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Documentary marking the 30th anniversary of the 1984 miners' strike, one of the bitterest industrial disputes in British history, with stories from both sides of the conflict.
Warwick company newsreel material of the Universal Colliery at Senghenydd on fire after an explosion on 14th October 1913, and footage of a funeral procession for some of the 439 mine workers who were killed, is followed by a collage of images of the town and its people as they are 50 years later. Wynford Vaughan Thomas, narrating his own commentary, wonders if "colour"- superficial re-decoration – can really make any difference to "the inner heart of Senghenydd". Shot on spare, blank pieces of film by James Clark. Assisted by local amateur photographer and former miner Bill Probert. Script written and narrated by Wynford Vaughan Thomas. 1964.
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A new uranium mill -- the first in the U.S. in 30 years -- would re-connect the economically devastated rural mining community of Naturita, Colorado, to its proud history supplying the material for the first atomic bomb. Some view it as a greener energy source freeing America from its dependence on foreign oil, while others worry about the severe health and environmental consequences of the last uranium boom.
An investigation into the unfolding history of nuclear testing, uranium mining, and nuclear waste disposal on indigenous lands in the US. It raises the voices of those who witnessed and experienced the consequences of nuclear colonialism and those who still resist.
In this feature documentary, filmmaker Paul Cowan offers an innovative, moving account of the Westray coal mine disaster that killed 26 men in Nova Scotia on May 9, 1992. The film focuses on the lives of three widows and three miners lucky enough not to be underground that day when the methane and coal dust ignited. But their lives were torn apart by the events. Meet some of the working men, who felt they had no option but to stay on at Westray. And wives, who heard the rumours, saw their men sometimes bloodied from accidents and stood by them, hoping it would all turn out all right. This is a film about working people everywhere whose lives are often entrusted to companies that violate the most fundamental rules of safety and decency in the name of profit.
The mining industry, which always had been “sponsor” and “financier” of the soccer clubs in the Ruhr valley during the post-war period, doesn’t exist anymore nowadays in that form. Many of the once glorious clubs which dominated German soccer until the 1970s faded into obscurity without financial backers. The documentary “Im Westen ging die Sonne auf" ("The sun had risen in the west“) shows the history of the “Revierfußball” from after the second World War until the decline of the mining industry and recalls legendary players and forgotten clubs. The film shows especially how deeply rooted the sport was back then in the entire lifestyle of the Ruhr area - in private life as well as in society - and how structural change also left clearly visible marks in sports. With pictures from back then, interviews with contemporary witnesses, and footage of original locations nowadays, a contemporary document of German post-war history, by taking the example of soccer, has been created.
A docudrama on the closing of the town of Schefferville. When Raoul loses his job at the mine because the operations are ending, he's been settled there for ten years with Carmen and their son. They're now forced to leave the town, leaving behind the traces of an ephemeral prosperity.
Documents the cultural and ecological impacts of coal stripmining, uranium mining, and oil shale development in Utah, Colorado, New Mexico, and Arizona – homeland of the Hopi and Navajo.
Recruitment film for general training sections of competitive gymnastics units. It shows the importance of regular exercise for recharging one's batteries so that exercisers can return to work with a clear mind.
This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastover's refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.
Newly into addiction recovery, an urgent threat emerges to spur filmmaker, Mark Titus back to the Alaskan wilderness - where the people of Bristol Bay and the world's last intact wild salmon runs face devastation if a massive copper mine is constructed.
Ten years after an enormous open-pit gold mine began operations in Malartic, the hoped-for economic miracle is nothing more than a mirage. Filmmaker Nicolas Paquet explores the glaring contrast between the town’s decline and the wealth of the mining company, along with the mechanisms of an opaque decision-making system in which ordinary people have little say. Part anthropological study, part investigation into the corridors of power, Malartic addresses the fundamental issue of sustainable and fair land management.
A West Yorkshire story of rewilding wetlands in a landscape once dominated by deep coal mining.
"It's still men who win coal": a look at the past, present and future of the coal industry.
'The Devil's Miner' tells the story of 14-year-old Basilio who worships the devil for protection while working in a Bolivian silver mine to support his family.
