Profile of the Cambodian King Norodom Sihanouk, at the head of a country that has experienced colonization, the wars of the 20th century and the tragic period of the Khmers Rouge.
Narratives of Modern Genocide challenges the audience to experience first-person accounts of survivors of genocide. Sichan Siv and Gilbert Tuhabonye share how they escaped the killing fields of Cambodia, and the massacre of school children in Burundi. Mixing haunting animation, and expert context the film confronts our notion that the holocaust was the last genocide.
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This is the original version of the much heralded "Raising The Bamboo Curtain" narrated and produced by legendary travel filmmaker Rick Ray. (Rick later sold partial rights to this program to another producer who hired Martin Sheen to narrate - that cut down and rewritten version is not the same). Sneaking his cameras past Burmese and Cambodian customs officials and getting around the country to produce one of the best travel docs ever made, Rick has outdone himself - again!
An overview of the ruins of Angkor, the former capital of the Khmer Empire.
In 1972, during Cambodia's civil war, a sandstone statue was torn from the age-old Koh Ker temple. Measuring 1.58m high and weighing 110 kilos, it depicts a prince and belongs to a collection that retraces the epic of the Mahabharata. The sculpture was first sold at auction in London in 1975, via a strange British art dealer based in Bangkok, and reappeared in 2011 at Sotheby's in New York with a bid of $2.5 million. A sale that was ultimately prohibited. In the meantime, experts from the École française d'Extrême-Orient, an American lawyer commissioned by Phnom Penh and UNESCO mobilized the Heritage Police across the Atlantic to denounce the theft of a cultural asset. In 2013, the work was returned to Cambodia. A captivating investigation into the international mafia of antiquities trafficking.
On April 17, 1975, the face of Cambodia would forever be changed. As Khmer Rouge soldiers marched into the capital city of Phnom Penh, the unsuspecting people of Cambodia had little idea they would be forced into a living nightmare that would last nearly four years. Rain Falls From Earth is a story of courage, a story of survival and a story of eventual triumph over the Communist regime that was responsible for the deaths of over two million people. The voices of many Cambodians are heard as they convey their thoughts, ideas and emotions - the very things they were forced to abandon in the "killing fields" of Cambodia. Their stories are an eyewitness account to genocide.
Prajna is the Sanskrit word for radiant wisdom, and yatra is the word for pilgrimage or spiritual journey. This visually stunning documentary is a cinematic pilgrimage exploring the lost civilization of Angkor in Cambodia, including the largest temple in the world, the magnificent Angkor Wat. The journey continues to sacred sites of the natural world, Hindu Bali, jungles of Java, and discovering Buddhist Borobudur. A John Bush film.
Documentary of the S-21 genocide prison in Phnom Penh with interviews of prisoners and guards. On the search for reasons why this could have happened.
Two Dutch lawyers, Michiel Pestman and Victor Koppe, travel to Cambodia in 2011 to defend Nuon Chea in an international tribunal. Nuon Chea, also known as Brother No. 2, was the second man after Pol Pot in the Khmer Rouge regime. He is being charged with mass murder and crimes against humanity. For four years, the documentary follows the lawyers in their attempt to give this man a fair trial, but the UN tribunal is beset by local interests and a government which consists partly of other former members of the Khmer Rouge who would really like all of the blame to rest solely on the defendant. What should've been the crowning achievement in the careers of the lawyers turns out very different.
Aki Ra joined Pol Pot's murderous Khmer Rouge army at the age of nine. Twenty years later he roams the minefields of Cambodia in search of redemption. Armed only with a stick and a pocketknife Aki seeks out and destroys some of the six million landmines that infect his home. Shot in minefields, this film contains footage that reveals just how dangerous Aki Ra's obsession is.
In okay bye-bye, so named for what Cambodian children shouted to the U.S. ambassador in 1975 as he took the last helicopter out of Phnom Phenh in advance of the Khmer Rouge, Rebecca Baron explores the relationship of history to memory. She questions whether, "image and memory can occupy the same space." Building on excerpts from letters, found super-8 footage of an unidentified Cambodian man, iconographic photographs from the Vietnam War and other partial images, Baron combines epistolary narrative, memoir, journalism, and official histories to question whether something as monumental as the genocidal slaughter of Cambodians during the Pol Pot regime can be examined effectively with traditional methodologies.
Cambodian refugee Ted Ngoy builds a multi-million dollar empire by baking America's favourite pastry: the doughnut.
This documentary looks at the stories that take place around a unique 1.5 kilometre long bamboo bridge that for generations has been built every year following the rhythms of nature across the Mekong River to join the rural community of Koh Paen to the city of Kampong Cham in Cambodia.
Through daily routines in a rural village, an indigenous elder couple recall their strange marriage to their grand-daughter, and sometimes to each other, in the changing rhythm of nature around them.
When Dr. Haing S. Ngor was forced into labor camps by the Khmer Rouge, little did he know he would escape years of torture and recreate his experiences in a film that would win him an Academy Award®. "The Killing Fields of Dr. Haing S. Ngor" tells the dramatic story about arguably the most recognizable survivor of the Cambodian genocide, a man who became a worldwide ambassador for justice in his homeland, only to be murdered in a Los Angeles Chinatown alley - a case still muddled with conspiracy theories. Through an inspired blend of original animation and rare archival material - anchored by Ngor's richly layered autobiography - the years encapsulating the Khmer Rouge's tyrannical rule over Cambodia are experienced though a politically charged transnational journey of loss and reconciliation.
Short-documentary about a visionary actor and his team fight to revive Lakhon Niyeay (Spoken Theater) in Cambodia, facing personal and professional challenges, as he prepares for a major show after six years amidst an uncertain future.
It's Seattle 2006: A refugee teenager from Cambodia begins recording a video diary early in the summer to explain the meaning of "thug life." But ultimately his summer is defined by tragedy. Awarded Best Documentary at the DC Asian Pacific American Film Festival 2019
Documentary about Cambodia featuring a long interview with Pol Pot
Over three million Cambodians died in the genocide between 1975 and 1979. The Khmer Rouge’s reign of terror also decimated a homegrown film industry that had flourished since 1960: movie theaters were bombed, film prints were destroyed and artists were executed. In Golden Slumbers, French-Cambodian filmmaker Davy Chou mourns this loss of lives and culture, but balances the somber material with a playfulness that honors the lush melodramas and mythic adventures of the glory years.
Between April, 1975 and January, 1979, Pol Pot and the Khmer Rouge were responsible for the deaths of 1.7 million people in Cambodia. A quarter of the population were wiped out in one of the most brutal and virulent genocides of the twentieth century. This new film explores the life of Pol Pot, the ever-smiling, obsessively secretive leader of the Khmer Rouge. What drove him to inflict such a radical experiment on his own people? How did the Khmer Rouge turn from a band of nationalist revolutionaries into a ruthless killing machine? And why did the West stand by and let it happen? As an international tribunal in Cambodia finally brings the surviving leaders of the Khmer Rouge to justice, it's time to re-examine the gruesome legacy of Pol Pot.
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