A look at the rampant HIV epidemic rate in Swaziland.
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In 1896, Ethiopia, an African nation, largely armed with spears and knives, defeats a well-equipped and organized Italian military bent on colonization.
The plains of Africa have always been a hotbed of predator action, but lurking in its rivers is perhaps its most elusive killer: the Goliath tigerfish. Legends say they are man-eaters, that even crocodiles fear them. Locals call them "demon fish" but angling legend Andy Coetzee calls them something else: an obsession. He dives into the predator-infested Okavango Delta and the treacherous Congo River on a mission to finally land what is considered to be the hardest fish in the world to catch.
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As police and DEA agents battle sophisticated cartels, rural, economically-disadvantaged users and dealers–whose addiction to ICE and lack of job opportunities have landed them in an endless cycle of poverty and incarceration–are caught in the middle.
Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.
A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Africa.
Following the 1884–85 Berlin Conference resolution on the partition of Africa, the Portuguese army uses a talented ensign to register the effective occupation of the territory belonging to the Cuamato people, conquered in 1907, in the south of Angola. A STORY FROM AFRICA enlivens a rarely seen photographic archive through the tragic tale of Calipalula, the Cuamato nobleman essential to the unfolding of events in this Portuguese pacification campaign.
In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.
Leopards are considered to be extremely shy big cats. Only a few animals can match the elegance of these feline predators. The cautious hunters are rarely seen in the wild for more than a few seconds. The cats can be observed more extensively when they rest asleep in a tree and recover from the mostly nocturnal hunt. But a leopardess has switched to hunting in broad daylight. Its home along the brook bed of the Olare Orok offers everything a mother needs to protect and nourish its offspring: picturesque rocks and dense bush, a landscape in which the big cat can disappear in seconds to sneak up on potential prey, which includes warthogs and antelopes. But hyenas and lions are always ready to contest for its territory and nourishment. The renowned wildlife filmmaker Reinhard Radke managed to capture astonishing insights into the social life and hunting tactics of the ambush hunters in the Maasai Mara.
25 years ago, Louis Sarno, an American, heard a song on the radio and followed its melody into the Central Africa Jungle and stayed. He than recorded over 1000 hours of original BaAka music. Now he is part of the BaAka community and raises his pygmy son, Samedi. Fulfilling an old promise, Louis takes Samedi to America. On this journey Louis realizes he is not part of this globalized world anymore but globalization has also arrived in the rainforest. The BaAka depend on Louis for their survival. Father and son return to the melodies of the jungle but the question remains: How much longer will the songs of the forest be heard?
As we live through the deepest cost of living crisis for over fifty years, archive footage of Yorkshire and the North East reflects recurring cycles of boom and bust, and the fury of generations whose essential needs for safe housing, secure work and full bellies go unfulfilled. Increased fuel prices, food banks and government tips for saving money bring a sense of déjà vu -- a past that feels uncomfortably contemporary.
Peter Watkins' global look at the impact of military use of nuclear technology and people's perception of it, as well as a meditation on the inherent bias of the media, and documentaries themselves.
A portrait of Highlights Magazine following the creation of the cultural phenomenon's 70th Anniversary issue, from the first editorial meeting to its arrival in homes, and introducing the quirky people who passionately produce the monthly publication for "the world's most important people,"...children. Along the way, a rich and tragic history is revealed, the state of childhood, technology, and education is explored, and the future of print media is questioned.
Mountain Gorilla takes us to a remote range of volcanic mountains in Africa, described by those who have been there as ""one of the most beautiful places in the world"", and home to the few hundred remaining mountain gorillas. In spending a day with a gorilla family in the mountain forest, audiences will be captivated by these intelligent and curious animals, as they eat, sleep, play and interact with each other. Although gorillas have been much-maligned in our popular culture, viewers will finally ""meet the legend"" face to face, and learn about their uncertain future.
After the waning of the protests in Sanrizuka, Ogawa Pro started questioning the future of the collective and looking for other subjects to film. Following the method developed in the previous films, the filmmakers moved to the slum of Kotobuchi in the port city of Yokohama, where more than 6000 people were struggling to get by without any means of survival, exposed to industrial accidents and diseases. The result is one of the most moving films produced by the collective, a series of beautifully filmed portraits, voicing the silenced stories and songs of a group of people living in this community. Credit: ICA London
Controversial documentary about gay men purposely contracting the AIDS virus.
Alex Honnold is the most accomplished free climber in the world. Angola is a southwest African country that recently emerged from 27 years of bloody civil war. What brings together these strange bedfellows you ask? Some of the most epic unclimbed rocks in the world, and a community needing help to diffuse the hidden land mines leftover from the conflict. (Plus a shadowy local hotel magnate, but we'll get into that later). This is Alex Honnold in Angola, for one of the most unique adventures of his storied climbing career this far.
Daily spleen, drunkenness among friends, conversations and the passage of time: the video diaries composed by Lionel Soukaz chronicle the early 1990s, the comet tail of those never-ending winter years and the nightmare of the AIDS years. But edited thirty years later with Stéphane Gérard, they are also a tribute to Hervé Couergou, the beloved partner at the center of all the filmed scenes. Slowly, in conversations between couples and friends, the dandy spirit and intimate confession overlap. What emerges is a portrait of a way of dealing with the times and their pain, which, beneath the act of commemoration, seeks to inscribe a living presence.
