Examination of a corporeal corporate life
Compiled from stock footage, Livestock is a visual poem exploring the digital, physical and metaphysical synergy of the modern workplace.
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A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
Tender caresses and enveloping embraces are portals into the life of Mack, a Black woman in Mississippi. Winding through the anticipation, love, and heartbreak she experiences from childhood to adulthood, the expressionist journey is an ode to connection — with loved ones and with place.
Fed up with surviving on social crumbs, he takes a surreal flight to find a hidden truth. In a dull world, we need color, but what if this colorful idealization turns against you?
Belfast, it's a city that is changing, changing because the people are leaving? But one came back, a 10,000 year old woman who claims that she is the city itself.
An experimental meditation on Times Square's marquees and iconic advertising that captures the concurrently seedy and dazzling aspects of New York's Great White Way.
Using Varsha Panikar's poetry series by the same name, it follows the journey of a poet as they rediscover love, passion, and identity after encountering their muse.
A frenetic found-footage documentary made entirely from “lost” unlabeled media on YouTube - weaving together nearly a thousand raw videos, each mistakenly or mindlessly uploaded under a generic filename (e.g., IMG 1326, IMG 5493…).
Philophobic delves into the complexities of modern relationships, offering a glimpse into the emotional journey of a young woman navigating love and fear. Through the lens of her bedroom and the use of viewmaster reels, viewers witness her struggle to reconcile her longing for connection with her deep-seated fear of vulnerability. As she grapples with her emotional detachment, Philophobic prompts reflection on the fragile nature of Gen Z relationships and the universal quest for validation.
A "city symphony" film, produced to encourage Photographic Society of America members to attend their 1963 conference in Chicago, City to See is a surprising film. It combines footage of Chicago with a deadpan commentary that pokes fun commercial travel films: "Chicago is my town," the narrator says wryly, "and no other town will do." Conneely was awarded a special prize by the Photographic Society of America for this film.
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An experimental visual poem about a sick lonely old man stays in his big empty house, dreaming of a glorious life that he could have. In this dream, he plays a Rubik's Cube, which connects the memories of his prime in a paralleled universe, the chapters of love and pain.
Peter Hutton's New York trilogy. An act of urban archaeology, a chronicle of indelible impressions of the city.
“I love poetry because it makes me feel like my mind expands.” In Regard Silence, that's the very first sentence expressed—in sign language of course. Watching the poems signed by deaf people in this film has a similarly mind-expanding effect. That’s because sign language—the Mexican version in this case—is a very different means of communication than written or spoken language.
Gubara was proud of the first color film in African cinema, which attempts to give an African response to the city symphony genre by capturing disparate images of daily life in Khartoum and setting it to music, particularly romantic Arabic songs.
"The theme of the film HIDDEN CITIES is personal urban perceptions, which we call 'the city'. The city, as a living organism, reflecting social processes and interactions, economic relations, political conditions and private matters. In the city, human memories, desires and tragedies find expression in the form of designations and marks engraved in house walls and paving slabs. But what the city really is under this thick layer of signs, what it contains or conceals, is what we are researching in the HIDDEN CITIES project. The source material for the film are 9 sequential photo works created by Gusztáv Hámos between 1975 and 2010. Each of these 'city perceptions' depicts essential situations of urban experiences containing human and inhuman acts in a compact form. The cities in which the photo sequences have been made are Berlin, Budapest and New York – places with a traumatised past: Wars, dictatorships, terrorist catastrophes."
A short film about Stockholm. Sweden's first Oscar, 1949 Best Short Subject, One-Reel.
A granddaughter gives a new meaning to her grandma's death through previously unspoken memories.
"If it Won’t Hold Water, it Surely Won’t Hold a Goat" is an intimate meditation on the subversive nature of goats and their effect on the people who spend time with them. Centered on the story of the legendary Goat Man - a nomadic figure who spent most of his life walking the roads of Georgia with a wagon pulled by a herd of goats - this experimental documentary weaves together an interview with a goat farmer, footage of the daily rituals Johnson enacted with her own herd, and a poem about the Goat Man’s experimental and spectacular life.
