L'Amore ('Love') is a 1948 Italian drama anthology film that consists of two parts, The Human Voice (Una voce umana), based on Jean Cocteau's 1929 play of the same title, and The Miracle (Il miracolo), based on Ramón del Valle-Inclán's 1904 novel Flor de santidad.
Seven episodes, each taking place on a different day of the week, on the theme of suicide and violent death.
Three different scenarios, intercut, all using the same words but with very different meanings. A corrupt cop is more interested in the money on the criminals he catches than justice; a young woman discovers she's pregnant, and her boyfriend is unfeeling; and a young man calls a prostitute it's the first time for both, and neither can go through with it. Ultimately, all the stories come together.
Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.
Five O. Henry stories, each separate. The primary one from the critics' acclaim was "The Cop and the Anthem". Soapy tells fellow bum Horace that he is going to get arrested so he can spend the winter in a nice jail cell. He fails. He can't even accost a woman; she turns out to be a streetwalker. The other stories are "The Clarion Call", "The Last Leaf", "The Ransom of Red Chief", and "The Gift of the Magi".
Omnibus film with individual segments directed by Renato Castellani, Luigi Comencini and Franco Rossi; all of them starring the radiant Catherine Spaak as "out of place" women longing for love, in a Sicillian village, a monastery, and a modern Italian urban setting, respectively.
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A group of Mumbai up-and-comers search for love and struggle for success in this ensemble drama that centers on an eager young call centre executive.
An omnibus project bringing together acclaimed directors from around the world, each contributing a 42-second short inspired by a dream. Produced by 42 Below vodka, the collection blends surreal, poetic, and experimental visions into a mosaic of oneiric cinema.
Three stories about art stages. "Film City", "Drama Group" and "Dance Class".
Min-sang, a meticulous planner and tidy single man, is frustrated daily by his tenant, Jin-young, a veterinarian who turns his newly mortgaged building into a mess. During another quarrelsome day with Jin-young, Min-sang encounters an elderly lady at the animal hospital, who turns out to be the world-renowned architect Min-seo. Desperate for Min-seo's approval for an ongoing project, Min-sang starts to persuade Jin-young and her cared-for puppy to impress Min-seo. Meanwhile, Hyun, the leader of a small band, is left bewildered while looking after his absent girlfriend's dog, especially when her ex-boyfriend Daniel shows up unexpectedly, demanding to see the dog, claiming he used to raise it together and insisting on visiting the dog once a month...
Five short films depicting various selfish human appearances, guilt, and the process of expressing desire from various perspectives.
Three stories from the Mediterranean region that deal with feelings of loneliness, disappointment and transience, and efforts to overcome them.
A modest film of three independent parts showing sad couple stories.
Spanning seven short stories - each taking place in a different city around the globe, “All the Lonely People” showcases a slice of life from various strangers while they try to face their regular, everyday problems. From New Zealand to New York city, the assortment of strangers deal with modern day anxieties that slowly spiral out of control.
The movie Tokyo Shutter Girl, based on the comic series by Kenichi Kiriki, consists of three separate works by three separate directors, each set in Tokyo. It is about three Japanese schoolgirls in a photo club.
Five unrelated tales: (1) "The Ravishing Queen" / "La Reina Bella", in which the queen choses a king by devious endurance tests of the pretendants; (2) "The Punished Lovers", in which a fake blind husband is 'cured' after having the culprits banished from the tribe; (3) "The Old Prostitute" who manages to take revenge from all the village dignitaries who wrongfully condemned her brother; (4) "The Endless Search" that does not end until a hunter finds his perfect end-game; (5) "The Crazy Woman" whose illness was not exactly of the mind, but of an (almost) insatiable lust.
A strange mortician tells four horrific tales to three drug dealers that he traps in their local funeral parlor.
Nanni Moretti recalls in his diary three slice of life stories characterized by a sharply ironic look: in the first one he wanders through a deserted Rome, in the second he visits a reclusive friend on an island, and in the last he has to grapple with an unknown illness.
Eight visually rich vignettes drawn from Kurosawa’s own dreams—fox weddings and vanished orchards, a soldier’s ghosts, a walk through Van Gogh’s canvases, nuclear nightmares, and a water-mill utopia—meditate on childhood, art, mortality, and humanity’s uneasy bond with nature.
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