Birds singing. Alarm clock. Coffee. What’s next? A trip outside? Or a trip inside? This film is a breathing meditation, wrapped in the disguise of a feather-light experimental drawing animation.
No Cast found.
Made as part of a Triton Gallery show to publicize the poster art of Canadian artist Vittorio Fiorucci, filmmaker Wakefield Poole cut apart posters and hand-animated the film using his 8mm camera to create stop-motion. The film was combined with dancers, lighting and projections to create an innovative gallery show.
7362 is concerned with dividing and joining together. It begins with two black circles against a white background, knocking together and gradually moving further apart. The circles fade out, and return as white circles against black inside a square. Images similar to Rorschach blots appear. Gradually the viewer realizes that the images were not originally abstract, but were human forms (dancers, gymnasts, etc.), bridges, and others that have been split down the center of the frame, with their mirror images printed on either side of the split. Red, green, and white tints further abstract the images from their original foundations in the natural world, making dancers appear to be amoebas or dividing cells. The accompanying sound track is a mixture of electronic music and musique concrète ("real" recorded sounds manipulated to sound abstract).
Life drums the playfulness out of a boy as he grows up.
Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.
Doodles keep dripping down from the mouth of an idiot.
The Boyg is the voice within that whispers go around, preventing you from facing yourself, suffocating progress and initiative. A six minute visual and musical remix of Ibsens Peer Gynt, Norwegian Folklore, Edvard Griegs composition, paralyzing panic attacks and The Great Boyg itself who finds us all.
Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Village, like a human being, is born out of love. Village, like a human being, is ruined, if left without love.
I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.
Be better and more beautiful than you were before.
Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).
No overview available.
Blu animation takes a circular trip around a room
A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Presley.
A non-narrative film thematising the eternal struggle of human life in a series of scenes connected by associations and accompanied by a strong music motif.
Visit He visits a city. The city already forgot him. The city is still sinking in his dream. The flicking segments of real life and illusion. Only the lighthouse has his memory. But the memory will may be vanished.
A short movie about a guy living in his own world.
A splice-less, text soliloquy acknowledging an unknown, random audience of one I'm sharing this film with. Originally shot in b&w, the digital version has gone pink. Super-8, silent. - Joseph Bernard
Trailer
