Short by Jomard Muniz de Britto
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Concert footage of The White Stripes recorded in January of 2004, featuring tracks from the band's four studio albums as well as live favorites like the Dolly Parton cover "Jolene"
The Mangueira slum is the scenario where Tantinho and the old samba composers remember stories about the slums and samba.
In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were utilized as background extras for “Apocalypse Now.”
This is the story of Roger, a former pork butcher, who worked for 40 years in the beautiful town of Beaune in Burgundy. Since he retired, he has started a new life as a filmmaker: Roger films only on Super 8. Insects, birds, everything he can find in the countryside are his favorite subjects. His short films have won prizes all over the world, some of them have been shown during the Cannes Film Festival. Josette, his wife and number one fan, happens to work for him from time to time.
A year in the life of a samba school, from the first rehearsals to the parade on the avenue.
A short experimental film shot on Super 8, inspired by the music of Richard Wagner.
Fog surrounds the peak of a mountain as summer wildflowers bloom.
A Chinese girl returns home to Helsinki, with a desire to reassess her feelings about home, perfection, friendship, and regret. A tender dialogue is raised between father and daughter.
Three bands and crew (a combined total of 13 individuals), 2 Dodge Ram extended cab vans, one equipment truck, one PA system traverse the continental US for six months. A road documentary shot from the inside of the last Black Flag tour ever (the 1986 “In My Head” US tour.) Featuring behind the scenes proceedings and live performances from Black Flag, Painted Willie, and Gone. David Markey was along for the entire trip as the drummer / singer for Painted Willie, documenting the six month tour with his Super-8 camera as it happened. Also features roadie Joe (“Planet Joe”) Cole, soundmen Davo Claasen and Dave “Ratman” Levine, and the tour manager who kept it all together, Mitch Bury. A crucial turning point in American underground rock. The end of the line for a trail blazing American band. Shot in 1986 and completed by director David Markey in 1991 for We Got Power. (futuristika.org)
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A documentary that focuses on two young male inhabitants of Recife (statistically, the fourth worst city in the world to live in) who have both reacted strongly to their situation. One has become a drummer in a rap/rock band. The other has killed forty-four people and is now in jail. Both use the term "Wicked Souls" to describe their enemies.
Skip Liberty enlisted in the Army in 1968. During his tour in Vietnam he shot 3,100 feet of Super 8 film, over 3 hours worth. Upon returning to the states the film was placed in storage, Skip had never seen the footage he shot. Until now.
This documentary short-film follows the story of The White Bus Cinema based in Southend-on-Sea. They keep the process of projecting real celluloid film alive by showing films from their archive of over 3,000 films, ranging from Super 8, 16mm, and 35mm prints. The film argues why it's important to continue the shooting and projection process of film in our current age of digital shooting and projection in modern Hollywood, amidst the chaos of studios removing films from their streaming services.
A panorama of Brazilian popular music from the 60s and 70s through the musical group Novos Baianos. A retrospective of the community lifestyle adopted by its members and the influence inherited from singer João Gilberto.
A short film shot on Super 8 which captures the last days of winter.
This short film follows Pelé, a retired nurse who looks back on his time as a Mateus in the century-old Bumba Meu Boi group, Boi Tira-Teima. As he builds a new boi for the festival, he revisits the defining moments of his journey as a performer, carnival artist, and son of Mestre Gerson, the group’s former patriarch. The film explores how the way we carry our memories of the past shapes who we become in the present.
The documentary talks a little about the carnival experience that Arlindo Rodrigues had during his more than 25 years of artistic life.
Amid the explosion of colors, sounds, and excesses of Olinda’s 2025 Carnival, Cuceteiras VII: "Cucesniff?" dives into the behind-the-scenes of a house that becomes the epicenter of partying, chaos, and connection. A group of friends shares a roof during the most intense days of the year, living a routine filled with alcohol, drugs, unexpected guests, and catchphrases that go viral among revelers. Between laughter, hangovers, and confessions, the documentary captures the raw intensity of human connection when the masks come off — or multiply. A chaotic, honest, and irreverent chronicle of youth, freedom, and the unmistakable heat of Pernambuco’s carnival.
