Life can be short, but life can be sweet
Set on a night out, UK rock band Wolf Alice decided to bring the music of their album Blue Weekend to life with this film.
A lyrical journey through the heart of Chicano culture as reflected in the love songs of the Tex-Mex Norteña music tradition. Performers include, Little Joe & La Familia, Leo Garza, Chavela Ortiz, Andres Berlanga, Ricardo Mejia, Conjunto Tamaulipas, Chavela y Brown Express and more.
A visual EP for Chase Sullivan's latest project: For What's Worse.
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An untidy room. Empty beer tins, empty wine bottles, a half-empty glass of whisky... A girl is getting up absent-mindedly and starts preparing herself. YOUR morning starts. Lazy and hard-to-wake-up YOU. The emoticon is ME watching over YOU. I play tricks on YOU, while YOU are playing the guitar and drinking. One day, in town, YOU walk past THE CHILDHOOD FRIEND who is buying an Anemone I liked, and remembering that I liked them, YOU rush out to buy them. THE CHILDHOOD FRIEND displays the Anemone with care. One day, years after I died, YOU hear noise from the closet. Opened, YOU see MY garden right in front of YOU. Overflowing emotions of ME and YOU. When exiting from the room with memories, a picture of the Anemone that YOU painted is displayed in YOUR new room.
A dark musical about Iara, an ordinary girl who starts to work in a mental institution for women.
Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.
Filmed in April 2010, the film is based on real documents of Russian social and political life and on an analysis of the conflict that has developed around the planned Okhta Center development in Petersburg, where the Gazprom corporation intends to house the headquarters of its locally-based subsidiaries in a 403-meter-high skyscraper. The proposed skyscraper has provoked one of the fiercest confrontations between the authorities and society in recent Russian political history. Despite resistance on the part of various groups who believe that construction of the building would have a catastrophic impact on the appearance of the city, which is a UNESCO World Heritage Site, Gazprom has so far managed to secure all the necessary permissions and has practically begun the first phase of construction.
Magic apples doing magic things.
Cry Baby, a strong and sensitive girl, is sent off to a disturbing sleepaway school that’s hidden underneath a grandiose façade. Luckily, she has a sweet and unapologetic best friend who sticks up for her when she gets bullied by the other students whose brains are under control by the Principal and his wicked staff. With the help of the magical friends they meet along the way, as well as an Angelic Spirit Guide, they are able to gain the strength they need to fight off the school’s belligerent patriarchal conditioning.
Tina, a singing Gypsy with a band of roving gypsies, is invited by Tom to come over to his mother's estate where a lawn party is in progress. She brings along her friends and a whole caravan of gypsies take over the green, telling fortunes, singing and dancing. Most of the comedy is supplied by the kleptomaniac butler, Bellingham, and his employer who humors his nutty ways...as good help seems to be hard to find.
Goodbyes in dark hotel rooms always use up all the words. He can't seem to describe his feelings, so he asks her to listen to a song.
One-Way Ticket To The Other Side presents a series of deeply personal short films centered around the debut album of the musical duo Pornographie Exclusive (Severine Cayron and Jerome Vandewattyne). It is a cinematic, musical, and surreal journey that follows two stoic outlaws as they wander through a world suspended between end and beginning, dream and reality. Their road trip leads them through strange places and encounters with lost souls, immersing them in both absurd and philosophical reflections. Shot in a guerrilla filmmaking style with a warm, grainy look, each poetic tableau of their adventure weaves together the different segments of this unique anthology directed by international filmmakers. In these parallel realms, it is not the story that inspires the music, but rather the music that gives birth to the stories.
The word kewaaj (কেওয়াজ) is colloquially used to explain chaos, noisiness or annoyance. "Kewaaj" is an audiovisual attempt to give you a glimpse into how the people of Dhaka function in one of the most unliveable cities, according to the Global Liveability Index. Dhaka is fast, dense, intense. Yet the people try to find their peace in it.
When you’re young, some of your strongest and most rewarding relationships are with your friends. The kind who support you to become who you really are. Inspired by U-turn and classic girl crew nostalgia, we want to celebrate those kinds of bonds with this short film from director Emma Higgins.
Coldplay are inviting fans to a special, global theatrical experience, where they will be among the very first to hear the band's hotly-anticipated new record Moon Music.
Amidst many distractions, Samantha struggles to find her voice recording a new song. She encounters a mysterious stranger who reminds her of why she loves to create music.
A baby dragon and a little bird fail to make beautiful music together.
For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
Midsummer celebration with dance and courtship in the idyllic Swedish landscape.
Self
Trailer
