A BAFTA award nominated documentary intended for secondary schools exploring the three distinct geographical regions of Germany from a British perspective.
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Documentary about filmmakers of the New German Cinema who were members of the legendary Filmverlag für Autoren (Film Publishing House for Authors). Among them are Werner Herzog, Rainer Werner Fassbinder, and Wim Wenders.
Documentary film about the painter and sculptor Jörg Immendorff who ranks among the most important German artists. The filmmakers accompanied Immendorff over a period of two years – until his death in May 2007. The artist had been living for nine years knowing that he was terminally ill with ALS. The film shows how Immendorff continued to work with unabated energy and how he tried not to let himself be restrained by his deteriorating health.
Helke Sander interviews multiple German women who were raped in Berlin by Soviet soldiers in May 1945. Most women never spoke of their experience to anyone, due largely to the shame attached to rape in German culture at that time.
Is the solution to Switzerland's future to integrate Germany into the confederation? After all, like Michael Ringier, CEO of the Ringier media group, says, blithely ignoring all minorities, we're very close in culture and language. Oskar Freysinger takes out his guitar and sings his answer. Politicians from French-speaking Switzerland and Ticino think expanding will help the country survive. The former German foreign minister thinks the two countries' traditions are too different. The banker Oswald Grübel is worried about Germany's debts, although he'd be prepared to take over its assets. With serious interviews interspersed with gags (boat people on Lake Constance, the last Habsburger as a peasant), Giaccobbo gathers off-the-cuff reactions which reveal a lot about the different mentalities. The movie laughs at preconceived notions, redefines neutrality and reflects on what designates a nation. Switzerland, which loves to teach the world a lesson, will soon helvetize the planet, oder?
A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.
Max S. reveals how he built a drug empire from his childhood bedroom in this story that inspired the series "How to Sell Drugs Online."
Instructions on how to make a Molotov Cocktail
Documentary tells the story of Germany's origins from the Carboniferous period to the present day. It leads from the highest Alpine peaks to the rugged North Sea coasts - from the craters of the Eifel to the river labyrinth of the Spreewald. Back then - around 300 million years ago - giant dragonflies, for example, buzzed through dozens of meter-high fern forests. In the course of the Earth's history, however, we also encounter dying dinosaurs, meet rhinos and elephants on the Rhine and come across what is probably the first human in Heidelberg. Later, the Neanderthals appear and suddenly disappear again - for reasons that are still unknown. And finally, modern humans gradually spread and began to shape their environment.
Nine fictitious documentaries and films reflect the mood of late 1970s Germany, particularly the two-month period in 1977 when a businessman was kidnapped by the RAF (Red Army Faction). The kidnap had been made to orchestrate the release of the original leaders of the RAF, aka the Baader-Meinhof.
The mining industry, which always had been “sponsor” and “financier” of the soccer clubs in the Ruhr valley during the post-war period, doesn’t exist anymore nowadays in that form. Many of the once glorious clubs which dominated German soccer until the 1970s faded into obscurity without financial backers. The documentary “Im Westen ging die Sonne auf" ("The sun had risen in the west“) shows the history of the “Revierfußball” from after the second World War until the decline of the mining industry and recalls legendary players and forgotten clubs. The film shows especially how deeply rooted the sport was back then in the entire lifestyle of the Ruhr area - in private life as well as in society - and how structural change also left clearly visible marks in sports. With pictures from back then, interviews with contemporary witnesses, and footage of original locations nowadays, a contemporary document of German post-war history, by taking the example of soccer, has been created.
The year 2017 marks the 500th anniversary of one on the most important events in Western civilization: the birth of an idea that continues to shape the life of every American today. In 1517, power was in the hands of the few, thought was controlled by the chosen, and common people lived lives without hope. On October 31 of that year, a penniless monk named Martin Luther sparked the revolution that would change everything. He had no army. In fact, he preached nonviolence so powerfully that — 400 years later — Michael King would change his name to Martin Luther King to show solidarity with the original movement. This movement, the Protestant Reformation, changed Western culture at its core, sparking the drive toward individualism, freedom of religion, women's rights, separation of church and state, and even free public education. Without the Reformation, there would have been no pilgrims, no Puritans, and no America in the way we know it.
The war in the Ukraine has changed the way many European countries view Russian politics. Suddenly it became clear how dependent countries had become on Russian gas imports for decades and what Vladimir Putin was up to. However, no country needs more gas than Germany. It was only after Russia's invasion of the Ukraine that the German government realized that Russia had long used gas as a weapon to impose its will on states. The instrument created for this purpose is the natural gas production company GAZPROM. So how did Germany become so dependent on Russian gas? The documentary shows how, over several decades and several changes of government, a broad alliance of politicians and business representatives did everything possible to secure Germany's energy supply with cheap Russian gas, while the Kremlin's foreign policy became increasingly aggressive and the warnings of experts went unheeded.
Blixa Bargeld (born Christian Emmerich) is a German-born musician active in a number of artistic fields. He is best known for his studio work and live performances with the groups Einstürzende Neubauten and Nick Cave and the Bad Seeds. In the center the front singer of this busting sound event – one of the most dazzling personalities in the history of German music: Blixa Bargeld. Nobody else embodied the 1980ies West Berlin punk attitude more than him. Nobody was so over the edge, so demonic and at the same time so inventive. Blixa Bargeld is mainly known for being the mind and front singer of Einstürzende Neubauten, although he is a multi-talent and has never restricted himself to being only musician. Portrait for ZDF/arte series "Mein Leben"
A documentary following the day life of fans in Brazil on July 13, 2014: the day when Germany and Argentina met up in the finals of FIFA World Cup.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
A documentary and propaganda film which shows the British Army's preparations for, and the early stages of, the battle of the Somme.
Chaja Florentin and Mimi Frons have been best friends for 83 years. Born and raised in Berlin, they had to escape from the Nazis to Palestine with their families in 1934. They talk about their complicated relationship with Berlin in a Tel Aviv café where they meet everyday. A film about friendship, homeland and identity.
Until 1942 around 100 German propaganda films were made, that were set in Africa. They were produced in Germany, with Black Germans and Africans living in Germany. Who were these Black extras and how did they come to Germany? Why did they work in film-making? Which roles did they play and what messages did they send? What were their daily experiences as Black people during the Weimar Republic and the Nazi Regime?
As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.
During the Nazi regime, there was widespread persecution of homosexual men, which started in 1871 with the Paragraph 175 of the German Penal Code. Thousands were murdered in concentration camps. This powerful and disturbing documentary, narrated by Rupert Everett, presents for the first time the largely untold testimonies of some of those who survived.
