Jon Rafman's short features computer-generated renders of the Twin Towers and a narration from Charles Baudelaire's "Le Guignon."
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A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
Meet 5000 space aliens in 5000 seconds in this bonkers animated film.
A psychedelic, avant-garde collage film designed to accompany PRPL PPL's experimental album of the same name.
SEELE orders an all-out attack on NERV, aiming to destroy the Evas before Gendo can advance his own plans for the Human Instrumentality Project. Shinji is pushed to the limits of his sanity as he is forced to decide the fate of humanity.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Creeping from the halls of the maze brain, corruption and terror is woven by devils born from the denied errors of mankind.
The corner of a street is matched and mixed with the chant of a bird recorded on that same street. A symbiotic relationship is triggered: the rapid and successively repetitive montage cuts between the image of the street and the corners of the video frame itself produce new textures and shapes in our brain, whilst the sound follows the same rhythmic movements by emphasizing different “corners” (frequencies) from the bird’s singing. The energetic potency stemming from the junction of these elements creates a new image that is almost tactitle, maleable and rippling. The result is a somewhat humorous operation of the portuguese word "corner" throughout the different stages of making the piece, finally unveiling a piercing physical and kinetic experience for all the corners of our eyes and ears.
We are first presented a cobweb castle, filled with the haunting doubts of the young protagonist. Spirits appear on the screen and are heard on the soundtrack. Gradually a female guide emerges and escorts the young man into an antechamber to another (and possibly higher) world.
For the first time I am animating hand-painted engraved cut-outs on a full-color background. The film is mood-filled: A duel scene in a snowy forest, obviously the morning after a masquerade ball. Harlequin lies dying, while Red Indian walks away with the wings of victory. The woman between them appears, cat-masked. The mask dissolves away. Her spirit passes into the face of the sun upon the sun upon the sun flower. But Harlequin cannot escape death. The blue world engulfs him.
The first part depicts the heroine's toothache consequent to the loss of a very valuable watermelon, her dentistry and transportation to heaven. Next follows an elaborate exposition of the heavenly land, in terms of Israel and Montreal. The second part depicts the return to Earth from being eaten by Max Müller on the day Edward VII dedicated the Great Sewer of London.
In a nightmarish world, dominated by the decline and degradation of Man , Christ resurrected wandering, across three different eras of human history.
A twisted and macabre film by Mróz-Raynoch, which explores an exhibition where the guests are as grotesque as the exhibits (stylistically akin to Gerald Scarfe’s horrifically distorted caricatures).
Just a bit crazy...
Originally completed in 2018, the film was largely self-funded, Mr Yen Ooi worked on the script, refining the vision of the film for over a decade, with multiple iterations of the story under names such as 'Beetle Ramen', in which the completed draft of this screenplay was finalised in 2005, this would become the basis of inspiration and 13 years later the final production "Spaghetti Ramen" would be completed. It was then distributed to different indie and international film festivals. Unfortunately due to the passing of the director in the same year, the final processes were incomplete and the film did not get screened anywhere due to not getting the rights clearance. In 2023 however, the film was cleared to screen at WORM, Camera Japan in Rotterdam. This allowed for the first and only screening of the film in the world.
3-D is a hand-painted experimental short film by Riley Hogan. Acrylic paint, ink and scratching were used to animate on clear Super 8mm film leader.
Initially commissioned to accompany a Danish production of Alban Berg’s LULU, Lewis Klahr’s cut-out animation refigures the opera's themes in a torrent of images. With an ever-inventive approach to color and symbol, Klahr distills the title character's moral predicament, along with a great many of German Expressionism’s characteristic motifs, in the span of a pop song.
Suppressed memories reach a boiling point. An animated tale of longing. “The Experimental section saw Non Films’ Dull Hope scoop the premier place as category winner. Half animation and half movie footage, this hybrid resonated very much with the judging panel who deemed it to be a sad dirge on personal memories and heartbreak.” – The Guardian Directed & Animated by Brian Ratigan Music & Sound Design by Nick Punch (R.I.P.) Produced by Non Films
A particular day of a samurai
Slow disintegration and aging of artists head, revealing underlying bone structure. Created using old picture-phone technology. New music added in 2013.
Presenting a woman, a female statue, a breathing tree, and a fish out of water, an unorthodox love story unfolds with the growth of limbs and expressive gestures. Accompanied by desire discovered and lost, erotic femininity disfigured in a domestic space, and physical forms fragmented, two women steep in their reticent intimacy.
