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Donna Lucrezia Borgia
Alfonso Duca di Ferrara
Gennaro
Maffio Orsini
Jeppo Liverotto
Don Apostolo Gazella
Gubetta
Rustighello
Una voce
Astolfo
No overview available.
Gennaro, the son of Lucretia Borgia, lives unaware of the identity of his mother, who has married the Duke of Ferrara. After Lucretia's brother is killed by five conspirators, the fathers of Gennaro's dearest friends, Lucretia tortures the old men to death. Later, Gennaro and his companions journey to Lucretia's domain, and she sees her son for the first time. The Duke, who believes him to be her lover, poisons him, but Lucretia administers the antidote in time and saves his life. Then she schemes to poison her sons' five friends for their fathers' mistake.
Andrea Chénier, Umberto Giordano's masterpiece, a title that opens the Piermarini's 2017/2018 opera season, returns to La Scala in Milan after a 32-year absence. A highly anticipated event, not only because of the debut in the role of Magdalena by superstar soprano Anna Netrebko (thus marking her third season opener at La Scala, following 2011's Don Giovanni and 2015's Giovanna d'Arco) but also because of the La Scala debut of Yusif Eyvazov (Mrs. Netrebko's spouse, who has been keeping the Piermarini's gallery apprehensive for months now) and for the new direction signed by Mario Martone, who with Margherita Palli (composer of the sets) return to La Scala's handling of an opera by Umberto Giordano, after the success in May 2016 of their Cena delle Beffe.
One of the composer's most beguiling scores, La Favorite is Gaetano Donizetti's La favorita in it's original French form; a tale of love and war that represents a glorious mix of Italian bel canto and 19th c. grand opera. Vincent Boussard's arresting Toulouse production does full justice to this newly renewed masterpiece. Three international principals take on the work's demanding roles: Chinese tenor Yijie Shi is a 'revelation' as Fernand, the rich-toned, authoritative French baritone Ludovic Tezier as King Alphonse XI and lauded American mezzo Kate Aldrich - 'the Carmen of this generation' - plumbing the emotional depths of Leonor's music. Conductor and bel canto specialist Antonello Allemandi adds to the passionate proceedings onstage. Maestro Allemandi demonstrated full authority over the stage for the musically complex scenes, and in the arias and duets demonstrated his confidence in the singers by establishing ample tempos to support their soaring vocal lines.
In his 'new life' as a baritone, Placido Domingo has triumphed in the role of Francesco Foscari in Los Angeles, London and Vienna. Now he takes to the role to La Scala, Milan, the theatre that is the symbol of Italian opera. I due Foscari, premiered in 1844, famously one of Verdi's darkest operas, is staged by Alvis Hermanis, who made such an impact at the Salzburg Festival with "Die Soldaten" and "Il trovatore". Domingo is joined by two of Italy's most exciting singers, the soprano Anna Pirozzi and the tenor Francesco Meli, and the acclaimed Italian conductor Michele Mariotti. The Financial Times was deeply moved by Domingo's performance, calling his interpretation of the role "sublime".
The incredible story of Lucrezia Borgia (1480-1519), daughter of Pope Alexander VI (1431-1503), deliberately used politically by her powerful family and historically slandered as a poisoner and incestuous femme fatale. But who was the real Lucrezia?
Six Italian directors explore contemporary Milan in a rich and eclectic portrait of urban life and spaces—both rooted in history and bursting with a diversity of architecture and humanity.
Coldplay are inviting fans to a special, global theatrical experience, where they will be among the very first to hear the band's hotly-anticipated new record Moon Music.
Vicky's ex-husband, John, invites her on a trip to communist Prague. First John disappears, then her passport. Vicky finds herself alone and penniless in Prague and becomes a tragic pawn caught in a web of espionage and murder.
Following the death of her father, Amanda seeks out her long estranged mother, who at their first meeting confesses to having killed two men in retribution to the assassination of her sister, the popular writer K.Penza back in 1986. Before she knows it, Amanda finds herself drawn into the incumbent darkness that has marred her family history as she tries to come to terms with the scars of the past.
Olga discovers the unfinished diary of a notorious killer and becomes captivated by its dark secrets. As she delves deeper, she uncovers a mysterious connection between them, putting her life—and the lives of those around her—in grave danger.
Bianca is 23 years old, and it already feels like too much. She has left her parents' home and is supposed to attend university, but she never goes. She has a few specific obsessions: the passing of time, cocaine, and Angelica. Since they started living together, everything seems to move faster, spiraling downwards. Even their friendship stumbles into addiction and becomes confused with love. Bianca keeps a notebook, jotting down notes for her books. Still, she wishes she could write everything in it: that youth is painful and already slipping away, that friendship breaks your heart, and that we constantly lose everything — and yet, maybe, in the end — between the night streets of Rome, the boys of Naples, and the tree that stands silently, visible through the window — nothing will be truly lost.
Tami and her mother, Claudia, are estranged due to unspoken issues. One day, Tami notices her skin starting to rot, unaware that her mother shares the same affliction but has kept it under control by suppressing her emotions.
Jim, a discharged sergeant, arrives in New York to find his mother has died. Grieving, he meets Elena at a bar. She offers him a place to stay, but he's too tired to respond. The next morning, Jim's childhood dream comes true.
