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A unique hybrid of documentary, silent film, drama and dance, 'Breaking Plates' puts revolutionary women of the past on the screen with present day filmmakers. Contemporary women talk to characters from 100 years ago, reanimate their antics and emulate their mayhem moves. As early 21st century performers step into the clothes of their early 20th century counterparts, battling their haywire machines, exploding gags, and eruptive bodies, they learn to wield humour as a weapon against the structures that contain them today.
Shere Hite’s 1976 bestselling book, The Hite Report, liberated the female orgasm by revealing the most private experiences of thousands of anonymous survey respondents. Her findings rocked the American establishment and presaged current conversations about gender, sexuality, and bodily autonomy. So how did Shere Hite disappear?
A group of young women from Ouagadougou study at a girl school to become auto mechanics. The classmates become their port of safety, joy and sisterhood, all while they are going through the life changing transition into becoming adults in a country boiling with political changes. In a country with youth unemployment at 52 percent, jobs are a hot issue. The young girls at a mechanics school in Burkina Faso’s capital Ouagadougou are right in the middle of a crucial point in life when their dreams, hopes and courage are confronted with opinions, fears and society’s expectations of what a woman should be. Using interesting narrative solutions, Theresa Traore Dahlberg depicts their last school years and at the same time succeeds in showing the country’s violent past and present. This is a feature-film debut and coming-of-age film with much warmth, laughs, heartbreak and depth.
Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.
Interviews and performance footage are used to provide an overview of the women's music scene.
A documentary that proposes a conversation about the way children are praised. While girls are often praised solely for their appearance, boys can receive compliments by highlighting their skills. "Rethink the Praise" reflects on the power of words and culture that has brought an imbalance in the way we commend our boys and girls.
Two Filipina victims of sexual abuse search the truth behind the finding of a renowned anthropologist: that merely a few generations ago, the Bontok Igorot lived in what seems an unthinkable utopia—a rape-less society.
After a woman’s silent rage erupts into a fight post-coitus, a women’s group analyzes her refusal to stay passive. Another scene shows a woman’s despair when her lover misses their meeting, prompting the group to reject passive waiting. Together, they combat issues like rape, prostitution, and abortion rights (§218) to reclaim self-determination.
At the beginning of winter, a filmmaker retires for six months to a hermit's cabin in the middle of the forest, cut off from the world and its means of communication. Through the words of four women she has filmed previously, all of whom have dedicated their lives to different forms of spirituality, she embarks on a mysterious inner adventure, on the edge of solitude and nature. A journey that invites us to connect with the world in a different way.
Four people - Brittany, Hannah, Nick, and Ylonda - tell their stories about how access to abortion in their community helped them empower themselves to lead lives they want to live.
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
Bruce Macdonald follows punk bank Hard Core Logo on a harrowing last-gasp reunion tour throughout Western Canada. As magnetic lead-singer Joe Dick holds the whole magilla together through sheer force of will, all the tensions and pitfalls of life on the road come bubbling to the surface.
A "best of" compilation of live clips of various ASSJACK shows taped live at Alley Katz in Richmond, VA from 2003 - 2006 and clips of 1 show from May 2005 at Bluecats in Knoxville, TN. Special cameos by Dancing Outlaw Jesco White, Randy Blythe from Lamb of God and Chris Arp from Psyopus.
The Happy Child is a story of "New Wave" rock genre predominant in the ex-Yugoslavia during the socialist 70's and 80's.
Documentary following Roger Miret and Vinnie Stigma of the band, Agnostic Front who played a key role in defining, shaping and establishing the sound and cultural code of conduct for the still-thriving movement. Unlike the dozens of bands that have come and gone, Agnostic Front is still going strong.
From London's 1970 mod scene to Sonic Youth, punk music has always been about attitude and anarchy. This comprehensive rockumentary traces the roots of punk, from The Velvet Underground and the New York Dolls to the Sex Pistols and The Clash.
Bill Bartell was a multifaceted individual who traversed the punk rock scene, law enforcement, rodeo riding, and country music. Known for his unique contribution to punk rock through his label Gasatanka Records and band White Flag, Bartell's life defies conventional boundaries, blending hyper-masculinity with subcultural rebellion. His story, filled with mysterious and seemingly contradictory roles, offers a compelling narrative about identity, transformation, and the unexpected paths life can take.
Glenn Tilbrook and Chris Difford, the men behind Squeeze, have been called everything from the new Lennon and McCartney to the godfathers of Britpop. Now, 35 years after their first record, this documentary reappraises the songwriting genius of Difford and Tilbrook and shows why Squeeze hold a special place in British pop music.
An international topic documentary on feminism and gender equality. The film reflects on current debates and analyses the potential of intersectional feminism to profoundly change our future societies.
A Woman's Place is the first film about the UK women's liberation movement. Crockford and her co-producers Ellen Adams and Tony Wickert document the movement's first national conference and march and examine its demands. The film records impassioned discussions and speeches, as well as the humour of the marchers. It also includes interviews with members of the public who give their perspective on women's liberation Crockford made the film as an attempt to see 'whether other people could be engaged by what I believed in'.
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