A former lawyer leaves everything behind to embark on the quest for a dinosaur-like animal supposedly living in Africa's unexplored forests.
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With a forensic lens, Onyeka Igwe's A So-Called Archive interrogate the decomposing repositories of Empire. Blending footage shot over the past year in two separate colonial archive buildings - one in Lagos, Nigeria, and the other in Bristol, United Kingdom - this double portrait considers the 'sonic shadows' that colonial images continue to generate, despite the disintegration of the memory and their materials. It mixes the genres of the radio play, the corporate video tour and detective noir, with a haunting and critical approach to the horror of discovery.
In 1896, Ethiopia, an African nation, largely armed with spears and knives, defeats a well-equipped and organized Italian military bent on colonization.
Montezuma is a 2009 BBC Television documentary film in which Dan Snow examines the reign of the Aztec Emperor Moctezuma II.
Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.
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As police and DEA agents battle sophisticated cartels, rural, economically-disadvantaged users and dealers–whose addiction to ICE and lack of job opportunities have landed them in an endless cycle of poverty and incarceration–are caught in the middle.
Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.
Following the 1884–85 Berlin Conference resolution on the partition of Africa, the Portuguese army uses a talented ensign to register the effective occupation of the territory belonging to the Cuamato people, conquered in 1907, in the south of Angola. A STORY FROM AFRICA enlivens a rarely seen photographic archive through the tragic tale of Calipalula, the Cuamato nobleman essential to the unfolding of events in this Portuguese pacification campaign.
If Only I Were That Warrior is a feature documentary film focusing on the Italian occupation of Ethiopia in 1935. Following the recent construction of a monument dedicated to Fascist general Rodolfo Graziani, the film addresses the unpunished war crimes he and others committed in the name of Mussolini’s imperial ambitions. The stories of three characters, filmed in present day Ethiopia, Italy and the United States, take the audience on a journey through the living memories and the tangible remains of the Italian occupation of Ethiopia — a journey that crosses generations and continents to today, where this often overlooked legacy still ties the fates of two nations and their people.
The question of "who hunts virgins" and more will be stripped down and explored in the sexiest trailers hosted by Playboy's Nikki Leigh.
In 1973 a horror movie titled The Legend of Boggy Creek was released. Focusing on a series of bizarre events that took place around the town of Fouke, Arkansas, the film was an instant success. But what was the reality behind the "Fouke Monster"? Boggy Creek Monster takes you where no film has gone: in search of the truth behind the legend...
Seattle's Loch Ness: The Lake Washington Sea Monster For hundreds of years the Wonkatilla tribe of the Northwestern United States has worshipped a giant sea creature they call Willatuk, God of Ocean, after it saved their lives during the great earthquake and blizzard of 1736. But now, scientists and hunters are tracking Willatuk to study the creature and possibly kill it. Can Chief Clamintile and his tribe save their "God of Ocean" from the guns and chains of modern man, or is it too late? Learn the answers by watching Willatuk: The Legend of Seattle's Sea Serpent.
As we live through the deepest cost of living crisis for over fifty years, archive footage of Yorkshire and the North East reflects recurring cycles of boom and bust, and the fury of generations whose essential needs for safe housing, secure work and full bellies go unfulfilled. Increased fuel prices, food banks and government tips for saving money bring a sense of déjà vu -- a past that feels uncomfortably contemporary.
Made from reimagined/recycled images and sounds from the filmmaker’s archive and other found materials, Undercurrents is a poetic essay documentary about the undercurrents of history playing out in the present. It is also (at its heart) about the power of resistance.
Imposed under the British colonial rule in 1860, Section 377 of the Indian Penal Code criminalise any sexual acts between consenting adults of the same sex, stigmatising them as 'against the order of nature'. On July 2, 2009 the Delhi High Court passed a landmark judgment scrapping this clause, thus fulfilling the most basic demand of the Indian LGBTQ community, which had been fighting this law for the past 10 years. Three characters, Beena, Pallav and Abheena travel through the city of Bombay heading to the celebrations for the first anniversary of the historic verdict. '365 without 377' is the story of their journey towards freedom.
In June 1893, European prospectors unlawfully took claim to ‘The Golden Mile’ on Aboriginal land. In little over a hundred years the natural landscape has been transformed into the industrial hellscape of Kalgoorlie-Boulder. As incumbent Mayor John Bowler starts to campaign for a second term, independent prospector John ‘General Hercules’ Katahanas decides to run against him on an anti-corruption ticket. What starts out as a quirky David-vs-Goliath political battle, unravels into a portrait of a man, a town and a country sent mad by the timeless cycles of exploitation, racism and greed.
Peter Watkins' global look at the impact of military use of nuclear technology and people's perception of it, as well as a meditation on the inherent bias of the media, and documentaries themselves.
In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.
Angeline Ballot
Michel Ballot
Blaise Mane
Noël Pial
