A man tries to get a group of young people trapped in drugs out through philosophy.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Megacities is a documentary about the slums of five different metropolitan cities.
94-year old Esther, a pensioner with bad sight, is in search of her artist daugther’s public decoration. Endless phone conversations takes her through municipal bureaucracy and lost culture secretaries. Will she ever get an answer to the eternal question: Where does the art really go?
Shannon Amen unearths the passionate and pained expressions of a young woman overwhelmed by guilt and anxiety as she struggles to reconcile her sexual identity with her religious faith. A loving elegy to a friend lost to suicide.
Two old men enter an abandoned synagogue, look at the decay around them, and pray.
Two rabbis show the ruins of an abandoned synagogue to a group of primary school-age Jewish children, and stand by as the children dip bread in honey, drink wine, pray, and sing.
Lost short film.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
A promotional video for the film “Death and Rebirth.” Released on January 25, 1997, it contains an overview of the series’ plot, cast interviews, a music video for “Soul’s Refrain,” and several trailers for the film.
This short travelogue depicts snippets of locations in Hollywood, California, most of them as seen from the streets. Considerable time is taken showing the kinds of architecture of private homes. There are images of various important buildings, and a depiction of the Hollywood Bowl. Finally, there is a sequence revolving around the premiere of the film “Dirigible” (1931) at the famed Chinese Theatre.
In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
From can't miss future NFL star to incarcerated addict, former San Diego Charger Ryan Leaf shares insight into the choices and mistakes he made that changed his life forever.
Documentary about the special friendship between the 72-year-old music machine collector Johann Bartisch and the 12-year-old farm boy Gerd from the village of Arnsgereuth. As a child, the Romanian Johann played "O sole mio" on the piano while his brother accompanied him on the violin. Even then, he was fascinated by the music machines that could be found at fairgrounds, in cinemas and on trains. As an adult, Johann began his passion for collecting in Bucharest, rescuing self-playing instruments from barns, cellars or even garbage dumps. With great attention to detail, Johann restores his found treasures in his 250-year-old schoolhouse in the village of Arnsgereuth.
Young men are faced with a medical commission for army recruits and asked to choose where they want to get to, at least theoretically.
The 1966 visit of Hollywood movie star Kirk Douglas at the legendary Polish State Film School in Lódz.
A satirical look at the Soviet-block hairdressing contest which was held in Warsaw in 1971.
70-year-old Timo makes the most of his short ride to work. Speeding up on a bicycle ends up in a ditch, but the adrenaline rush leaves a feeling of pleasure.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
In the midst of a publishing revolution, The Atlanta Journal-Constitution, one of America's most storied institutions of journalism, is experimenting with new tools to tell stories in preparation for the end of print in the digital era.
Journey to the sunny coastline of South Florida, where Chacón-Cruz — one of opera’s leading tenors — invites you inside his home, his artistry and his history to show how he’s embraced his identity as fuel for his work.
No Trailers found.
