An Animated Short Film by Glen Entis
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A journey to the origins of cinema, starting with its forgotten fathers: the pioneers who achieved moving images before 1895, the official year of the Lumière cinematograph. Through five studies by Frédéric Chopin, 'Impromptu' is also a tribute to the end of the 19th century, to its immortal muses, and to the fascination with movement itself.
Experimental short film by Rainer Kohlberger
An abstract animated short by Michael Theodore.
The first part depicts the heroine's toothache consequent to the loss of a very valuable watermelon, her dentistry and transportation to heaven. Next follows an elaborate exposition of the heavenly land, in terms of Israel and Montreal. The second part depicts the return to Earth from being eaten by Max Müller on the day Edward VII dedicated the Great Sewer of London.
The film was produced applying mixed techniques on Super 8 film support.
A coyote walks through a distorted reality without color.
A student finds out he is late for his train.
WHAT ARE DREAMS? Alesia asks herself these question as she guides us on a psychedelic and abstract journey on the limits of the senses of dreams.
Doors in our life. Each has a melody, like a music box. They have stories, like a book. They will be opened one by one.
Shapes projected onto an abstract environment. The movement and scale of the forms in the film is a beautiful equivalent of the dynamics of the soundtrack
A mathematical play on one repeated movement. It imparts a sense of possibilities: that something simple can produce complex and unexpected patterns. As with an atom, the variety of possibilities from a base movement is potentially infinite.
Abstract animation by Satoh Yoshinao, assembled from newspapers.
Art student Ian Jing impresses the realism-loving art teacher Mrs. Hui from the get-go. Following her advice, he draws exactly what he sees, straining his eyes in the process. To Mrs. Hui’s horror, Ian’s artwork gets progressively blurrier. In turn, his online fame skyrockets, as art critics on social media praise his unique style as an abstract artist. They ascribe deep, profound (pretentious) intentions and meanings to his stylistic choices, when all he's actually doing is drawing exactly what he sees.
An abstract animated film, using computer and experimental techniques in choreographing quilt motifs and designs to music. A tribute to the unique and long-established art form of patchwork quilting. A film without words.
Three memories that become one. An attempt to merge heterogeneous materials: a film sequence shot in Rome, a photo from the 1930s, a noisy soundtrack. Fragmented lines, exploding bass frequencies and flickering.
A portrait of a speaker, engrossed in his own speech, finds the hall empty.
A comfortable rhythm composed of light and shadow. Director Ogino-style absolute movie which freely manipulates geometric figures.
The story of a man who has reached the very top of society and eventually became a victim of his own ideology.
Schwartz reordered and combined angular contours, broken planes, and distorted proportions in her own pictorial structures in an homage to Picasso's style.
A film unmade-- That is, Survage's film was never realized in the traditional sense-- At the time, such a project was beyond technological possibility. His pioneering efforts to combine luminous, expressive painting and the moving picture were further curtailed by the outbreak of WWI. Some have taken it upon themselves to 'animate' his watercolor plates in attempts to set his dream into motion.
