Moving forward amid social, economic crisis
As Rose City grapples with continued vandalism and homelessness, businesses are hurting and boarded up amid a global pandemic. What can be done to bring Portland back?
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COMEDY CONFESSIONS takes you on a journey into the lives of three struggling comedians who have decided to pursue their dreams of careers in stand-up comedy despite the harsh realities of being homeless. For these comedians, their cars are lifesavers providing safety and shelter at night and transportation to auditions and performances during the day. Their daily struggle to avoid sleeping on the street is startlingly juxtaposed with the extravagant wealth of the opulent mansions they park in front of at night. One of them, Tiffany Haddish will achieve her dreams to become a true Hollywood movie star, the other two, Doc Jones and Steve Lolli find the lure of the spotlight takes an unforgiving toll on their hopes and ambitions. This honest and touching movie is told in their own words revealing the passions, dedication and pains that drive them.
49 Up is the seventh film in a series of landmark documentaries that began 42 years ago when UK-based Granada's World in Action team, inspired by the Jesuit maxim "Give me the child until he is seven and I will give you the man," interviewed a diverse group of seven-year-old children from all over England, asking them about their lives and their dreams for the future. Michael Apted, a researcher for the original film, has returned to interview the "children" every seven years since, at ages 14, 21, 28, 35, 42 and now again at age 49.In this latest chapter, more life-changing decisions are revealed, more shocking announcements made and more of the original group take part than ever before, speaking out on a variety of subjects including love, marriage, career, class and prejudice.
Through the eyes of a young drifter who rejects society's rules and intentionally chooses to live on the streets, Chinese filmmaker Nanfu Wang explores the meaning of personal freedom – and its limits.
A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
KOMO Anchor Eric Johnson takes an in-depth look at the impact the drug and homelessness problem is having on our city and possible solutions in "Seattle is Dying," a news documentary that aired on KOMO-TV in March, 2019.
This documentary asks, what is happening to our homes? This is what’s going on all around this country while they’re trying to get everyone to focus on everything else that isn’t this.
The Meaning of Vanlife is an adventurous, revealing look into the Vanlife community through the eyes of nomads who have chosen to live a life of freedom on the road. A movement that exemplifies a deeper societal trend towards minimalism and authentic community building.
Portentously portrays the evacuation of Portland, Oregon, when threatened by a nuclear attack on its state-of-the-art civil defense system.
Lift shines a spotlight on the invisible story of homelessness in America through the eyes of a group of young homeless and home-insecure ballet dancers in New York City and the mentor that inspires them.
Legendary homeless activist Ted Hayes embarks on a journey to heal hearts and minds of Americans.
Every day, on the streets of Canada's cities, we pass them on our way to work or school. Bums, beggars, winos, bag people we call them. But who is the person at the end of that outstretched arm? What is life on the street really like? Is there a way off the street? For six years, director Daniel Cross followed the lives of three homeless men who spent much of their time in and around a Montreal subway station. Filmed in a cinema verité style, the film is unique: it humanizes the homeless, breaking down the barrier between us and them, neither moralizing nor offering easy answers. This is a gritty, compelling look at life on the streets that moves beyond the media stereotypes to show both the humanity of the homeless and the street-toughened aspects of their existence.
“The Fight for the Soul of Seattle” examines the role of Seattle’s City Council in allowing the situation to reach what many experts consider epidemic levels under the guise of a compassionate approach to people who suffer from substance addiction and who commit crimes to feed their habit. It documents the heartbreaking condition of people on the streets, and the crushing decisions Seattle entrepreneurs are forced to contemplate as their life savings and dreams are destroyed by theft, vandalism and a dwindling customer base. This documentary also explores potential bold solutions to treat those living on the streets and pair them with agencies and assistance that can provide a clear path away from the endless circle of addiction and crime.
THE DEPARTMENT is a feature documentary which takes us inside the never-before-seen child protection system at work in NSW. Filmed in an observational style, it follows caseworkers across the state as they navigate the complexities of keeping children safe in families experiencing domestic violence, addiction, poverty, mental health issues and intergenerational trauma.
Young people who have to survive without a home base are helped on their way to a life on their own two feet at Wonen Met Kansen. Little by little, with trial and error, but with the rock-solid confidence that the supervisors have in them.
The UN estimates street children worldwide at 150 million. In Latin America, they are 40 million. In Brazil, street boys and girls felt so enchanted by a camera that they took it as their own to express themselves and fight the silence.
How do seven young people, former street children from Romania, get to see the Pacific Ocean? On 1 December 2008, a Romanian national team participates for the first time in the Homeless World Cup in Melbourne, Australia. The film follows the team from the formation of the squad to the end of the championship. The young people are from Timisoara and Arad, runaway children who now live in abandoned houses or who have managed to get a job and live in rented accommodation after going through orphanages or prisons. After taking a beating from many teams, the young Romanians manage to beat the USA. They are happy. They are all thinking of never going "home" again. It's warm and nice here, the people are nice. "In case I stay, I kissed you all!" says one of them cautiously. But after taking pictures of themselves on the beach with the ocean behind them and beautiful girls by their side, the seven return to Romania and get on with their lives.
From 1990 to 1994, ground zero for the all-ages, alt-rock scene in Portland was the X-Ray Cafe. Brought to life and operated as a flight of fancy by Benjamin Arthur Ellis and Tres Shannon, the X-Ray was both a critical venue for emerging local and touring bands and hang-out for an amazing array of outcasts, street kids and creative eccentrics of all stripes. When band such as Crackerbash, Sprinkler, Poison Idea, Hell Cows, Smegma, Dead Moon, Hitting Birth, Beat Happenings, Cake, Hole, Green Day or the Spinanes were not on stage, anything from poetry to Spanish lessons to a sewing circle might have connected and entertained the customers. Whether shelter, social or information hub, or music mecca, the X-Ray represented and remains, in age-old fashion, a key chapter in many Portlander's coming of age. Ellis's film, loaded with interviews and performance clips, is a spirited valentine to the craziness and glory of days gone by and to the many who called the X-Ray home.
It's a sensitive, moving doc chronicling the life of Tétrault's brother Philip , a Montreal poet, musician and diagnosed paranoid schizophrenic. A promising athlete as a child, Philip began experiencing mood swings in his early 20s. His extended family, including his daughter, share their conflicted feelings love, guilt, shame, anger with the camera. They want to make sure he's safe, but how much can they take?
This documentary about teenagers living on the streets in Seattle began as a magazine article. The film follows nine teenagers who discuss how they live by panhandling, prostitution, and petty theft.
The film explores the turbulent lives of homeless persons in Cologne, Germany. Through their personal belongings the homeless share with the viewer their memories and emotions, and provide insight into the secrets of survival on the street.
