Short documentary film on the fashionable nightclubs and the trendy pop culture scenes that were famous in London on the late 70's. Released as a support feature to the first Alien (1979) movie.
Self
Bird watchers on both sides of the U.S.-Mexico border share their enthusiasm for protecting and preserving some of the world's most beautiful species.
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A medium-length documentary commissioned by the Cuenca City Council. The documentary shows an honest, sincere, although sometimes mere tourist portrait, of the lands of Cuenca and its people, without artifice or imposture, with feeling and authenticity and at the same time with marked coldness.
Documentary film about artist Henri Matisse
The short documentary presents the difference between North and South China and also presents footage from several Chinese cities.
Aerial photographs and cityscapes by aviation pioneer Wulf-Dieter Graf zu Castell, who lived in China between 1933 and 1936 and was tasked with setting up an air traffic network for Eurasia.
Documentation of a journey along the Great Wall of China to the Ku-Pei-Kuo pass fortress.
An Edgar A. Guest Poetic Gem. It features the original song Take Me Home to the Mountain by Loesser & Herscher.
It's a condition known as "hypertrichosis" or "Ambras Syndrome," but in the 1500s it would transform one man into a national sensation and iconic fairy-tale character. His name: Petrus Gonsalvus, more commonly known today as the hairy hero of Beauty and the Beast.
After the killing of George Floyd, a queer black woman in Los Angeles is determined to capture the spirit of a mass social movement, so she hits the streets, camera in hand.
José Rodríguez is a current PGA Tour golfer who had a miraculous and equally turbulent border-crossing experience as an undocumented Mexican immigrant in the mid-1990s. This film chronicles José's astounding personal journey, revealing an American Dream that's not always the fairytale it seems.
To help visualize the dramatic final chapter in Cassini's remarkable story, NASA's Jet Propulsion Laboratory produced this short film that features beautiful computer-generated animation, thoughtful narration and a rousing score. Producers at JPL worked with filmmaker Erik Wernquist, known for his 2014 short film "Wanderers," to create a stirring finale video befitting one of NASA's most successful missions of exploration.
This short follows the early career of actress Jane Barnes. She starts by doing extra work. After several months she is offered a studio contract (the "first step"). However, her work consists mostly of fashion shoots and bit parts that end up on the cutting room floor. She is even used as a stand-in for Maureen O'Sullivan on the set of a Tarzan movie when camera angles and lighting must be set up.
For how long have we been laughing? Are human beings the only ones to laugh? In the past, scientists tended to neglect such questions of laughter, leaving them to the philosophers. Jacques Mitsch's A NATURAL HISTORY OF LAUGHTER explores recent scientific attempts to explicate this most elusive of human faculties, undertaken by scientists who see it as a means of approaching some of the larger mysteries of neurology and human behavior.
Imagine how life must be for someone whose skin has no protection whatsoever from the sun. And now imagine living in a country that averages over 80% sunshine during any given year. Welcome to Paulus's life in Namibia.
50 years ago the Volkswinkel - the People's Shop - opened for business in Rehoboth. The man behind the success story is Oom Land. Here you get to meet him.
A documentary about the Synthwave scene, nostalgia and the universe of creating sounds. A love letter to human fascination and the collective memories of a universe, that never existed.
At the end of 1954, Eduardo Ducay, Juan Julio Baena and Carlos Saura travelled to the region of Sanabria (province of Zamora) to make a commissioned documentary on the construction of a system of reservoirs. Much of the filmed material was unusable due to a technical problem, but Ducay rescued part of it and combined it with voice-over to construct a work on absences.
The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.
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