tender mercy in music and nature. Out of the abyss, Kathleen Ferrier sings “The Farewell” from Gustav Mahler’s “The Song of the Earth”, (which the composer wrote in 1909 after the death of his daughter) and Heinrich Schütz’s Lament on the Death of His Wife. The landscape also provides solace: the mountain grove where Endymion pines for his beloved Artemis, “a wild thing, untouchable, mortal,” appears to embody the Japanese concept of ‘mono no aware’ — a wistful acceptance of the fleeting beauty of things.
Old Lace is a 1931 Musical short.
A cutout of a woman's silhouette is displayed in many locations while a free jazz soundtrack is heard. The jazz musicians later pose for the camera in a studio.
At her grandfather's funeral Bella deals with the emotions of a loved one passing on, while her father Jack must face the debt that his father left behind.
A series of ten black and white shorts.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Jerry Wald has to write about radio, visiting Sid Gary gives him the tip it might be more easy for him to write this article at the radio station than at his newspaper office. At the studio they listen to the Boswell Sister's rehearsal, which is interupted by some not so friendly remarks by orchestra leader Abe Lyman, they listen at the door, where a Colonel Stoopnagel broadcast is prepared, as well as to the rehearsal of a new song for an broadcast by Kate Smith.
In a nightclub setting, Jimmy Dorsey and His Orchestra, with two of his vocalists, perform four of the group's best known songs. For the complete list of songs, check the soundtrack listing.
Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.
The courtship between the dilatory Mose and the diligent Hattie amid the general ferment of a "rent party" aboard a Mississippi river steamboat.
During the Great Depression, vaudeville has fallen on hard times. The Palace Theater may have to close its doors, unless the proprietor, William Jenkins, does something different, so he allows his 12-year-old son to put on a kiddie show that packs the house.
Quiet 10-year-old Zsofi has just changed schools. Feeling out of place at first, she is quickly admitted to the school’s famous choir and befriends her popular classmate Liza. Soon, they have to stand up united against their choir master, who isn’t quite the friendly and inspirational teacher they first thought she was.
A woman enters a bar and asks for a bit of conversation, but what she gets in return is a bunch of bad pickup lines sung to her by a cowboy and the bartender singing the cowboy's virtues.
