Oguz
Sema
Sami
Neriman
Hediye
Zübeyde
Farm butler Ahmet Aga
Afilli Murat
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The film is about a rich man who falls in love with a poor woman. Cüneyt, the son of a millionaire businessman, is about to get engaged. To test his fiancée and her friends, he tells everyone that he has gone bankrupt. As a result, his fiancée breaks up with him. His friends also do not attend the engagement ceremony. As a result, Cüneyt decides to distance himself from his social circle and spend some time in the outskirts of the city. With the help of a worker who is employed by him, he begins living in Kumkapı. Cüneyt will fall in love there and decide to marry.
The film is based on the novel (of the same name) by the Chilean writer Francisco Coloane, and on the chronicles of the Romanian engineer Julius Popper, a nationalized Argentine and one of the principle actors in the genocide of the Selk'nam, one of the indigenous peoples who inhabited the Tierra del Fuego Archipelago.
Set between 1945 and 1951 in the pre-Independence state of Hyderabad, the film tells the story of a young peasant, Ramiah, who rebels against the corrupt rule of the Nizam. Baring witness to the oppression and hardship faced daily by those around him, Ramiah leaves his village. However, after befriending a Marxist activist and participating in the Independence struggle, he eventually returns to wage guerilla warfare against the landlord class.
Rodrigo returns to his childhood home of Salamanca after a four-decade absence and a career as a guerrilla in Latin America, a secret agent in the Eastern Bloc and an official for an international agency. While Rodrigo may have attempted to put his past life behind him, the memory of his now deceased mother and his old-world family returns to haunt him. In an old city dominated by the weight of tradition, Rodrigo discovers a daughter about whose existence he had never known, as well as a grand-daughter, the enigmatic and beautiful Octavia. A rebellious teenager, Octavia dismisses her grandfather's old politics, possessing her own sense of what freedom means. Patino's film is a poetic, assured contemplation on the pain of returning somewhere you never really left and the accompanying ironies of a man obsessed with history who cannot face his own.
A successful art historian who has trouble telling people difficult truths, finds himself in an inescapable situation when a small lie quickly gets out of hand.
Hans, a German director, is in Madrid to film a television production about the capital and the Civil War, 50 years after it occurred. Accompanied by Lucía, his editor, and Goyo, his cinematographer, he films shots of the modern city, searching for spaces and people related to its past. At the same time, he views materials related to the past. In this search, Hans questions the point of his project, and disagrees with his producers until he discovers a project that he is passionate about.
On the night of his brother's wedding, best man Charlie gets the old gang back together for a fun-filled, post reception after party, at the newlyweds' home, where he has been staying for several weeks. Unsure of how to proceed with his own troubled marriage, Charlie reunites "the fellas" fifteen years after high school, in hopes that revisiting the past will help him find clarity for the future. What he finds, however, is that while his friends have all taken different paths, they are all faced with similar conundrums that comes with being in one's thirties.
Concerning the Mátyás era in Hungarian history, during the reign of Matthias Corvinus (1443–1490), the film focuses on three eras of the king's life: the young Mátyás fights for the throne, the older Mátyás as king, and the fate of the royal crown and the royal heir after his death.
A focus on the tormented lives of intellectuals who failed to protest recent troubles in their homeland. Jancsó emphasizes highly evocative and ambiguous imagery over dialog or exposition as he – through visually fascinating imagery – depicts the painful, stunted lives of Hungary's intellectuals who have remained silent and ineffectual during various political crises.
Zsadányi flees from the authorities with his goddaughter, Bankós Mari, and they escape into the forest. The film then skips ahead thirty-fold years: Zsadány and Mari are now lovers, with the sound of war in the background halting their romance. The old friends of Zsadányi have joined with the Nazis, and the landowner living with his peasants in a socialist community grows distant from them. Zsadányi is held responsible for political problems in the country, and will pay with his life.
Stefano, son of the Mafia Don Angelino Ferrante, is killed by Gaspare Ardizzone (John Saxon) for refusing to sell some valuable land. The old don sends for Ferrante Santino Billeci from America, in the hope that he'll be able to help in getting revenge. But Gaspar, meanwhile, is becoming the most powerful and ruthless boss of the area...
A prohibition-themed gangster thriller, set in the 1930s in the United States. Following a failed heist, Sam's gang takes refuge in a small isolated town where another gang has already settled, together with a mysterious priest. The two bands decide to unite, but the wife of one of the gang bosses is attracted to a member of the other gang. They plan to escape and start a new life together. But who will survive the police assault on the town?
Madrid, 1939, at the end of the Spanish Civil War. Five infantry soldiers of the victorious side take a photograph of themselves somewhere in the defeated city, promising to meet again ten years later at the same place.
Giovanni Molet is sent to jail for the murder of two of the Carraro family over a feud over land. While incarcerated, a vendetta is carried out on Molet's brother who is killed by the Carraros. While being transferred to another prison, Molet manages to escape and goes on the run. He holes up in a large villa owned by a newlywed couple and slowly starts to prepare for his revenge.
Former shepherds return to Sardinia from Milan in order to avenge a brother wantonly killed by bandits. In describing the grinding contrasts between places and personages of old and new Sardinia, director Piero Livi does not falter, photographing faithfully a desolated land, stuck in the past but alienated from traditional beliefs.
A wealthy businessman's wife tries to cover up his suicide to cash in his life insurance policy.
Gräfenhausen near Pforzheim, on the morning of April 29, 1997: Harry Wörz is awaited by a large police force as he leaves his apartment and is immediately arrested. He is said to have visited the policewoman Silke, with whom he is still married but no longer lives together, the night before and choked her so hard with a scarf that she suffered serious injuries.
Out of prison at last, charismatic sociopath Neal tries to visit the baby son he's never seen, his indifferent parents, and the grave of his horse - not in that order. But mainly he wants to rejoin his old gang in the "pony club" subculture of the wild Northside- would be urban cowboys riding horses rough shod and bare back through the streets of Dublin. He then runs into the squealer who set him up.
