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An avant-garde documentary film on English guitarist, composer and improviser Fred Frith.
A powerful feature documentary about child sexploitation, an epidemic happening in every country around the world. Filmed over a four year period, REDLIGHT focuses on the personal stories of young Cambodian victims and two remarkable advocates for change: grass-roots activist Somaly Mam and politician Mu Sochua. Using gritty footage smuggled out of brothels and harrowing testimonials, REDLIGHT follows the plight of several current and former child sex slaves. Some are trying to regain entry into Cambodian society to find some semblance of normality after their horrific experiences. Other stories highlight the plight of victims who are attempting to bring the perpetrators to justice. Their torturous yet ultimately heroic battles to find witnesses and take brothel owners to court are dramatically brought to life in this topical and moving feature documentary.
When Dr. Haing S. Ngor was forced into labor camps by the Khmer Rouge, little did he know he would escape years of torture and recreate his experiences in a film that would win him an Academy Award®. "The Killing Fields of Dr. Haing S. Ngor" tells the dramatic story about arguably the most recognizable survivor of the Cambodian genocide, a man who became a worldwide ambassador for justice in his homeland, only to be murdered in a Los Angeles Chinatown alley - a case still muddled with conspiracy theories. Through an inspired blend of original animation and rare archival material - anchored by Ngor's richly layered autobiography - the years encapsulating the Khmer Rouge's tyrannical rule over Cambodia are experienced though a politically charged transnational journey of loss and reconciliation.
The wildlife and cultures of southern Asia have been shaped by one of the greatest phenomena on Earth: the mighty monsoon winds that sweep across this vast region, turning drought into deluge. All life – human and animal – is dominated by this rampaging weather system. From the northern shores of Australia to the highest peaks of the Himalayas and the wind-blown deserts of northern India to the lush equatorial forests of Borneo, this series makes an exhilarating journey through the lands of the monsoon. Along the way, it offers a taste of the variety and colour of the different regions’ most extraordinary wildlife and cultures and the way they cope with the tumultuous weather. This is the story of a relationship between humans and nature that has grown across thousands of years – all living in the shadow of the monsoon.
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Rithy Panh uses clay figures, archival footage, and his narration to recreate the atrocities Cambodia's Khmer Rouge committed between 1975 and 1979.
A documentary feature about victims and perpetrators involved in restorative justice programs.
The father tends his large garden with the utmost precision. The mother irons shirts and regrets that the father never wears T-shirts. The father likes order, always knows best, and has everything under control. The mother prays and talks of her loneliness. The two are fundamentally different, have opposing views and interests, and have been married for 62 years. Closely knit yet poles apart: this is the ambivalent standpoint from which Peter Liechti turns his lens on his elderly parents and the story of their marriage. Alongside conversations that shift from slapstick to insanity and observations of daily life in his parents’ cramped, lower middle class apartment, a puppet theatre is also established as a second location. This forms the stage for scenes between mother and father to be reenacted by rabbit puppets; as a puppet, the son can also react in explosive fashion.
What Swiss director Stefan Schweitert did for accordion music and for yodeling (Accordion Tribe, Cinequest, 2005; Echoes of Home, Cinequest 2008) he now does for traditional Balkan music. This wonderful film is also a love story – and a door into a world of musical wonders.
The Grüninger case from Switzerland. This is a documentary about a police officer who showed civil courage back in the forties when he led many refugees fleeing German Nazi terror immigrate to Switzerland, although he was advised not to do so. Grüninger later was sued by the state of Switzerland, lost his job and died in the early seventies. The film constructs a just lawsuit with eye-witnesses and thus fully legitimates what Grüninger did.
A poor, rural Cambodian family slowly disintegrates during the cycle of a single rice crop.
WHO KILLED CHEA VICHEA? is a highly charged murder mystery, a political thriller, and a documentary like no other. In 2004, Cambodian union president Chea Vichea was assassinated in broad daylight at a newsstand in Phnom Penh. As international pressure mounted, two men were swiftly arrested and convicted of the crime, each sentenced to twenty years in prison. Filmmaker Bradley Cox’s five-year investigation reveals an elaborate cover-up that reaches the highest echelons of Cambodian society. Winner of a 2011 Peabody Award among many other honors and banned by the Cambodian government, WHO KILLED CHEA VICHEA? uncovers the face of dictatorship behind the mask of democracy.
Hidden in the wooded mountains on the west coast of Japan lies the small Zen monastery Antaiji. A young woman sets off to immerse herself through autumn, winter and spring in the adventures of monastic life. The young woman is Sabine Timoteo from Switzerland. The abbot of the monastery is Muho Noelke, born in Berlin. An interplay between the philosophy of the Japanese Zen master Kodo Sawaki and the surprises brought forth by everyday life.
In a tale of drama and adventure, young journalist Andy Cameron (Robert Walker) has to get into Cambodia (it is assumed this is during the genocidal reign of Pol Pot). Cameron has to smuggle out his girlfriend Mieng (Nit Alisa) before she is killed (along with the other two million Cambodians), but he cannot manage this alone. He enlists the aid of an American Vietnam vet and the help of a few Khmer men. Eventually, Cameron makes his way into Cambodia where he encounters many dangers, some human and some inhuman.
Between April, 1975 and January, 1979, Pol Pot and the Khmer Rouge were responsible for the deaths of 1.7 million people in Cambodia. A quarter of the population were wiped out in one of the most brutal and virulent genocides of the twentieth century. This new film explores the life of Pol Pot, the ever-smiling, obsessively secretive leader of the Khmer Rouge. What drove him to inflict such a radical experiment on his own people? How did the Khmer Rouge turn from a band of nationalist revolutionaries into a ruthless killing machine? And why did the West stand by and let it happen? As an international tribunal in Cambodia finally brings the surviving leaders of the Khmer Rouge to justice, it's time to re-examine the gruesome legacy of Pol Pot.
In the course of living long months with a group of Iranian illegals in Athens, the director examines this radical choice of pursuing a better life through the most perilous of possibilities: clandestinity.
In the Church of the Holy Sepulchre, in the heart of Jerusalem, six different Christian denominations, Greek Orthodox, Armenian, Syrian, Roman Catholic, Ethiopian and Coptic Christians-have divided the sacred site and simply can not agree on which of the claims on the tomb of Jesus is the most legitimate. So they fight. Sometimes through a difficult time cleaning, sometimes even by force. An intuitive and entertaining approach to the fact that faith is a very human thing.
Imagine waking up tomorrow and all music has disappeared. Just like that. What will remain when it is all gone: CDs, iPods, instruments?
Fantasizes an 'Old' Middle East, wherein communities were not divided along ethnic and religious lines; a Middle East in which even metaphorical borders had no place
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