KÖY (Turkish for village) is about the longing for home, for belonging and the freedom of the self. Three women from three generations are united by their Kurdish roots.
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Spearheading the 2017 battle for Raqqa against ISIS, the Kurdish forces of Rojava tried to put together a revolutionary political vision in the Levant: gender equality, self-determination, democracy, popular self-defense, anti-sectarism... But their democratic confederalism, built on mine fields and war economy, found itself struggling between imperialist foreign forces and Turkish nationalism.
A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.
The spring of 1950 was also the spring of the multi-party regime in Turkey. A new 10 years, a new regime, a new government. The first test of democracy was beginning. The National Chief of the single-party period had returned to his Pink Mansion. The address of the opposition was clear now. When it comes to power... Power was shared by a tripartite trivet from the first day: DP Group in the Parliament. Celal Bayar in the Mansion and Adnan Menderes in the Prime Ministry..
Turkish democracy got over May 27 and March 12 and set off again, but the storm did not subside, and the mutual reckoning was not over. On the contrary, new fronts were opened in the country and blood began to flow like a gutter. Finally, on September 12, there was a knock on the door again. Those who came that day changed everything, everything. Nothing will ever be the same again
Societies, like people, have turning points in their histories. These milestones sometimes silently and spontaneously knock on the door, and sometimes they explode like a terrifying thunderclap. The year 1950 was such a turning point for Turkey. A simmering social reaction against 27 years of power erupted in the spring of 1950. Society has cracked its quarter-century shell. Not by shedding blood in the streets, but by voting at the ballot boxes. "Demirkırat" was reared by the general vote. That's why the 14 May 1950 elections were always called the "White Revolution"...
32.Day, a news classic by Mehmet Ali Birand, is with you this time with the documentary 50 Years of Cyprus!
Documentary about a "transportation commando" in Germany with the goal to deport 200 people to Albania...
A thorough look at the 90's Turkish rock scene, one legendary stage band and its two members: Kerim Capli and Yavuz Cetin... An inquiry of their existential battles with the society, the industry and their own minds.
As daylight breaks between the border cities of El Paso, Texas, and Juarez, Mexico, undocumented migrants and their relatives, divided by a wall, prepare to participate in an activist event. For three minutes, they’ll embrace in no man’s land for the briefest and sweetest of reunions.
This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect Peter Eisenman. Reaction of the German public to the completed memorial is also shown.
While we were wandering through the pages of our democracy history, we saw right-left fights and experienced revolutions. Blood was shed, scaffolds were set up, but they could never change the country's path. When we came to the 1980s, a person came out and shook the system to its roots and changed the world of people. According to some, this was a great revolution, according to others, it was the wear and tear of some values. Regardless, this person left his mark on a period of Turkey.
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The film chronicles the story of how the Nazis and the IOC turned, to their mutual benefit, a small sports event into the modern Olympics. The grand themes and controversial issues from the 1936 Games have continued to this day: Monumentality, budget overruns, collusion with authoritarian regimes, corruption and sometimes even bribery.
A long time ago, Ana Laura, Gustavo, and Jesús crossed the border in search of a better opportunity. They worked hard, built a family, and made a life in the United States. Day by day, years after their arbitrary deportations to Mexico, they deal with the grief of being separated from their families. As time goes by, the shattered existence of everyone is slowly and inevitably rebuilt, far away and apart from each other.
Director Hüseyin Tabak explores the legacy of Yilmaz Güney — political dissident, convicted murderer, and visionary Kurdish filmmaker — who directed the 1982 Palme d'Or–winning Yol from inside prison and died in exile just two years later.
The intricate history of UFA, a film production company founded in 1917 that has survived the Weimar Republic, the Nazi regime, the Adenauer era and the many and tumultuous events of contemporary Germany, and has always been the epicenter of the German film industry.
Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.
Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.
A humorous observation in Barcelona’s immigrant neighbourhood El Raval. Four barber shops, four places of remembrance, strange time and space capsules inhabited by people who left their home to find a better one, while the Spaniards are about to leave their own country themselves.
