An intimate portrait of an inter-generational family as they bid farewell to the common ground that binds them together.
Times are tough at Premiere Properties. Shelley "the machine" Levene and Dave Moss are veteran salesmen, but only Ricky Roma is on a hot streak. The new Glengarry sales leads could turn everything around, but the front office is holding them back until these "losers" prove themselves. Then someone decides to take matters into his own hands, stealing the Glengarry leads and leaving everyone wondering who did it.
Keen young Raymold Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose financial holdings start to suggest something shady. Indeed Peck is involved in any number of dubious or downright criminal activities. He is also devious, a womaniser, and a clever manipulator, and he starts to turn his attention on Avila.
When his employee disappears in Singapore, Shyam travels from India to investigate the absence and becomes entangled in a deadly plot.
Two neighbors form a strong bond after both suspect extramarital activities of their spouses. However, they agree to keep their bond platonic so as not to commit similar wrongs.
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An aspiring filmmaker, who is also down on luck, goes to Singapore to meet a producer, but what follows is misadventure after misadventure, with a dash of romance thrown in.
Five troubled teens, abandoned by society and family, form a bond in a world of violence, drugs, and self-destruction, facing harsh realities of modern Singapore.
When Singapore surrendered to the Japanese in 1942, the Allied POWs, mostly British but including a few Americans, were incarcerated in Changi prison. Among the American prisoners is Cpl. King, a wheeler-dealer who has managed to establish a pretty good life for himself in the camp. King soon forms a friendship with an upper-class British officer who is fascinated with King's enthusiastic approach to life.
Bournemouth offers a variety of sports, pastimes, steamer trips, and fine dining for holidaymakers, competing with cheaper foreign holidays and offering a variety of transportation options.
In 1992, teenager Sandi Tan shot Singapore's first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges' vanishing footprints.
After a woman shoots a man to death, a damning letter she wrote raises suspicions.
Singapore GaGa is a 55-minute paean to the quirkiness of the Singaporean aural landscape. It reveals Singapore's past and present with a delight and humour that makes it a necessary film for all Singaporeans. We hear buskers, street vendors, school cheerleaders sing hymns to themselves and to their communities. From these vocabularies (including Arabic, Latin, Hainanese), a sense of what it might mean to be a modern Singaporean emerges. This is Singapore's first documentary to have a cinema release. With English and Chinese subtitles.
In this sun soaked adventure for the entire family, a group of five orphaned children form their own makeshift family while attempting to operate outside the rules of society. Though they must sometimes steal to survive, their loyalty to one another means that they will always have a brother or sister to count on.
A fallen woman seeks redemption at a Singapore rubber plantation. Melodrama.
Class Acts is a feature-length documentary tracing the genesis of Singapore's creative scene in the '90s through intimate conversations with its pioneering personalities. These are the stories of individuals who started creating with nothing, who push Singapore’s creative standards even today. The ones who went on to inspire a new generation of musicians, designers, and street artists.
Masato is a young ramen chef in Japan. When he finds his late mother's journal after the sudden death of his emotionally distant father, he takes it with him to her native country, Singapore, hoping to piece together the story of his family and his life.
A kindly shop owner whose overwhelming gambling debts allow a greedy landlord to seize his shop of dusty treasures. Evicted and with no way to pay his debts, he and his granddaughter flee.
Aki and Pia are a devoted couple working hard to build a future together. Pia, driven by love and a desire to lift her family from poverty, is offered a prestigious job in Singapore by her boss Carlo—who harbors feelings for her. As Pia’s career flourishes, Aki’s life unravels, leading to addiction and their painful breakup. Five years later, Pia is successful but unfulfilled in a relationship with the controlling Carlo. She returns to the Philippines, rejects his proposal, and seeks out Aki—only to find a man who no longer seems to know her. Faced with regret, Pia must confront the cost of her choices and the love she may have lost forever.
A series of intertwining tales involve "pleasure seekers and pleasure providers" during the course of one night in Geylang, Singapore's red-light district. There are three distinct stories, united only by the presence of characters from all the stories in a streetside eatery:
In Singapore, a private detective and the British authorities are on the trail of a crime syndicate that kidnaps a nuclear physicist with the aim of selling him to the highest bidder.
Herself
Himself
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