Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
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This short celebrates the 20th anniversary of MGM. Segments are shown from several early hits, then from a number of 1944 releases.
16-year-old Yuguo, who has a passion for Eastern European romantic poetry, makes a pilgrimage from his home in China to the foothills of Romania’s Carpathian Mountains.
Imagine hanging out with Charlie Parker and Dizzy Gillespie, hearing them jam together, trading riffs, then riffing with words and trading stories. Bird and Diz are gone, but giants still walk among us. One of those giants is Buster Williams. Buster has played with everyone - Miles, Sarah Vaughan, Nancy Wilson, Art Blakey, and on. In this intimate portrait, Buster trades stories, and plays, with some of the world's greatest musicians - Benny Golson, Herbie Hancock, Christian McBride and others, and takes us on a journey through his life, legacy, and America's greatest art form - the truly universal music called Jazz.
Cole Porter times three! Al Kemp and His Orchestra swing "Begin the Beguine," Emil Coleman and His Orchestra sell us "Just One of Those Things," and Skinnay Ennis and His Orchestra love some "(Let's Do It) Let's Fall in Love."
A short about American life and history produced for the millennium New Year's Eve celebration.
Poet, musician, visual artist, and Afrofuturist Moor Mother roams a hallucinatory Mojave Desert alone. Meanwhile, in Los Angeles, Moor Mother visits the Pan Afrikan Peoples Arkestra HQ and plays with jazz luminaries and elders, including Henry “The Skipper” Franklin, Michael Session, and Maia.
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Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.
In this short film by Norman McLaren, dancers enact the Greek tragedy of Narcissus, the beautiful youth whose excessive self-love condemned him to a trapped existence. Skilfully merging film, dance and music, the film is a compendium of the techniques McLaren acquired over a lifetime of experimentation.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
CMC’s visionary leaders and artists to celebrate one of San Francisco’s most-revered and longest-running community arts programs.
A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.
On October 21, 1967, over 100,000 protestors gathered in Washington, D.C., for the Mobilization to End the War in Vietnam. It was the largest protest gathering yet, and it brought together a wide cross-section of liberals, radicals, hippies, and Yippies. Che Guevara had been killed in Bolivia only two weeks previously, and, for many, it was the transition from simply marching against the war, to taking direct action to try to stop the 'American war machine.' Norman Mailer wrote about the events in Armies of the Night. French filmmaker Chris Marker, leading a team of filmmakers, was also there.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Wonderwall Guy brings his guitar to a party to impress girls and just won’t leave. A group of the fed up partygoers band together to try and get him out of there, but something unexpected happens…
Born on a sharecropping plantation in Northern Florida, Ray Charles went blind at seven. Inspired by a fiercely independent mom who insisted he make his own way, He found his calling and his gift behind a piano keyboard. Touring across the Southern musical circuit, the soulful singer gained a reputation and then exploded with worldwide fame when he pioneered coupling gospel and country together.
A documentary about the artistic and verbal expressions of mentally ill people.
A romantic drama about two couples shifting sexual dynamics over one night in a music bar.
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
