A toxic waste scandal.
A Swedish mining giant, Boliden, is accused of having dumped 20000 tonnes of toxic waste in a poor neighborhood in a Chilean desert town.
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The "cueca" is Chile's national dance. Marveled by this form of dancing, the narrator reflects on the meaning of dance in our lives and how it has been portrayed in the history of cinema.
'The Devil's Miner' tells the story of 14-year-old Basilio who worships the devil for protection while working in a Bolivian silver mine to support his family.
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Dakota Fred Hurt, Dustin Hurt and the Richardson brothers battle nature, time, and death itself to strike gold under a huge waterfall. This film documents what Fred and Dustin were up to since they left Discovery's GOLD RUSH, and it's the prequel to Discovery's new show starring this team called GOLD RUSH: WHITE WATER.
1988 marked the year in which the debut album of the Chilean band De Kiruza - Oficial was released, where the single "Algo está pasando" stood out, the first Chilean rap recording.
Sonar Rock City: Seattle is a journey through the city that caught our attention back in 1992 thanks to the grunge movement which today no longer exists. Still today the creative spirit runs through its veins with a new music scene that captures what Seattle is in its core.
In this feature documentary, filmmaker Paul Cowan offers an innovative, moving account of the Westray coal mine disaster that killed 26 men in Nova Scotia on May 9, 1992. The film focuses on the lives of three widows and three miners lucky enough not to be underground that day when the methane and coal dust ignited. But their lives were torn apart by the events. Meet some of the working men, who felt they had no option but to stay on at Westray. And wives, who heard the rumours, saw their men sometimes bloodied from accidents and stood by them, hoping it would all turn out all right. This is a film about working people everywhere whose lives are often entrusted to companies that violate the most fundamental rules of safety and decency in the name of profit.
Concert by Víctor Jara at Panamericana Televisión in Lima, Peru, on July 17, 1973. This is one of the last audiovisual records of Víctor Jara. Two months later he would be assassinated by the Chilean military dictatorship.
The third installment in Dan Přibáň's series of travel documentaries describes the author's journey with his friends across South America in vehicles that are often notorious but cult in their own way. The charming dynamics of the group on screen are further enhanced by the high-quality craftsmanship.
An investigation into the unfolding history of nuclear testing, uranium mining, and nuclear waste disposal on indigenous lands in the US. It raises the voices of those who witnessed and experienced the consequences of nuclear colonialism and those who still resist.
In the midst of a profound social conflict, the director, a blind activist based in Canada, returns to her native Chile to follow five activists who embark on a transformative process to dignify their lives.
A new uranium mill -- the first in the U.S. in 30 years -- would re-connect the economically devastated rural mining community of Naturita, Colorado, to its proud history supplying the material for the first atomic bomb. Some view it as a greener energy source freeing America from its dependence on foreign oil, while others worry about the severe health and environmental consequences of the last uranium boom.
Warwick company newsreel material of the Universal Colliery at Senghenydd on fire after an explosion on 14th October 1913, and footage of a funeral procession for some of the 439 mine workers who were killed, is followed by a collage of images of the town and its people as they are 50 years later. Wynford Vaughan Thomas, narrating his own commentary, wonders if "colour"- superficial re-decoration – can really make any difference to "the inner heart of Senghenydd". Shot on spare, blank pieces of film by James Clark. Assisted by local amateur photographer and former miner Bill Probert. Script written and narrated by Wynford Vaughan Thomas. 1964.
Documentary about the dangers of toxic waste and its long-term consequences.
