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In a South Bohemian village in 1951, the local rich organize acts of sabotage and try to stop the establishment of an agricultural cooperative with threatening letters and arson. A kulak's son even secretly returns from the West to terrorize the village with his brother. However, the ordinary villagers stand up to them.
Frona Filípková, out of a desire for a better life, married Floriš Zobač on the land. However, the ownership of the land has affected both her husband and her father-in-law, who, out of hatred, intrigue against the emerging agricultural cooperative and against each other, so Frona looks for a way to free herself.
Poland in the 50s, 20th century The process of collectivization of agriculture is under way. The wealthy Slumdog farmer is one of the last individual farmers who have not joined the cooperative and are trying to grow their own land. But it is very difficult - the unemployed mercenaries who paid for them run to cooperatives (where they have better conditions), the environment or the local authorities do not accept him as a kulak. Struggling with the problem of how to make a 40-hectare farm last, he remains alone in the face of a loss of land that he cannot cultivate.
When Paul Runge, a soldier of the Red Army, returns home to Koordi after the war, he sees that, despite the new regime, life in Koordi hasn't changed. It's still a abandoned, uncultured Estonian village, where rich landlords still oppress the population. Runge starts talking about founding a kolkhoze.
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A drama from the period of village collectivisation in 1947-1948, it depicts the life of former beggars who, after the war and land reform, acquire land and dream of becoming wealthy landlords. New social conditions, the onset of collectivisation, but also the great drought bring with them unwelcome changes.
In the late 1950s, the collectivization of agriculture is in full swing in the East German village of Willshagen on the German-German border. Those in charge have to face many obstacles, especially from a large-scale farmer who is unwilling to join the co-op. All of a sudden, mysterious men in a fancy car appear in the village and show an interest in the rundown manor house. Gossip spreads quickly, and some villagers think there will be a re-parceling of properties and a land swap with West Germany. They assume everything will go back to how it used to be and even expect the count to return to his manor. In preparation, the situation in the village escalates at a fevered pitch.
Howard Crandall Jr., who comes from a wealthy family, has suffered a disfiguring facial injury during World War I, and at war's end stays in Paris rather than return home to his family and sweetheart Muriel looking the way he does. While in Paris he forms a secret society of men who are in a similar position. When he finally does decide to return home, his family and Muriel are at first shocked by his appearance, but they recover and try to make him feel comfortable and accepted. However, it's not before Howard begins to feel their actions are motivated more by pity than love, and when Arthur Wells, who was once Muriel's suitor, shows up one day and is greeted warmly and intimately by Muriel, Howard starts to think that his suspicions are justified.
In the 1960s, a dreamy kid tells how he thinks he can change his alcoholic father's personality: with magic flowers. First film of a trilogy on father-son relationships.
A young man in his thirties goes to his father's house in the hope of telling him once and for all what he has always wanted to tell him. Then begins an endless nightmare.
An adaptation of a well-known novel by Hungarian writer Lajos Zilahy.
Based on the play of the same name by Aeschylus , it retells the myth of Prometheus, who stole fire from the gods to benefit mankind, and as a result was crucified atop a mountain.
