Document about folk ceramic products from Moravian Slovácko and Wallachia.
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Karel Plicka was also cinematographer of this short movie. Editor in charge was Alexander Hackenschmied. There is an extraordinary emotional charge, every shot is working on its own, such as photographs, paintings and poetic complement intertitles in this short. From the perspective of nature and the perspective is shifting to the people and their habits, work and clothes. Peculiar documentary shots underscore Ruthenians (men, women and children) who are interested in looking into the camera and the curious "eye" showing off their habits.
"Scottish Myths & Legends" explores the magic, mystery and sprinkling of mayhem that covers the dramatic landscape of Scotland. From the ancient tales of the Loch Ness Monster to the stories of shape shifting Kelpies, we go on a fascinating journey of discovery to uncover the stories behind the myths and the magnificent Scottish landscape that has inspired these truly legendary legends.
A young drag queen from Andalusia exposes the difficulties of adding aspects of her homeland culture to her artistic expression.
Documentary about the ethnographic festivities in Strážnice in the summer of 1949.
Karol Plicka was an important musician and composer. He recorded folk songs immediately after hearing them in musical notation to preserve them for future generations. Similarly, he records and interprets traditions associated with dance, folk song and local stories that vary from region to region in his film The Eternal Song. The short documentary presents merry-making in Slovak and Czech regions that are changing with the coming modernization and transformation of musical records.
A folklóre film about a Strakonice ensemble performing folk songs and dances from Prácheňsko under the baton of the local teacher Josef Režný, a passionate collector of folk literature and songs. The movie draws attention to the cultural importance of the region as the land of Strakonice bagpipers and the birthplace of František Ladislav Čelakovský.
Stephen Fry embarks on a journey to discover the stories behind some of the world's most fantastic beasts that have inspired myths and legends in history, story-telling and film.
Children parade through the streets of Hinton St George in Somerset on the last Thursday of October. Children have hollowed out pumpkins or mangelwurzels, a type of animal fodder turnip to make lanterns following a tradition in this part of West Somerset that coincides with Halloween. Punky or Punkie Night is thought to date from the turn of the 20th century or perhaps medieval times chanting rhymes and following a Punkie King and Queen.
In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—clothes, trees, boats, and the people of the landscape who live with the endless threat of being carried away by its force. This film is a lyrical portrait of this furious wind, woven from the stories passed down by local villagers.
With his seemingly naïve, symbolic paintings, Joan Miró formed a new artistic language in the 20th century. Brought up in Barcelona, the painter, graphic artist and sculptor was drawn to Paris and, under the influence of the surrealists, developed his unique style and poetic imagery that unite Catalan folk art and fantastic elements. Robin Lough followed the 85-year-old Miró to theatre rehearsals and went to see him in his studio on Majorca. There he met with an amazingly creative and disciplined artist, whose visionary pictures paved the way for abstract expressionism.
The story of Nisar Ahmed Khan, told through his children and the people he served, a spiritual guide whose followers still visit his tomb on his birth and death anniversaries. And alongside how his family spends a few days at the village keeping his traditions alive.
For the 'Are'are people of the Solomon Islands, the most valued music is that of the four types of panpipe ensembles. With the exception of slit drums, all musical instruments are made of bamboo; therefore the general word for instruments and the music performed with them is "bamboo" ('au). This film shows the making of panpipes, from the cutting the bamboo in the forest to the making of the final bindings. The most important part of the work consists in shaping each tube to its necessary length. Most 'Are'are panpipe makers measure the length of old instruments before they shape new tubes. Master musician 'Irisipau, surprisingly, takes the measure using his body, and adjusts the final tuning by ear. For the first time we can see here how the instruments and their artificial equiheptatonic scale-seven equidistant degrees in an octave-are practically tuned.
