WHAT ARE DREAMS? Alesia asks herself these question as she guides us on a psychedelic and abstract journey on the limits of the senses of dreams.
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Alesia de la Parra
Voice
A coyote walks through a distorted reality without color.
A comfortable rhythm composed of light and shadow. Director Ogino-style absolute movie which freely manipulates geometric figures.
A student finds out he is late for his train.
In this 60 second art piece, a dog named Layla is called upon by nature to defend harmless daisy flowers from the wild grass that is conquering their territory.
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A family political disagreement is interpreted under a dreamlike logic, where the protagonist is emotionally divided.
When forest animals invade our cities, the world is in disarray. Office vixen Fiona struggles with her banana phone addiction. Will she succumb to it? Temperamental bunny Barbara only gives her stag sugar daddy Nestor his special massage, after he dines her and plays the big spender. This obscure short film pinpoints postmodern tropes of consumerism, eroticism, and art with an homage to the theater stage and references to literature. This work uses a fantasy language and needs no subtitles.
A mathematical play on one repeated movement. It imparts a sense of possibilities: that something simple can produce complex and unexpected patterns. As with an atom, the variety of possibilities from a base movement is potentially infinite.
Three memories that become one. An attempt to merge heterogeneous materials: a film sequence shot in Rome, a photo from the 1930s, a noisy soundtrack. Fragmented lines, exploding bass frequencies and flickering.
Claire is composed of digital scans and blow-ups of a series of three ink-on-paper artworks created in 2012 by French-Spanish researcher, publisher and artist Claire Latxague. While collecting drawings, written documents and other printed materials for a (yet unreleased) project called Un film de papier, I’ve stumbled upon Latxague’s artwork, entitled À la renverse. The blow-ups were made in an attempt of unearthing cartographic imagery in abstract compositions.
The film was produced applying mixed techniques on Super 8 film support.
Doors in our life. Each has a melody, like a music box. They have stories, like a book. They will be opened one by one.
An abstract animated film, using computer and experimental techniques in choreographing quilt motifs and designs to music. A tribute to the unique and long-established art form of patchwork quilting. A film without words.
A portrait of a speaker, engrossed in his own speech, finds the hall empty.
The first part depicts the heroine's toothache consequent to the loss of a very valuable watermelon, her dentistry and transportation to heaven. Next follows an elaborate exposition of the heavenly land, in terms of Israel and Montreal. The second part depicts the return to Earth from being eaten by Max Müller on the day Edward VII dedicated the Great Sewer of London.
Art student Ian Jing impresses the realism-loving art teacher Mrs. Hui from the get-go. Following her advice, he draws exactly what he sees, straining his eyes in the process. To Mrs. Hui’s horror, Ian’s artwork gets progressively blurrier. In turn, his online fame skyrockets, as art critics on social media praise his unique style as an abstract artist. They ascribe deep, profound (pretentious) intentions and meanings to his stylistic choices, when all he's actually doing is drawing exactly what he sees.
Abstract animation assembled from newspapers.
A journey to the origins of cinema, starting with its forgotten fathers: the pioneers who achieved moving images before 1895, the official year of the Lumière cinematograph. Through five studies by Frédéric Chopin, 'Impromptu' is also a tribute to the end of the 19th century, to its immortal muses, and to the fascination with movement itself.
A creature traverses an uncertain terrain
