The film accompanies Jenny Gröllmann, a German actress, during the last two years of her life.
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Filmmaker Ester Martin Bergsmark interrogates their response to a transphobic slur hurled at them following their move to Berlin. Exploring the root of violence and its nature, this is a powerful meditation on the trans experience and a treatise on how to move forward from fear.
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The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.
Former heads, senior officers and the rector of the MfS law school explain how the ministry functioned. The interviewees see themselves as legitimate actors with a clear mandate and political enemy image. They provide an insight into the techniques and routines of secret service work, psychological tricks during interrogations and the management of “unofficial collaborators”. What they all have in common is that they are not aware of any moral guilt. The directors contrast their footage of prisons and archives with the statements of former Stasi employees in an attempt to expose their evasions and efforts at suppression.
Gerry Rogers, a filmmaker in Newfoundland, documents her personal battle with breast cancer. With her partner Peggy and lots of support from family and friends, she makes her way to recovery.
This lost classic, shot on 16mm in a wintry Berlin in 1993, explores the origins of the German trance scene. Featuring interviews with fresh-faced selectors including Laurent Garnier and MFS Records founder Mark Reeder, the documentary also feature footage from the city's iconic Love Parades in 1991 and 1993.
The incredible story of Bruno Lüdke (1908-44), the alleged worst mass murderer in German criminal history; or actually, a story of forged files and fake news that takes place during the darkest years of the Third Reich, when the principles of criminal justice, subjected to the yoke of a totalitarian system that is beginning to collapse, mean absolutely nothing.
Former "Titanic" satire magazine editor Martin Sonneborn takes an undercover trip around Berlin and discovers the East-German mentality and what is left of the socialist German Democratic Republic.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
A film about three teenagers - Klara, Mina and Tanutscha - from the Berlin district of Kreuzberg. The trio have known each other since Kindergarten and have plenty in common. The three 15-year-olds are the best of friends; they are spending the summer at Prinzenbad, a large open-air swimming pool at the heart of the district where they live. They're feeling pretty grown up, and are convinced they've now left their childhood behind.
Julia is a young transgender woman who left her home country of Lithuania. Now living in Germany, she walks the streets of Berlin, working as a prostitute to survive. This documentary revisits Julia over a ten-year period of her life.
Daniel lives in Bernau, a small town north of Berlin.This film tells this 21-year-old’s story and describes the radical right-wing milieu in which he grew up. In his candid portrait of how right-wing radicalism breeds, Daniel explains how difficult it is to break out of a vicious circle of violence, self-hatred and a right-wing extremist frame of mind.
In the summer of 1989 tens of thousands of tourists from communist East Germany came to Hungary. They were deeply disillusioned because they felt they had no future in East Germany. There was no freedom, no choice in the shops, salaries were low and they could not travel except to Eastern Europe. They wanted to go to a prosperous and free West Germany but they could not get passports, so they hoped that by travelling through Hungary, the least suppressed country of the Soviet Block, they could cross the Iron Curtain into Austria and then travel on into West Germany. For them the Hungary of twenty years ago was the new east-west passage. Written by Czes
A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.
A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.
At 31, filmmaker Joanna Rudnick faces an impossible decision: remove her breasts and ovaries or risk incredible odds of developing cancer. Armed with a genetic test result that leaves her vulnerable and confused, she balances dreams of having her own children with the unnerving reality that she is risking her life by holding on to her fertility.
Two queer Brazilians go skinny dipping in a lake where they talk about love, sex, colonialism and migration, on a pandemic summer afternoon in Berlin.
Documentary examines the history and evolution of the Olympic Games, taking a close look at the Olympic charter, oath and ideals. Also featured are rare home movies and interviews with Olympic athletes and the oldest known color footage of the Olympic Games from Berlin in 1936.
The documentary deals with the subject of "big city noise" in a humorous and satirical, but also serious way, using the example of East Berlin, whereby the main focus is on noise that disturbs peace and quiet, i.e. noise that can be avoided, such as recklessly listening to loud music and watching television, clearly audible inner-family communication, dogs barking, nocturnal DIY work, rapid braking and honking of vehicle horns, etc. With the help of animations/animated scenes, the film vividly demonstrates the widespread interpersonal bad habits.
This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect Peter Eisenman. Reaction of the German public to the completed memorial is also shown.
