Two friends faced with an internal conflict struggle to find a way of communication.
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Himself
A journey through six different countries and characters into a world where chemistry is the ultimate response to human pursuits of well-being.
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Green Valley was a housing commission estate in western Sydney, much maligned by the media of the day. The residents were hurt by the criticism but lacked access to the media to respond. Supplied with equipment by Film Australia, they used this film to present a different image of themselves and their daily lives. In so doing, they answered the question of "Whatever happened to Green Valley?" The core of this film is the work of half a dozen residents, co-ordinated by acclaimed filmmaker Peter Weir in one of his earliest film projects. Weir also acts as the moderator at a public forum that is included in the film.
America has questions about today's youth, what we care about, and where we're headed. We had those questions too. So, after graduating college, four of us loaded an RV and embarked on a journey looking for answers. We traveled to all of the lower 48 states, talking to our peers about growing up, 9/11, race, the Internet, careers, sex, love, and the American Dream. Along the way, we met a wide cross-section of young Americans, ranging from a cancer researcher in Boston to a drug dealer in New Mexico, from an Iraq veteran in Florida to the founder of Facebook in Silicon Valley. The film ultimately leads to the recent historic election, where our generation finally stands up to make its voice heard. OUR TIME is a passionate portrayal of a generation, a meditation on coming of age in 21st-century America, and a rallying cry against apathy.
Quiet towns across rural Australia are in the grip of an Ice epidemic. Major international drug cartels are working with local outlawed motorcycle gangs to push crystal meth to a captive market of children.
Three strangers immersed in the world of camming come together to discuss its impact on young people. But their views are radically different. While one sees it as a respectable trade full of dedicated and liberated women, another sees it as a direct exploitation of the male libido. The third sees it as a haven for lonely people like himself to reconnect with the intimacy that’s missing from their lives. What they don’t know is that they all have one person in common – and she’s watching the conversation from the next room. Bex is a curvy cam model, and she’s witnessing their unfiltered feelings about her and the industry unfold. Filled with passionate debates, disagreements, humour and revelation, will our common people unite? Or will their revelations polarise them further?
How the Monuments Came Down is a timely and searing look at the history of white supremacy and Black resistance in Richmond. The feature-length film-brought to life by history-makers, descendants, scholars, and activists-reveals how monuments to Confederate leaders stood for more than a century, and why they fell.
A short retrospective documentary on the struggles of eating disorder.
Throughout Hong Kong’s history, Hongkongers have fought for freedom and democracy but have yet to succeed. In 2019, a controversial extradition bill was introduced that would allow Hongkongers to be tried in mainland China. This decision spurred massive protests, riots, and resistance against heavy-handed Chinese rule over the City-State. Award-winning director Kiwi Chow documents the events to tell the story of the movement, with both a macro view of its historical context and footage and interviews from protestors on the front lines.
Black Mold Exposure explores the bizarre illnesses associated with exposure to toxic mold and the film participants' difficult task of regaining their health and lives in an atmosphere of political and social intolerance and disbelief. Black Mold Exposure is a first-ever look into the lives of those claiming to be ill from mold and the controversial and volatile climate surrounding it.
Using testimonies by pioneers and witnesses of the times, delve into the feverish visual culture the media generated – with far-fetched examples of canine television games, seduction manuals, aerobics class while holding a baby, among others.
Fox Rich, indomitable matriarch and modern-day abolitionist, strives to keep her family together while fighting for the release of her incarcerated husband. An intimate, epic, and unconventional love story, filmed over two decades.
Hiding in the Walls unwinds the fraught history of lead poisoning in Baltimore and follows the adult survivors who are on a mission to reclaim the narrative.
Documentary directed by W.K. Border, that which dives into the aspects of contemporary Gothic subculture, vampirism, and BDSM culture. Filmed in 1997 in California.
Pitch Black takes us inside the claustrophobic worlds of three young men immersed in the online black-pill subculture, as they struggle to reckon with their actions.
Journalist Émilie Tran Nguyen invites the viewer to follow her in her quest and discover, at the same time as her, the historical origins of this anti-Asian racism. Told in the first person, alternating archive images, interviews with historians, sociologists and field sequences, this film traces the making of prejudices in the French imagination and pop culture, to twist the neck of stereotypes, deconstruct and act.
Why did the Roman Empire, which dominated Europe and the Mediterranean for five centuries, inexorably weaken until it disappeared? Archaeologists, specialists in ancient pathologies and climate historians are now accumulating clues converging on the same factors: a powerful cooling and pandemics. A disease, whose symptoms described by the Greek physician Galen are reminiscent of those of smallpox, struck Rome in 167, soon devastating its army. At the same time, a sudden climatic disorder that was underway as far as Eurasia caused agricultural yields to plummet and led to the westward migration of the Huns. Plagued by economic and military difficulties, attacked from all sides by barbarian tribes, the Roman edifice gradually cracked.
